Sentences with phrase «recent videos and images»

Recent videos and images lend strong evidence that the P20 Pro will have the first triple camera array on a smartphone.
If you've ever used Snapchat or, for that matter, any other recent video and image capture app, then Clips will be an intimately familiar experience.

Not exact matches

In a recent Big Think video Sanders explained that many of us have a warped image of creators and the creative process in our heads — and our false beliefs set us up for creative failure.
As the social - media giant, which currently has 1.1 billion users, works to revive its image, it has announced several new features in recent weeks, including Twitter - like hashtags, Vine - like video clips and Twitter - like verified pages.
Facebook continues to modify its News Feed to include larger and more prominently displayed images and videos, Pinterest is now the fourth most popular social networking site, and Twitter now pulls pictures and videos right into its timeline — and has used its recent profile pages update to allow for larger header photos and profile pictures.
In recent years moviegoers and video - game players have grown accustomed to seeing digital buildings, cars, and stage sets that are indistinguishable from images of the real things — the ones built out of atoms, not just digital bits.
A form of machine learning called deep learning is one of the key technologies behind recent advances in applications like real - time speech recognition and automated image and video labeling.
It has collectively been digitising content in recent years — with over 1.5 million items, the database has images, video and other content on a large number of topics that are currently taught in schools.
This reach to customers as an iPad app allows Sotheby's to include more full - color images and embedded videos and links in order to forward the recent enhancements of its website.
We can't say it tops the Super AMOLED Plus of recent Samsung handsets, but video, web sites, and images look clear and bright, and text is as easy to read as ever.
Shot by Mikai Danger Karl, the video was shot during his recent trip to the country in April, 2014, and features some incredible images of the country's landscape, along with stunning portraits of Afghans who, if you asked, probably have a lifetime of stories to tell about their lives.
These images join the flythrough video that was released a while back, and the more recent character screenshots.
If you want to see more, you can also enjoy another recent gameplay video focusing on boss battles, a gallery of screenshot and artwork, a trailer focusing on animation and visuals, another trailer featuring the Japanese voice actors, some more gameplay, another trailer and screenshots from Gamescom released this Summer, the North American special editions, the European ones, another beautiful gameplay video, the trailer released back at E3, another colorful batch of screenshot alongside more gameplay, and one more gallery of images.
For three decades she concentrated primarily on photography and video, but in recent years began exploring drawing and painting again, inspired by vintage images of black representation in Ebony and Jet magazines.
Oppenheim's photographs and videos are composed of images and materials from the recent and not - so - recent past that she re-processes and transforms through various historical and contemporary techniques.
Seen together, this selection of videos highlights the ways in which her works investigate the intimate relationship between on - screen images and the physical and psychological response of the viewer — a relationship that has become increasingly direct in recent years due to the proliferation of electronic devices and the ubiquitous dissemination of visual and verbal information in our surroundings.
Kate Burnet's and Dan Woerner's recent videos weave images from pop culture, the 1961 British film The Day the Earth Caught Fire, and their own animations of burning cars, among other collected material, into a complex system of images that do not rely on a traditional linear narrative format.
Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.
This expanded edition of Gregory R. Miller's hugely successful first - ever monograph on Marilyn Minter from 2007 brings her public up to speed with the inclusion of works created over the past three years, including images from Minter's 2009 video «Green Pink Caviar,» shown in New York's Times Square and featured in Madonna's recent Sticky and Sweet concert tour.
User - generated content linked to the selected city such as recent news, tweets, images, videos, and posts from social networks, is searched and retrieved in real time and displayed as a multiple moving collage onto the facades of an abstract urban environment.
Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum of Fine Arts, «Subversion of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago, Field Museum, «Lucy's Legacy: the Hidden Treasures of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu, Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``
While her earlier work looked at art museums as places for worship or contemplation — in the vein of cathedrals or pilgrimage sites — and artworks as objects of faith, her recent works, such as Deposit III (2015), give more importance to painting as an actual object in its own right: «It allowed me to leave bi-dimensionality, unhang [painting] from the wall and naturally add other supports of images (video, mirrors, printed matter, found paintings) and link them to a same genealogy.»
