Sentences with phrase «reconfigure signs of power»
The Contemporary Arts Museum Houston, The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 — 1991.
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The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 - 1991, Contemporary Arts Museum Houston, Houston
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 - 1992, Nasher Museum of Art at Duke University, Durham, North Carolina.
2011Double Life, Tate Modern, London Under the Big Black Sun: California Art 1974 — 1981, The Geffen Contemporary at MOCA, Los Angeles (Catalogue Essays by Kristine Stiles, Paul Schimmel, Thomas Crow, Charles Desmarais) State of Mind: New California Art Circa 1970, Orange County Museum of Art, Newport Beach, CA Dolls - Figures of Projection in Contemporary Art, Museum Villa Rot, BurgriedenRot, Germany Touched: A Space of Relations, bitforms gallery, New York RESPONSE: ABILITY, transmediale.11, Haus der Kulteren Welt, Berlin The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 — 1992, Neuberger Museum of Art, New York, Catalogue with essays by Kristine Stiles, Griselda Pollock, Nancy Princenthal, Helaine Posner, Tom McDonough New Frontier, Sundance Film Festival, Park City and Salt Lake City, Utah
Kass has participated in several recent traveling exhibitions, including Hide / Seek, which originated at the National Portrait Galley in Washington, D.C., and The Deconstructive Impulse: Women Artists Reconfigure Signs of Power, originating at the Neuberger Museum of Art.
Plan on several visits to the CAMH to fully take in «The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 — 1991.»
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1972 - 1992, Neuberger Museum of Art, Purchase, NY
The Contemporary Art Museum of Houston hosts The Desconstructive Impsulse: Women Artists Reconfigure the Signs of Power, 1973 - 1991 — not quite as ambitious as MOCA's WACK!
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1973 — 1991, (2011), edited by Princenthal, in keeping with its excellent title, progresses the debate at a profound level, enabling further access to the careers of key women artists.
«The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 - 1991,» Nasher Museum of Art at Duke University.
Not exact matches
For a recent exhibition, McArthur questioned normative authority in a series of blank public sign works, reconfiguring and removing the language and symbols from existing signs to create an intentionally opaque series of directives that confront the prescriptive power of the format.