Sentences with phrase «review of the film by»

Not exact matches

The 3 - D film was smurfed by bad reviews and earned a rating of 0 % on popular movie review smurf Rotten Tomatoes.

I typed «stay - at - home daughter» into Google, and found my way to a review of the documentary «Return of the Daughters,» a film I'd seen and that was exalted by most of the women I knew.

To further support the positioning of NatureFlex ™, a peer reviewed LCA has been carried out by Thinkstep, based on their GaBi software, allowing transparent communication of the environmental impacts of using these films.

A forensic assessment of the filmed recordings by father and son team (Hypothetical Premier League) of every match played in the Premiership and the critical decisions made by referees shows that Arsenal would have finished top of the League (2 points more than they got) and Leicester should have been 2nd (9 points less than they got)-- if the use of video evidence had been used to review important decisions.

In 1970, I Told You So was one of the first Ghanaian films to receive international acknowledgement and great reviews by The New York Times.

As he and his colleagues report in this week's Physical Review Letters, they started by producing a thin film from an alloy of germanium and tin — two semiconductors that do not like to mix.

Science Cinémathèque, a project funded by the Alfred P. Sloan Foundation, features reviews of recent movies such as Werner Herzog's Grizzly Man and a series of short student films on such topics as wormholes, the patterns in pinecones and sunflowers, and Ignaz Semmelweis, the 19th - century Hungarian physician whose campaign to promote hand washing among doctors was met with near - universal scorn.

A review of The Trials of J. Robert Oppenheimer, a film by David Grubin, airing on PBS January 26 for the American Experience series, in association with the BBC

Excited by this review by Mark Sisson of the forthcoming film In Search Of The Perfect Human Diet Mark also has some interesting stuff to say about the benefits of taking a personal retreat - something I enjoy doing from time to time, and need -LSB-..of the forthcoming film In Search Of The Perfect Human Diet Mark also has some interesting stuff to say about the benefits of taking a personal retreat - something I enjoy doing from time to time, and need -LSB-..Of The Perfect Human Diet Mark also has some interesting stuff to say about the benefits of taking a personal retreat - something I enjoy doing from time to time, and need -LSB-..of taking a personal retreat - something I enjoy doing from time to time, and need -LSB-...]

REVIEW: I'm going to start this review off with a bit of an embarrassing admission: I've never seen a film by Hayao MiyREVIEW: I'm going to start this review off with a bit of an embarrassing admission: I've never seen a film by Hayao Miyreview off with a bit of an embarrassing admission: I've never seen a film by Hayao Miyasaki.

Though it's among the best - reviewed movies of the year and is just about guaranteed to be 2011's # 1 film by earnings, don't expect Deathly Hallows Part 2 to score a Best Picture Academy Award win like Lord of the Rings: Return of the King did.

WAKE UP AND SMELL THE CHEESE CURDS - My Review of THE HAPPYS (4 Stars) You know that horrible cliché used by filmmakers when they say the location they used is like another character in the film?

Quentin Tarantino started the hype machine by anointing it his favorite film of 2013, and good early reviews have followed for Ahron Keshales» Big Bad Wolves.

PYONGYANGST - My Review of THE LOVERS AND THE DESPOT (3 Stars) Evoking more questions than answers, THE LOVERS AND THE DESPOT, a documentary by filmmakers Ross Adam and Robert Cannan details the stranger than fiction account of a prominent South Korean film director and his actress ex-wife who were kidnapped by North Korea during Kim Jong Il's reign and were forced to make over 17 movies for him.

The film, directed by John Lee Hancock, won AFI's 2014 «Movie of the Year» Award and was recognized by the National Board of Review in their «Top 10 Films» and chronicles the true story of the development of the 1964 Walt Disney film Mary Poppins.

Just three of the studio's 15 films received positive reviews from critics (and one of those, only by a nose), putting Universal in the bottom half among the major distributors in terms of quality — not surprising, given that its 2014 slate wasn't exactly deep in Oscar - worthy films.

Directed by Sylvester Stallone as a kind of Rocky retread, the film was released in 1983 to embarrassing returns and horrendous reviews.

Universal's specialty films division had a lousy 2014 (in terms of quality), and rebounded only slightly in 2015, increasing its average Metascore by over 3 points and its percentage of films with positive reviews from 25 % to 45 %.

Even with the presence of a rare outright misfire (Third Person, from Crash director Paul Haggis), SPC managed to boost its already - high average Metascore by a few points last year, thanks to widely praised films like Mr. Turner (the year's # 2 drama, behind Boyhood), Leviathan (2014's best - reviewed foreign - language film), and Sundance hit Whiplash.

Relativity raised its average Metascore, reduced its number of poorly reviewed films from five to three, and managed to hold onto its 9th - place ranking in domestic market share (though its grosses fell by over $ 50 million).

While Lionsgate posted the year's highest - grossing film (domestically) in Catching Fire, that was one of only three positively reviewed films released by the studio in 2013.

Voted Most Outstanding Journalist of the Decade by the Disilgold Soul Literary Review in 2008, Kam Williams is a syndicated film and book critic who writes for 100 + publications around the U.S. and Canada.

Warners» success rate (of films receiving positive reviews from critics) dropped from 39 % in 2014 to just 16 % last year, while the studio's average Metascore declined by four points.

Owned by Starz Media, Anchor Bay released a fairly dismal slate of films in 2011, with only drama Beautiful Boy (sort of an inferior, tamer version of We Need to Talk About Kevin) scoring favorable reviews from critics — and just barely.

