Sentences with phrase «recent public installations»

The piece, which sold early in the weekend, is a fascinating departure from the hyperrealistic sculptures of human figures and plants for which Matelli is best known, as seen in such prominent recent public installations as the High Line.

Recent public installations include the University of California at San Francisco Library; the Mott Haven School Campus, Bronx, NY; and «Still Life with Landscape (Model for a Habitat) on the High Line, New York, which was awarded the AICA Award for Best Project in a Public Space in 2012.

WATCH NOW: The sculptor famed for his recent public installation Dabbawala, discusses his Buffalo series and the philosophy behind his art during a studio visit with Saffronart.

Not exact matches

In a statement by its Director of Public Relations & Information, Air Commodore Dele Alonge, the Force says, «It is instructive to note that with the recent successes recorded by the military in the North East against the Boko Haram Terrorists (BHT), intelligence reports revealed that due to the fierce attack on the sect, the BHT elements are presently in disarray and looking for soft targets to strike especially military installations.»

Efforts over the last dozen years to have hearing loops installed in public places around the U.S. have gained momentum in recent years with new American manufacturers stepping up to design and market hearing loop amplifiers for a wide variety of installations, from home TV rooms and taxis to auditoriums and airports.

The Manchester Art Gallery presents Raqib Shaw's largest solo exhibition to date, featuring 28 recent recent paintings, sculptures, and works on paper, many on public view for the first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the space.

Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).

Although Smith has worked with glass for 20 years, she has refocused on the medium though recent public commissions, including her Art Production Fund installation of 2012, Kiki Smith's Chorus, and the 16 - foot East Window for the Museum at Eldridge Street / Eldridge Street Synagogue, both in New York and from 2012.

The installation's group of anthropomorphic forms alludes to the type of gatherings that have taken place in various public spaces across the world in recent times, demonstrations of clashing values about political views and social space and other politicized issues.

Recent commissions include an artwork installation for the San Diego International Airport Terminal 2 revitalization, which will be unveiled in late 2013 as well as a commission for the new San Diego Public Library.

Recent stints as a resident in Spaces World Art Program and a Mary L. Nohl Fellow resulted in permanent, public installations of bronze plaques that commemorate their own legitimacy; a further iteration of this project was included in the 2014 Whitney Biennial.

For her first solo museum exhibition in Los Angeles, Leigh presents a selection of recent ceramics and a site - specific installation, as well as a public program related to her ongoing research and work in public engagement.

She has produced numerous public installations engaging questions of social justice, community, and race, including her recent Solitary Gardens project.

Continuing his research on the recent history of architecture, the industrial sanitization of materials and the intimate, domestic vulnerabilities of inhabitants of particular urban spaces, Burr has created this outdoor public installation comprised of 18 dark steel structures in an intricate spatial arrangement throughout SCAD Museum of Art Ruins.

Recent projects include large - scale public installations for the 2010 Winter Olympics in Vancouver, Canada; the Madison Square Park Conservancy in New York; and the 50th Anniversary of the Guggenheim Museum in New York.

Recent works include The Gifts, (2010) a suspended installation of 999 objects given to the artist by the public and wrapped in cloth.

In recent years Barbara Kruger has extended her aesthetic project, creating public installations of her work in galleries, museums, municipal buildings, train stations, and parks, as well as on buses and billboards around the world.

Following the enigmatic crack, the fog - shrouded sun and the giant slides which became some of the most popular public art installations of recent years, Tate Modern yesterday announced that the Polish artist Miroslaw Balka is the next to win the Unilever commission to fill the gallery's huge Turbine Hall.

Recent solo projects include «Flamme Eternelle» at Palais de Tokyo in Paris, France (2014) and «Gramsci Monument», a major public installation presented by Dia Art Foundation and located at Forest Houses, a New York City Housing Authority development in the Morrisania neighbourhood of the Bronx, New York, USA (2013).

Recent commissioned projects include: a 3 - month - long performative project in the public realm — part of the Art in the Public Space program of the City of Zurich, a series of spatial interventions in a disused flower shop storefront for VOLT (Bergen), and installations for Bunkier Sztuki (Krakow), Marta Herford Museum, MGLC Ljubljana, Kunsthalle Osnabrück, the 53rd October Salon (Belgrade), Stroom (the Hague), «Greater New York» at MoMA PS1 (NYC), Galerija Skuc (Ljubljana), and the 11th Istanbul Biepublic realm — part of the Art in the Public Space program of the City of Zurich, a series of spatial interventions in a disused flower shop storefront for VOLT (Bergen), and installations for Bunkier Sztuki (Krakow), Marta Herford Museum, MGLC Ljubljana, Kunsthalle Osnabrück, the 53rd October Salon (Belgrade), Stroom (the Hague), «Greater New York» at MoMA PS1 (NYC), Galerija Skuc (Ljubljana), and the 11th Istanbul BiePublic Space program of the City of Zurich, a series of spatial interventions in a disused flower shop storefront for VOLT (Bergen), and installations for Bunkier Sztuki (Krakow), Marta Herford Museum, MGLC Ljubljana, Kunsthalle Osnabrück, the 53rd October Salon (Belgrade), Stroom (the Hague), «Greater New York» at MoMA PS1 (NYC), Galerija Skuc (Ljubljana), and the 11th Istanbul Biennale.

