Sentences with phrase «res xxvi»

Under IOC Res XXVI - 8 to Strengthen and Streamline GOOS the Steering Committee is comprised of: 5 members representing IOC Regions; 10 scientific and technical experts; ex-officio officers of subsidiary bodies (JCOMM, GRC, IODE); representatives of co-sponsoring; and the GPO director (secretary).

Not exact matches

Thus the sun's making wax white and fire's making lead fluid (these are practically the same examples as in chapter xxvi in the same book) «are usually called powers» — a phrase added in the fourth edition.
[xxvi] Here McLuhan is right in line with the antagonistic view of modernization for both Heidegger and Mumford.
Raleigh McKenzie started at left guard in Super Bowl XXVI for the Redskins, and was an All - Pro in 1991.
He won Super Bowl XXVI after the 1991 season and was named MVP of the game.
Journal of Family Psychology, 16, 186 - 198 Flouri, E. (2001) «Early predictors of post-materialist values in Environment and Well - being, Proceedings of the XXVI Annual Colloquium of the International Association for Research in Economic Psychology.
[xxvi] While default rates are still much lower for black borrowers with any graduate enrollment versus no graduate enrollment (3.9 percent versus 12.3 percent), 42 percent of black borrowers with graduate enrollment are still deferring their loan payments, making the default rates less informative regarding long - term repayment prospects.
NB, Alfred Einstein's quote: «The world is a dangerous place to live; not because of the people who are evil, but because of the people who don't do anything about it» [xxvi].
«Digital Rights» — Writers of the Future XXVI, 2010 (First Place (3rd Quarter)-RRB- Read: Print Smashwords Kindle / iPhone / iPod Anthology Builder Nook Kobo Sony Reader Knowles writes with a fresh outlook on sci - fi and has created a strange new world that sounds daunting even if it is far away.
[xxvi] Put another way, his maximum future loan payments are based on his income, which can be estimated for his profession and therefore reveal the amount of debt where an additional dollar of borrowing does not translate into additional payments.
In «Cell XXVI», the hanging fabric figure is a variation on an earlier sculpture, «Spiral Woman».
Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea
In 1952, Afro was part of the Gruppo degli Otto, whose members exhibited at the XXVI Biennale.
In January 1952, Chadwick was asked to present to the selection committee of the XXVI Venice Biennale, resulting in his being one of eight young British sculptors who were invited to exhibit at the Biennale, including Robert Adams, Kenneth Armitage, Reg Butler, Geoffrey Clarke, Bernard Meadows, Eduardo Paolozzi and William Turnbull.
1956 Society of Sculptors and Associates, David Jones Gallery, Sydney, AU The Seasons (organised by the Contemporary Art Society), Tate Gallery, London, UK Artists of Fame and of Promise, presented by the Leicester Galleries, Brown Thomas Little Theatre, Dublin, IE Britisk Kunst 1900 — 1955, Kunstforening, Copenhagen, DK British Nátidskunst, Kunstnernes Hus, Oslo, NO Exposition Internationale de Sculpture Contemporaine, Musée Rodin, Paris, FR An Exhibition of Contemporary British Art, Silbermann Galleries, New York, US Mostra dei Premiati alla XXVIII Biennale, Messina, IT Yngre Britiska Skulptörer, Gothenburg, SE; Sandviken, SE; Linköping, SE; Tranås, SE; Lund, SE; Hälsingborg, SE; Halmstad, SE; Falkenberg, SE; Orebro, SE; Stockholm, SE 1955 Young British Sculptors (touring exhibition organised by the Arts Club of Chicago in collaborationwith the British Council), Arts Club of Chicago, Chicago, US; Walker Art Center, Minneapolis, Minnesota, US; Contemporary Arts Center, Cincinnati, Ohio, US; Albright Art Gallery, Buffalo, New York, US; Art Gallery of Toronto, CA The New Decade: 22 European Painters and Sculptors, Museum of Modern Art, New York, US; Minneapolis Institute of Arts, Minnesota, US; Los Angeles County Museum, California, US; San Francisco Museum of Art, California, US Summer Exhibition, Gimpel Fils, London, UK Eisenplastik, Kunsthalle, Bern, CH Documenta: Kunst des XX., Jahrhunderts, Kassel, DE Twentieth Century Sculpture (Victoria and Albert Museum Circulation Department), Harrogate Art Gallery, UK 54th London Group, Whitechapel Art Gallery, London, UK Contemporary Painters, Sculptors and Craftsmen, City Art Gallery, Leeds, UK Junge Englische Bildhauer (organised in association with the British Council), Kunstverein, Munich, DE; Württembergische Staatsgalerie, Stuttgart, DE; Kunstverein, Freiburg, DE; Staatliche Kunsthalle, Karlsruhe, DE, Städtische Kunsthalle, Recklinghausen, DE; Kunstsammlungen der Stadt, Düsseldorf, DE; Kunstlering, Rotterdam, NL 1954 Sculpture in the Open Air (London County Council Third International Exhibition), Holland Park, London, UK Of Light and Colour, Gimpel Fils, London, UK British Painting & Sculpture, Whitechapel Art Gallery, London, UK 53rd London Group, New Burlington Galleries, London, UK 1953 The Unknown Political Prisoner (sponsored by the Institute of Contemporary arts), Tate Gallery, London, UK IXe Salon de Mai, Palais de New York, Paris, FR Sculpture in the Home (Arts Council touring exhibition), College of Art, Gloucester, UK; Cotton Board, Manchester, UK; Temple Newsam House, Leeds, UK; County Museum, Warwick, UK; School of Art, Glasgow, UK; Art Gallery, Aberdeen, UK; School of Art, Great Yarmouth, UK; Laing Art Gallery, Newcastle, UK; New Burlington Galleries, London, UK 2e Biennale de la Sculpture, Middelheim Park, Antwerp, BE Collectors» Choice, Gimpel Fils, London, UK 52nd London Group, New Burlington Galleries, London, UK 1952 Seven British Contemporary Artists, Black Hall, Oxford, UK New Aspects of British Sculpture, XXVI Biennale, Venice, IT Summer Exhibition, Gimpel Fils, London, UK 51st London Group, New Burlington Galleries, London, UK 1951 American Abstract Artists Group, 15th Anniversary Invitation Exhibition, Riverside Gallery, New York, US Festival of Britain, South Bank, London, UK Sculpture: Second International Exhibition of Sculpture (organised by the London County Council in association with the Arts Council), Battersea Park, London, UK British Abstract Art, Gimpel Fils, London, UK 50th London Group, New Burlington Galleries, UK 1949 Summer Exhibition, Gimpel Fils, London, UK 48th London Group, New Burlington Galleries, UK Galerie de France, Paris, FR