Ranked as the third most useful website on the «Net by Roger Ebert, Screen It provides the most detail content reviews of films and videos anywhere.

This film isn't a bad comedy by any stretch of the imagination, but it does not deserve an 8.1 (this is what it was when i reviewed).

Next month's Genre has been chosen by Steven of Past Present Future TV and Film We will be reviewing our favorite B&W films prior to 1990.

This review of kick - ass a 2010 superhero / action - comedy film based on the comic book of the same name by Mark Millar and John Romita, Jr is awesome.

The film, acquired by Sony Pictures Classics over the weekend, received an aggregate score of 3.8 on a review grid from Screen International — a record, the publication tweeted.

Even though it is mostly getting positive reviews, Ant - Man still has one very big hurdle to overcome: the lukewarm reception by audiences, and the very real possibility that by breaking from the Marvel mold, the film positions itself to alienate and confuse die hard fans of the MCU formula.

Reviewed by Damien Straker on the 9th of March 2018 Roadshow presents a film by John Francis Daley and Jonathan Goldstein Produced by John Davis, Jason Bateman, John Fox and James Garavente Written by Mark Perez Starring Jason Bateman, Rachel McAdams, Billy Magnussen, Sharon Horgan, Lamorne Morris, Kylie Bunbury, Jesse Plemons, Michael C. Hall and Kyle Chandler Music by Cliff Martinez Cinematography Barry Peterson Edited by Jamie Gross, Gregory Plotkin and David Egan Running Time: 100 minutes Rating: MA15 + Release Date: the 22nd of February 2018

In his review of the film, Ignatiy Vishnevetsky states that this one - of - a-kind film is carried «by Nichols» measured style and an embarrassment of wonderful performances.»

Look at Halloween, The Fog, The Thing, Big Trouble in Little China, They Live, and this review's subject, Escape from New York: That's quite a run of films that are well remembered by many fans today, even if they didn't all set the box office ablaze.

The film, also titled Youth in Revolt, is adapted from the book by screen writer Gustin Nash who made a minor splash last year with Charlie Bartlett (our review), directed by Miguel Arteta and stars Michael Cera in the title role of Nick.

And the result is a mix of tones that works, with our review from the Venice Film Festival declaring that, «while the film flirts with a number of genres genres — melodrama, comedy, coming - of - age — it ultimately lands closest to being Green's first western by the time it reaches its conclusion.»

Reviewed by Tim Cooper on the 18th of March 2018 Roadshow presents a film by Roar Uthaug Produced by Graham King Screenplay by Geneva Robertson - Dworet and Alastair Siddons Starring Alicia Vikander, Dominic West, Walton Goggins, Daniel Wu and Kristin Scott Thomas Music by Junkie XL Cinematography George Richmond Edited by Stuart Baird and Michael Tronick Running Time: 118 minutes Rating: M Release Date: the 15th March 2018

Asghar Farhadi's film has already been reviewed for the site by Jansen, but as I wanted to see it badly since Cannes (and also because Blue is the Warmest Colour is one of the hardest films to get into this year) I took the chance to catch it.

Review of Life Partners by Associate Editor Brigid K. Presecky Susanna Fogel and co-writer Joni Lefkowitz tell the story of two best friends dealing with growing up and growing apart in the new film Life Partners.

Reviewed by Harris Dang on the 23rd of March 2018 Roadshow presents a film by Steven Spielberg Produced by Steven...

Reviewed by Damien Straker on the 19th of March 2018 Rialto Distribution presents a film by Eli Roth Produced by...

The trailer indicates that Ridley's film is as much a work of Impressionism about Hendrix's experience performing as part of the 1960s London music scene as anything else - a sentiment backed up by the early reviews, with the Seattle Times» Moira Macdonald calling the movie «a mood piece, not a biopic» in her overall positive critique.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

Granted, some of this has been generated by Malick, and the promotional efforts for the film, but, frankly, many big name, and lesser name critics, have simply imbued and misconstrued their own critical lack and imaginative dead rot into their reviews, and missed the boat on this film, from some of its most basic elements through its more nuanced themes and evocations.

Fox announces their distrust of critics with this title by splaying «Property of 20th Century Fox Publicity Department» in huge letters across the screen for the duration of the film on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imfilm on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imFILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the image.

Our studio had its first ever $ 1 billion worldwide grossing film in Michael Bay's hit «Transformers: Dark of the Moon;» we successfully re-launched our «Mission Impossible» franchise with Tom Cruise, JJ Abrams and Brad Bird; our latest installment in the «Paranormal Activity» franchise had another $ 100 million dollar success; our first original animated film «Rango,» from director Gore Verbinski, earned rave reviews and more than $ 100 million at the domestic box office; and we released global phenomenon «Super 8,» directed by JJ Abrams, who will now direct the newest «Star Trek» for 2013.

CCS co-director Jason Coffman recently published a book of his collected film reviews, THE UNREPENTANT CINEPHILE, and we're celebrating with two of the most insanely entertaining films recently released by AGFA and Bleeding Skull!

I have made a possible commitment to watching his The Sacrement sometime soon, but I keep getting put off by the occasional rant review over his style of filming.

The first full day of the festival saw several prominent titles make their Los Angeles review, but the hot - ticket film was Luca Guadagnino's Call Me By Your Name.

Click through for my sit - down interview with Mark Levinson, my reviews of the films and the above cool poster is a totally awesome find by Pete at Central Track!!!

IndieWire's David Ehrlich gave the film a D +, writing in his review, «By turning Tarzan into just another superhero, David Yates» blockbuster origin story wastes one of literature's great wild men.»