White Space featured Wang Haiyang's abstract paintings — created to cope with his sexual energies during a recent hospitalization — along with videos and installations depicting human communications through images of gums and saliva.
Samaras will debut new photographic works from the «Nexus» series alongside images from the recent «Chairs» series (2008) and the «iMovie» video works (2005.)
David Reed, born 1946 in San Diego and a resident of New York since the 1970s, has in his good forty creative years developed an oeuvre that, with all its concentration on specific forms of painting, also maintains relationships to other, more recent image media, especially to film and video art.
The wide variety of materials that constitute the exhibition (including collections of photographs, slide projections, periodicals, recent film and video installations, sculptures, and printed works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.
For the exhibition, artists Sharon Lockhart, Ryan Trecartin, Peter Campus and Joachim Koester are presenting recent video projects that vary widely, while addressing the moving image and the idea of screen space.
Rick Silva (1977, São Paulo, Brazil) is an artist whose recent videos, websites and images explore notions of landscape and wilderness in the 21st century.
From his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015, the exhibition unfolds around the major moving - image installations that articulate Aitken's central subject matters, from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralized communication; and the incursion of commerce into every aspect of our social relationships.
Recent exhibitions include Artspeak (Vancouver) and Trinity Square Video (Toronto), along with screenings at Asia Art Archive in America (New York), S.A.L.T.S. (Basel), UCLA (Los Angeles), Images Festival (Toronto) and Art Athina (Athens).
Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.
Her recent publications include «History in the Present», in Ghosting, The Role of the Archive Within Contemporary Artists» Film and Video (Jane Connarty and Josephine Lanyon eds, Bristol: Picture This Moving Image and The Arts Council, 2006); «Patterning Memory: Ellen Gallagher's «Icthyosaurus» at the Freud Museum», Wasafari, November 2006; and «Migratory Aesthetics: (Dis) placing the Black Maternal Subject in Martina Attille's Dreaming Rivers (1988)», in Black British Aesthetics Today (Victoria Arana ed., Cambridge Scholars Press, 2007).
This new suite of paintings, the heart of his recent first solo show at Deitch Projects, is inspired by video erotica and uses its screen images to address highbrow concerns such as surface, color and space.
The exhibition features three recent videos: Over the Rainbow, a single - channel loop of vehicles endlessly crossing multiple highway overpasses, an engineering impossibility; Flight Patterns, a two - channel image, one of a flock of seagulls and the other of a set of commercial planes, clones that mimic the other; and 28 years in the implicate order, a single channel work in which dozens of balls bounce, each to its own rhythm which at one moment, converges in a single bounce
Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery installation in such recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the immersive video installation Ten Thousand Waves, on view in the Museum's atrium through February 17; and his most recent installation, the seven - screen PLAYTIME.
The exhibition Sturtevant: Image over Image features 30 works, including her repetitions of Andy Warhol, Marcel Duchamp, Jasper Johns and Félix González - Torres, and four of her most recent major video installations.
On view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlines.
Several recent video artworks have addressed and deployed the visceral power of the digital image, not despite its clichéd repetition, but because of it.
Group - shows in major museums include: «Optical Illusions, Contemporary Still Life ``, C / O Berlin, Berlin, Germany (2017), «Good Dreams, Bad Dreams - American Mythologies ``, Aïshti Foundation, Beirut, Lebanon (2016), «Ordinary Pictures ``, Walker Art Center, Minneapolis, MN USA (2016), «Image Support ``, Bergen Kunsthall, Bergen, Norway (2016), «Ocean of Images: New Photography 2015, Museum of Modern Art ``, New York, NY USA (2015), «Perfect Likeness: Photography and Composition ``, Hammer Museum, Los Angeles, CA USA (2015), «Reconstructions: Recent Photographs and Video from the Met Collection ``, Metropolitan Museum of Art, New York, NY USA (2015), «Rites of Spring ``, Contemporary Arts Museum Houston, Houston, TX USA (2014).
