Sentences with phrase «res standard audio»

You'll also take advantage of their built - in Sony Hi - Res Standard audio, which will flesh out all the nuances of your favorite tunes.

That's a standard audio file format that you could play back in just about any MP3 playing app, including Google Play Music or Amazon Cloud Player.

Not exact matches

Here is how it works: When someone using iCloud Voicemail is unable to take a call, Siri will answer instead of letting the call go to a standard digital audio recorder.

It's not that this little receiver does anything extraordinary; instead, it serves a sole purpose: receiving audio over Bluetooth and outputting it through a standard audio port.

One of my best features is MyKey is a new Ford safety technology — launching this summer as standard equipment on the 2010 Focus, Taurus and other popular models — that allows owners to program a key that can limit the vehicle's top speed and audio volume to encourage teens to drive safer.

A very peeved Dr Afriyie Akoto continues to rebuke the journalist in the audio by adding that «I don't know how old you are but my son will be older than you, you understand, even the owner of your station does not come anywhere near my standard in terms of life achievement so you have to learn to be respectful, don't use those words on me»

This idea has received mixed reactions from audio fans who believe that the numbers are more important, but Bose has stuck to this philosophy and continued to produce comfortable hi - fi headphones with reliable high standards.

The new standard, called the White Book, builds on the Red Book standard set by Philips and Sony for audio CDs when they were launched ten years ago.

From the end of this year, consumers will be able to buy a CD player that plays standard audio CDs through a hi - fi system and new Video CDs through a TV set.

And while Apple may be correct, that doesn't make Lightning the most widespread audio standard in the world.

With Gold membership you get all the privileges Standard users have, plus ability to use instant messaging service for live audio and video chat with the members, who are on - line.

Being a Standard member you are able to post and edit your profile, upload several photographs, record and upload audio and video introductions.

If you seek for an Indian fellow, apply for a Free Standard membership in order to make your own profile, add photos or even to add your audio or video recorded introduction, be creative in making a better one.

You'd have to be pretty crazy about extras to want to pay up to $ 9 more for this 2 - disc edition over the light standard disc that still supplies a worthwhile audio commentary.

The DVD's deleted scenes contain scene trims — one involving the priest's son is a silly red herring, and makes no sense — and there's a standard making - of featurette, and an audio commentary with director Corbijn.

This audio is included on the disc as a DTS - HD MA track, along with the standard 2.0 Stereo track.

The accompanying Dolby Digital 5.1 EX audio is dynamite; despite some controversy about it being encoded at 384kbps instead of the now - standard 448kbps (to accommodate an additional pair of EX-encoded dubs, methinks), this is a crystalline and phenomenally - immersive track that gives off an IMAX vibe during both the musical numbers and the Rube Goldberg - style action sequences.

Again, there are no issues specific to this release; the sound just usually lacks the impact of Blu - ray's standard DTS - HD master audio and rarely commands your attention.

Extras: There are only two main bonuses on the Blu - ray disc: an audio commentary by writer - director Peter Hyams and a standard - definition theatrical trailer in a 1.78:1 aspect ratio.

Both films are presented on DVD in standard definition with a 1.66:1 full frame (original Highways) and an anamorphically enhanced 1.78:1 widescreen aspect ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.

The extras are well - done too: background on Jackman's character, a documentary on fight adviser Sugar Ray Leonard, some standard - issue behind - the - scenes stuff, audio commentary and interactive features with Levy, bloopers, outtakes and a DVD copy.

The sharp, clean picture is complemented by potent 7.1 DTS - HD master audio sound, with Warner seemingly recently becoming the first studio to make 7.1 mixes the new standard.

The default DTS - HD master audio soundtrack is not in the standard 5.1 channels but 7.1.

Undoubtedly, more standard making - of material and audio commentaries are being saved for the inevitable Extended Edition and complete trilogy collection.

The audio is up to the usual high standard of racing games these days.

Even though the transfer looks good, the audio tracks are not really up to Blu - ray par standards.

It's kind of neat to see all the characters come together for a single piece of promo art, but it also seems like the visuals and audio would have been better suited for a standard poster or trailer.

All three are accompanied by audio commentary (all but the second, optional): the teasers by digital animation supervisor Richard «Dr.» Baily and the standard trailer by a cynical Fincher.

