Sentences with phrase «recto verso»

Luca Bertolo, (1968, Milano, IT), is currently included in Recto Verso at the Prada Museum, curated by Shumon Basar, Elvira Dyangani, Cedirc Libert, and Dieter Roelstraete.

Frances Stark, Behold Man (Nancy and Sluggo recto verso pendant pair), 2017, Ink, spray paint, and gesso on canvas, 129.5 x 213.4 cm, Courtesy the artist and Institute of Contemporary Art, Miami.

Lithograph on 100 % rag paper 9 1/2 x 9 1/4 inches Edition of 300 Signed and Dated «Serra 1973» in pencil bottom right recto Numbered in pencil bottom left recto Verso stamped in black» © Copyright 1973 By Richard Serra Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Technology

Recent group exhibitions include: Material Life, The Goma, Madrid, ES; Recto Verso, Fondazione Prada, Milano, IT; Anna Barham, Luca Bertolo, John Wallbank, Galerie Tatjana Pieters, Gent, B; I baf del bambino, curated by Luca Bertolo, Lucie Fontaine, Milano, IT; Souvenir, curated by Lucie Fontaine, Galerie Perrotin, Paris, FR; Fig. 2: Natura Morta, curated by Cecilia Canziani and Ilaria Gianni, GNAM, Roma, IT.

22 temporary exhibitions in the new Milan venue from May 2015: «Serial Classic» (2015); «An Introduction» (2015); «In Part» (2015); «Trittico» (2015); «Gianni Piacentino» (2015); «Recto Verso» (2015); «Goshka Macuga: To the Son of Man Who Ate the Scroll» (2016); «L'image volée» (2016); «Kienholz: Five Car Stud» (2016); «Nástio Mosquito: T.T.T. - Template Temples of Tenacity» (2016); «Theaster Gates: True Value» (2016); «Betye Saar Uneasy Dancer» (2016); «William N. Copley» (2016); «Slight Agitation 1/4: Tobias Putrih» (2016); «Slight Agitation 2/4: Pamela Rosenkranz» (2017); «Extinct in the Wild» (2017); «Atlas I» (2017); «TV 70: Francesco Vezzoli guarda la Rai» (2017); «Slight Agitation 3/4: Gelitin» (2017); «Leon Golub» (2017); «H. C. Westermann» (2017); «Famous Artists from Chicago.

Not exact matches

A book's front matter can include any of the following material and should appear on odd or even (left - hand or right - hand, recto or verso) pages, as noted below.

This is an interesting mix with the iBook's landscape mode, that simulates the book with greater consistency than the Kindle, as it displays the two columns of texts as if it were an open page with a separate verso and recto.

A recto (right - hand page) running head usually differs in content from that of the verso (left - hand page).

In book production, the spread of two pages within a book is identified as consisting of the recto page (right hand page) and the verso page (left hand side).

PDF files allow pixel - perfect control over layout, including complex print - friendly layouts such as multiple columns and alternate recto / verso styles.

(2) Forget about designing two - page spreads, for example with photos on the left margin of the verso page and on the right margin of the recto page.

«Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small sketch for a Seated Figure (verso)» by Michelangelo Buonarroti, ca. 1510 - 11.

Edition of 100 works, signed recto and numbered verso.

Jane Freilicher Butterfly Weed and Goldenrod, 1967 oil on linen 30 x 32 inches signed middle center right recto, signed, titled & dated verso

Pietro Fancelli, Study for Orpheus and Eurydice (recto); A Bacchanal Procession (verso), circa 1800 — 10, pen and brown ink over graphite on paper, 16 x 22 ⅛ in., Minneapolis Institute of Art

In Verso Recto (state II) Nauman incorporates elements of his body into his art making process, the phantasmal shapes of fingers lined in two rows, «verso» and «recto.&rVerso Recto (state II) Nauman incorporates elements of his body into his art making process, the phantasmal shapes of fingers lined in two rows, «verso» and «recto.&rRecto (state II) Nauman incorporates elements of his body into his art making process, the phantasmal shapes of fingers lined in two rows, «verso» and «recto.&rverso» and «recto.&rrecto.»

watercolor, ink and graphite on paper (recto) watercolor and ink on paper (verso), 22-5/16» x 14-7/8» (56.7 cm x 37.8 cm).

Condition: Mounted, scattered pinpoint fox marks on mount recto and verso.

European • John Constable (English, 1776 - 1837), A Horse and Cart (made in preparation for VMFA's Branch Hill Pond, Hampstead Heath); with a study for The Gleaners, Brighton on verso, c.1824 - 25, Double - sided drawing, pencil on paper prepared with bistre (recto only), 5 3/4 x 9».

Declaration of Authenticity No. 50 (Carte d'authenticite No. 50) 1961 Ink on paper Approx. 2 x 3.5 inches (5.1 x 8.9 cm) Inscribed and signed, two - sided, lower right (recto, verso) Courtesy, Private Collection

Signature / Stamp: Signed by Horst in pencil on recto and verso.

Pen and brown ink, brush and brown wash, black chalk, stylus ruling, and compass construction (recto), black chalk, some ruling in black chalk (verso).