An offsite installation of two large - scale recent sculptures by Robert Gober is open to the public for a limited time.

Recent institutional solo exhibitions include, «Cloud metal cities», at Kunsthalle São Paulo; «One Torino,» with Santo Tolone and Naufus Ramírez - Figueroa, Castello di Rivoli, Turin (2013); «If I don't taste it will melt on your finger», public commission for the city of Turin,» Luci d'Artista», (2013); «Der Tanz,» Atelier Amden, Amden (2013); «Afer the Monument Comes the People,» Back wall installation, Kunsthalle Basel (2012); «I wish Blue could be Water,» CRAC Alsace, Altkirch (2012); and «Les Figures Autonomes,» Centre Culturel Suisse, Paris (2012).

A student of prominent public sculptors Mark di Suvero and John Henry, Clement's work has been exhibited and installed worldwide, including recent installations at the Garrison Art Center (Garrison, NY), Georgia Tech (Atlanta, GA), Elon University (Elon, NC), and the Frost Art Museum (Miami, FL).

The artist's recent projects and commissions include a large - scale outdoor public art commission for the Seattle Art Museum's Olympic Sculpture Park, where her work — Seattle Cloud Cover ‖ allows visitors to walk through a covered skyway while viewing the city's skyline through tiny holes in multicolored glass; — Blind Blue Landscape ‖, a site - specific commission for the renowned Benesse Art Site in Naoshima, Japan, completed in September 2009; and — Stacked Waters ‖, a site - specific installation created for the cavernous entrance of the Blanton Museum of Art, January 2009.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and conRecent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and conrecent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

Rehberger is a new breed of artist — one whose work combines a future - oriented modernist ethic with a postmodern sense of play and disdain for categorical distinctions.Tobias Rehberger: 005 - 000 provides an overview of the artist's exhibition activities in museums and galleries as well as in public spaces, including the Tsutsumu garden, his recent installation at the Hanover EXPO 2000.

Here, Ms. Banner presents an overview of her practice and discusses recent exhibitions, including the site - specific public installation of an historic military aircraft in Yorkshire Sculpture Park.

Recent temporary public sculpture installations were at Westchester Square, Bronx, New York, and alternative memorials were formerly at the CUNY Graduate Center, New York, New York (1989 - 1995), and in Tribeca and the United Nations Plaza, New York (1997 - 1998).

The most recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated installation of monumental scale, a public tea gathering in an indoor garden setting, and immersive video works to explore and challenge the notion of place.

The installation, and accompanying series of public talks, will link together the earliest historical attempts to record and visualize the human pulse and heartbeat — from a record onboard a NASA probe at the edge of the Solar System to recent developments in artificial heart research.

This volume documents recent sculptures and installations by Alyson Shotz (born 1964), including major public commissions and works from an array of gallery and museum exhibitions.

Recent projects and exhibitions include Trigger: Gender as a Tool and as a Weapon (2017) at the New Museum of Contemporary Art, New York; Psychic Friends Network (2016) at Tate Exchange, Tate Modern, London; The Waiting Room (2016) at the New Museum of Contemporary Art, New York; The Free People's Medical Clinic (2014), a project commissioned by Creative Time; inHarlem, a public installation presented by The Studio Museum in Harlem at Marcus Garvey Park, New York; and a solo exhibition at the Hammer Museum, Los Angeles.

Previous Lozano - Hemmer sound installations include the recent public art installation Voice Tunnel (2013) where participants used their voice to transform seven city blocks of the Park Avenue Tunnel in New York City; the memorial for the Tlatelolco student massacre in Mexico City entitled Voz Alta (2008); and the radio electric scanning shadow - play Frequency and Volume (2003) installed at the Venice and Singapore Biennales, the Curve at the Barbican, Louisiana Museum in Denmark and the National Taiwan Museum of Fine Arts.

His most recent exhibitions include a major large - scale site specific work commissioned on the occasion Köln Skulptur # 8 in Köln, Germany and a public installation for Lustwarande ’15 in Tilburg, Netherlands.

Gormley's recent installation, One and Other is praised as one of the most important public art pieces of our time.

Featuring new and recent video installations, photographic series and sculptural work, the exhibition will occupy both floors and all four public gallery spaces.

Her most recent achievements include a public art installation at the Philadelphia Free Library installed at the end of 2017 and a solo exhibition at the Art Association of Harrisburg in 2017.

Recent exhibitions include Disorder: 9 Uneven Angles at Union Square Plaza, New York in 2016; public installations at the Venice Biennale in 2015 and 2009; and Venet à Versailles, an exhibition of significant scale at the prestigious Château de Versailles in France in 2011.

Best known for her immersive installations and public projects that explore the various historical and psychological implications of the genre of landscape, Teresita Fernández's most recent exhibition at Lehmann Maupin, Fire (America), debuts a 16 - foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper.

Coalescing recent manifestations of two distinct, yet interrelated bodies of work — «Planar Configurations» and «Planar Pavilions» — this two - part exhibition embodies Zittel's evolving symbiosis between art object and active living environment, and inaugurates the artist's newest permanent public installation in Joshua Tree, California.

Now in its 16th year, CitiesAlive, hosted by Green Roofs for Healthy Cities, explores the most recent green infrastructure science, economic valuation, asset management, public policy developments, new technology, and best practices in design, installation, and maintenance.