-- Renewable energy produced at a Federal facility, on Federal lands, or on Indian lands (as defined in title XXVI of the Energy Policy Act of 1992 (25 U.S.C. 3501 et seq.)-RRB- shall be calculated separately from renewable energy consumed at a Federal facility, and each may be used to comply with the consumption requirement under subsection (a).».
[xxvi] This is a significant reversal and reflects the fact that regulators are beginning to respond to the evident demand for renewable energy services.
A statement is made that the full report should be read together with the document Changes to the Underlying Scientific / Technical Assessment (IPCC - XXVI / Doc.3) for which I haven's seen links.
This is because they haven't been explicitly overruled, and the changes to the constitution since Hirabayashi aren't relevant: Amendments XXII and XXV have to do with procedural issues with the office of the President, amendments XXIII, XIV, and XXVI are related to voting rights, and XXVII addresses Congressional salaries.
[xxvi] Whatever «curial deference» [xxvii] Irish courts are inclined to grant when hearing appeals from decisions of statutory bodies does not extend to questions of law.
Similarly, there is some precedent under the GATT regarding newly independent states following decolonisation, although the provision in question (GATT, art XXVI: 5 (c)-RRB- is no longer operative and the economic stakes were much lower.
The legislative effect of the ruling has been that a federal government is able to implement racially discriminatory laws under s51 (xxvi) through clear and unambiguous legislation — such as the packages above and the direct references to suspension of the Racial Discrimination Act.
Whereas the operative provisions within the Constitution — at that time: ss 25; 51 (xxvi); 127 — were based upon Aboriginal and Torres Strait Islander peoples» exclusion and discrimination, as they were not considered citizens, thus not a part of «the people», constitutionally.
Of note is that both federal governments were able to implement these laws due to the power granted from s51 (xxvi) as a result of the 1967 referendum
Suspending the Race Discrimination Act under s51 (xxvi)-- to allow the «Intervention'took the retrograde step of suspending essential Anti-Discrimination laws in this country and included laws and policies that discriminate against people who are Aboriginal because they are Aboriginal.
[7] In the Hindmarsh Island Bridge case — Justice Kirby was the sole dissenting judge who held that s 51 (xxvi) of the Constitution «does not extend to the enactment of laws detrimental to, or discriminatory against, the people of any race (including the Aboriginal race)».
The High Court examined section 51 (xxvi) of the Constitution (the race power) in the case of Kartinyeri v The Commonwealth [1998] HCA 22 specifically in relation to a law of the federal Parliament, the Hindmarsh Island Bridge Act 1997 (Cth), and whether the constitutional power under which it was enacted supported legislation that clearly disadvantaged a particular racial group.
The preamble also refers to the fact that this legislation is intended to be a special measure for the descendants of the original inhabitants of Australia as allowed by s. 51 (xxvi) of the Constitution and a special measure for the advancement and protection of those peoples in accordance with the International Convention on All Elimination of Forms of Racial Discrimination [sic].6
Scope of the race power, s51 (xxvi) Constitution: The Constitution contains an express power that gives the Commonwealth power to enact legislation «with respect to... the people of any race for whom it is deemed necessary to make special laws.»
The courses shall include, but are not limited to, training in facilitative methods, case management techniques, procedural requirements for an enforceable mediated settlement, NJ Rules and mediator ethics, Guidelines for Mediator Compensation (see Appendix XXVI to these Rules), the Uniform Mediation Act (N.J.S.A. 2A: 23C - 1 to -13), and mediation case law.
give the federal parliament the power to make laws in relation to Aboriginal and Torres Strait Islander people (amending s 51 (xxvi)-RRB-
The weight of High Court authority supports the view that s 51 (xxvi) authorises both beneficial and adverse laws.
Section 51 (xxvi) is applicable to all races within the Australian community.
holds the dubious distinction of being perhaps the only country in the world whose Constitution still contains a «races power» [section 51 (xxvi)-RSB- that allows the Parliament to enact racially discriminatory laws.
A minimalist approach, that provides preambular recognition, removes section 25 and moderates the races power [section 51 (xxvi)-RSB-, does not go far enough and would not be acceptable to Aboriginal and Torres Strait Islander peoples.
While the question of whether section 51 (xxvi) gives the Commonwealth the power to enact «detrimental» laws for Aboriginal and Torres Strait Islander people is not considered fully settled.
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