The movie's treatment on DVD is extremely standard: a 16x9 transfer and 5.1 Dolby Digital audio track both serve aptly with no major complaints.

A standard Twilight Time feature, this is presented in 2.0 DTS - HD master audio.

Every film in the set features standard mono Dolby Digital audio tracks, and though they're not likely to challenge your system with power or dynamics, they feel accurately reproduced for the format and get the job done.

The Dolby Digital Plus codec is integrated in the DLNA ®, HDMI ®, and UltraViolet ™ standards to meet demand for HD audio.

Up to eight channels of 24 - bit / 96 kHz audio; designed to be expandable should the Blu - ray Disc standard adopt additional channels

Room acoustics, monitoring standards (visual as well as audio), equipment selection, installation standards, synchronization accuracy, mixing competence, and technical experience are all measured and evaluated as part of the certification process.

The supporting features are rather anemic: a brief documentary on Burroughs, a behind - the - scenes «day on the set» feature, trailers and audio commentary along with the now - standard DVD copy.

A standard feature of Twilight Time Blu - rays, this 2.0 DTS - HD master audio soundtrack goes silent when there is no score or when there is source music, which is much of the time.

Sony's Blu - ray delivers a knockout feature presentation and, though it leaves off some standards (an audio commentary and deleted scenes), more making - of material than anyone is likely to enjoy.

Audio: The audio is a standard English Dolby Digital 5.1, with subtitles in English, English SDH, and French.

Audio: The audio is a standard English DTS - HD MA 5.1 that's more than enough, given that the bulk of the soundtrack is Reilly's voiceover.

I've got to be honest that I was expecting some more standard DVD bonus features here: royal audio commentary, an extended director's cut, multi-angle sequences, and at the very least, deleted scenes, bloopers, and an alternate ending.

Well, video & audio are excellent and I'm sure that's also true of the single - disc, so if feature presentation is your only concern and standard DVD your preferred medium, the two are equal.

As well, there is a history lesson on CinemaScope, an audio interview with screenwriter Philip Dunne (recorded in 1969), press materials from the movie's début, a comparison of the widescreen and standard versions of the film and a picture - in - picture mode.

The DTS audio of the standard - def DVD is again supplanted by a 24 - bit, 5.1 PCM uncompressed option inaccessible by yours truly, while the DD 5.1 mix returns at a higher bitrate of 640 kbps and sounds a lot like the aforementioned DTS track.

Most substantial of the three standard supplements offered is a feature - length audio commentary by director Michael Katleman and visual effects supervisor Paul Linden.

The secondary audio track, featuring Hoblit, producer Hawk Koch, and production designer Paul Eads (the platter pays unusual — and welcome — tribute to production design), is pretty standard stuff, but the picture - in - picture «bonus view» puts a more interesting spin on the idea of commentary.

Once your code is entered, you'll find two digital copy versions available to you: the standard HD feature and the HD feature with my audio commentary.

The DVD contains a Dolby Digital 5.1 audio track which, again, is quite standard.

Audio: The audio is the industry standard English DTS - HD MA 5.1, with an accomplished mix and good use of effects speakers to produce logical, directional sound.

The Student Editions include: • Links to instructional videos, audio, or texts • Links to practice quizzes or activities • 12 assessments that include a total of 39 multiple choice, 2 true / false, and 2 sorting questions • Definitions of key terms related to each of the standards • Examples of how students can apply the standards to their reading and deepen their understanding of what they are reading • Excerpts from several high - quality texts, including: - «Harriet: The Moses of Her People» by Sarah H. Bradford - «The Narrative of Sojourner Truth» by Olive Gilbert and Sojourner Truth - «On Women's Right to Vote» by Susan B. Anthony - «Give Me Liberty or Give Me Death» by Patrick Henry • Accompanying Teaching Notes files The Teaching Notes files include: • Additional activities and writing prompts to help your students explore the standard • Links to additional resources • Ideas to differentiate the activities for students who need extra support or to be challenged further • Answer guides with correct answers, answer choice rationales, word counts, and DOK (Depth of Knowledge) levels

Standard audio - visual learning techniques have been used so successfully in education for centuries, thanks to their ability to combine the two most common learning styles: audio and visual.