Signed and dated in pencil on the recto, signed, titled, dated, and numbered 4 out of 25 in ink on the verso, per a label from Robert Klein Gallery, Boston, affixed to the backing.

Famous (recto and verso), 1982.

Michelangelo Buonarroti, Tityus (recto); Sketches for a Resurrection of Christ (verso) ca. 1530 — 32.

She was the 2013 recipient of the Great Rivers Biennial and mounted her first museum solo exhibition «Recto / Verso» at the Contemporary Art Museum St. Louis in 2014.

Composite showing recto and verso of embossed signature on Robert Rauschenberg's Untitled (Pyramid Series)(1974).

De Kooning worked on multiple paintings simultaneously, using vellum to invert, mirror, or replicate a movement and transfer the image from one work to another or to study a movement from both sides, working on both recto and verso of the page.

The Campbells donated a recently rediscovered Baroque painting, Zeus and Semele by Jacques Blanchard, while Folz's gift includes a double - sided charcoal drawing by Mondrian featuring a representational landscape on the recto (Farm Near Duivendrecht) and an abstract composition (The Sea (Ocean 2)-RRB- on the verso, as well as Pierre Bonnard's Woman with a Lamp (1909).

2015 LVL3 MEDIA: Artist of the Week The DePaulia: DePaul art professor's work explores feminist intersectionality The Courier: Recto / Verso slices its way into the Cleve Carney Art Gallery

Installation Images from solo exhibition, Recto / Verso, at the College of DuPage.

This double - sided sheet, authenticated by the Fondation Giacometti, presents studies of four heads on the recto and a standing female nude on the verso.

The show was called Recto / Verso.

Littoral Drift # 05 (Recto / Verso, Rodeo Beach, Sausalito, CA 08.01.13, Two Waves, Dipped); unique cyanotype, 24 «x48».

P483 Signed recto, upper left: «RM»; verso: «OPEN # 94 \ R. Motherwell \ Summer, 1969»; verso (on vertical stretcher): «FOR \ MIRVISH \ GALLERY \ TORONTO» ARG # MOR1969 - 017

This design enables the visitor to view the scene in both recto and verso.

Related Posts: Interview: Carrie Moyer in Long Island City David Reed: A painter's life Recto or Verso: what kind of artist are you?

Once Michael Rosenfeld Gallery has received recto and verso images of the artwork, artist name, title, date, medium, dimensions, provenance, and exhibition and publication history, appraisals will be completed in approximately 7 - 14 business days.

Hung in the front window of the gallery, and thus viewable from both recto and verso, the work establishes a cogent, even menacing, relationship between the space of the gallery and the public street just outside.

Both artists take a geometric approach yet sometimes punctuate the rational forms with a freehand band of color, as in «Recto / Verso.»

Color screenprint on 100 % rag paper 12 x 9 inches Edition of 300 Numbered by the Artist in pencil lower left recto Signed «Louise Nevelson» in Pencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Technology

Vibrant colors, sharply cut edges and interplaying spaces are just a few of the tactics artist Zoe Nelson utilized in her first solo show «Recto / Verso.»

, 2010 acrylic, varnish and sumi ink on paper with acrylic ink, graphite and cutting (recto) and archival inkjet print (verso), mirror, hanging hardware, 42 ″ × 28 ″

William A. Garnett's 1975 Sand Dune # 1, Palm Desert, California (est. $ 3,500 - 4,500) is a gelatin silver image measuring 7 by 9 inches, and is signed in pencil in margin recto by Garnett, and titled and dated in pencil with the artist's stamp on verso.

Signed lower left recto and on verso.

Horst P. Horst's 1989 Tulips (est. $ 4,000 - 6,000) is a gelatin silver image measuring 16-1/4 by 14-1/8 inches with the photographer's blindstamp in margin recto; it is signed, titled, dated and inscribed in pencil on verso by Horst, considered one of the most significant photographers of the 20th century known for his elegant, glamorous images.

It shows recto - verso reproductions of a portrait by Albrecht Dürer of a handsome young Wilhelm Haller, on the rear of which is painted a grinning old woman, her breast exposed and with a bag bursting with money.

Woodcut and screenprint on 4 - ply Paper Technologies, Inc. museum board; From the Interior Series; From and edition of 60; Signed, numbered and dated in pencil on recto; Blind stamp on right recto; Gemini stamp on verso; Published and printed by Gemini G.E.L., Los Angeles, CA; Illustrated in: Gemini catalogue raisonne, no. 1501; The Prints of Roy Lichtenstein, A Catalogue Raisonne, 1948 - 1993, No. 249, Pg 230; Image: 51.75 x 65.625 inches; Framed; Estimate: $ 44,000 / $ 55,000

Silkscreen on wood panel; Numbered 2/2 Signed, dated and numbered on verso and recto; Provenance: Lab 101 Gallery, Culver City, CA; Image: 24.75 x 18.75 inches; Estimate: $ 5,000 / $ 6,000

Gelatin silver print; inscribed with ink and drawings with collage and Acrylic; Signed on recto; Signed, stamped and titled on verso Provenance: Fahey / Klein Gallery, Los Angeles, CA tag on verso Image: 18.5 x 23.75 inches; Framed: 27 x 31 inches; Estimate: $ 30,000 / $ 35,000