Some of these images are related to the video that the artist created for the song «The Troubles» on U2's most recent album, in which he extended his iconographic repertoire with new figures that touch on reflections about the cycle of life, personal relations in today's world, and the feelings that this tumultuous time evokes in us.
Recently published is a video documenting Reza Aramesh's recent exhibition, Them Who Dwell on the Earth, at One Marylebone, London, which includes images of source material for Aramesh's work and extensive footage of his show in London, and the latest instalment of Libyan artist and ceramicist Hadia Gana's diary, which she kept throughout the recent conflict in Libya.
The exhibition also brings together recent video works which collage together images, text and footage drawn from video games, internet memes and virtual landscapes, presented in new sculptural installations that reference spaces of play and of contemplation.
Traveled to New Orleans Museum of Art; Museum of Contemporary Art San Diego, La Jolla, CA; and Blanton Museum of Art, The University of Texas at Austin; Phoenix Museum of Art Darren Almond, Katharina Fritsch, Martin Honert, Gary Hume, Paul Sietsema, Rebecca Warren, Terry Winters, Matthew Marks Gallery, Los Angeles The Shock of the News, National Gallery of Art, Washington D.C. 2011 All of This and Nothing, Hammer Museum, Los Angeles (catalogue) Drawn from Photography, The Drawing Center, New York (catalogue) 2010 Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles A Selection of Works From MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles Hauntology, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley The Artist's Museum, Museum of Contemporary Art, Los Angeles The More Things Change, San Francisco Museum of Modern Art 2009 Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles Second Nature: The Valentine - Adelson Collection at the Hammer Museum, Hammer Museum, Los Angeles 2008 Progress, Whitney Museum of American Art, New York Life on Mars: 55th Carnegie International, Carnegie Museum of Art, Pittsburgh (catalogue) Inside Architecture: Selections from the Permanent Collection, Museum of Contemporary Art at the Pacific Design Center, Los Angeles (catalogue) When things cast no shadow: 5th Berlin Biennial for Contemporary Art, Berlin (catalogue) 2007 From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles USA: American Video Art at the Beginning of the 3rd Millennium, Second Moscow Biennale (catalogue) Live / Work: Performance into Drawing, The Museum of Modern Art, New York Radio Daniele, broadcast by Citta del Capo Radio Metropolitana, in collaboration with Museo d'Arte Moderna di Bologna, Italy 2006 Uncanny Nature, Australian Centre for Contemporary Art, Victoria, Australia (catalogue) Le Mouvement des Images, Centre Pompidou, Paris (catalogue) 2005 Recent Acquisitions, Museum of Contemporary Art, Los Angeles Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles (catalogue) Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo.
Reference to video and eventually inclusion of videos in judgments are certainly the more spectacular innovations, however, inclusion of images or graphical elements in judgments (or in other legal documents, such as as legislation) is in no way a recent phenomenon.
Launching What's New takes users to a landing page full of your friend's pictures, trophies and other recent event complete with large images and videos where applicable.
Launching What's New takes users to a landing page full of their friends» pictures, trophies and other recent events, and displays large images and videos where applicable.
If you want to know more, you can check out a recent batch of info on elements like PS4 Pro support and video sharing guidelines, a couple of interesting clips and images from yesterday's event in Tokyo, recent new screenshots showing characters and skills, and more footage displaying riding monsters and more.
If you want to see more before you check out the videos below, you can also watch some more gameplay from the PS4 and 3DS versions and some recent images showing magic and a village, and more showcasing the casino and quests.
You can check out the full video below, and if you want to see more, you can also watch some more gameplay from the PS4 and 3DS versions, some recent images showing magic and a village, and more showcasing the casino and quests.
In theory, this app makes it easy to transfer contacts, calendar data, images, music and videos from your Windows Phone to a recent Samsung Galaxy smartphone.
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