Sentences with phrase «renaissance drawing technique»

Not exact matches

A set of drawing resources: Figure Drawing and then looking at the Wash techniques of the Renaissance artists and a drawing resource with lots of different tasks to build skills in ddrawing resources: Figure Drawing and then looking at the Wash techniques of the Renaissance artists and a drawing resource with lots of different tasks to build skills in dDrawing and then looking at the Wash techniques of the Renaissance artists and a drawing resource with lots of different tasks to build skills in ddrawing resource with lots of different tasks to build skills in drawingdrawing.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

In 1970, writing a group exhibition review that focused almost exclusively on three drawings by Grossman, New York Times art critic John Canaday praised her ability to combine «precise linear representational technique with intense expressive force, a combination that has been rare since the Renaissance.»

[3] A year earlier, in a group exhibition review that focused almost exclusively on three drawings by Grossman, Canaday praised her ability to combine «precise linear representational technique with intense expressive force, a combination that has been rare since the Renaissance.»

Calame has worked in the Renaissance technique of pounce transfer since 2010, executed by pushing powdered pigment through a perforated template to apply a dotted under - drawing to the wall behind.

Drawn to traditional techniques of stone - carving, Ahmed Keshta is a self - professed «Renaissance» artist with a contemporary thrust, balancing his tutelage in handling granite with experiments in alchemy.

Dunlop is a modern - day old master whose luminous landscapes draw from both Renaissance techniques and contemporary science.

Her abstractural sculpture «La Chasse (2017)» takes inspiration from a medieval transcript on Renaissance hunting techniques, using the images of observation, capture and slaughter to draw a parallel between creation and death, the animate and inanimate, and legibility and abstraction.