Sentences with phrase «rights watch film»

The collective was awarded the Special Mention in the 2015 Venice Biennale, from which they subsequently withdrew (please click here to see their statement at the time) and participates regularly in the Human Rights Watch film festival.

Not exact matches

However that does not give any person the right to utilize mob style justice over a film that no one will probably even watch.

It comes right out of Disney's film productions, a place where we meet animated «real - life» versions of goodness personified (Snow White, the third Little Pig, Dumbo, Pollyanna) and the essence of evil (the Wicked Queen, the Big Bad Wolf)-- and thus learn to divide the world into good and evil, watching goodness triumph with a smile and a song.

The new film comes out tomorrow, and you can watch a trailer of the future Italian classic right here:

He knew what most people who actually watched film of that defense also knew: with the right game plan those guys were made to stop an offense like Carolina's, even with a quarterback as physically gifted as Newton.

From watching the film, it's clear that Bucs right tackle Gosder Cherilus, himself a backup pressed into action because of an injury, had no idea what was about to hit him.

When watching the film it's even more apparent that he instinctively goes to his right.

«I've watched more film on him in one week than I've watched TV in a year, and what's amazing is that he does everything right.

«Everything we need to see — everything that we need to know — is right there on the game film, and that's what we've been watching.

Although I'm still watching the debates on Twitter, it does feel very odd (foreign) not to be grinding away on film right now.

I don't agree with all of her views - anyone who has watched the film Darkest Hour will wonder just how anyone could have thought appeasement was the right approach.

I can think of more than a few presidential candidates who would benefit from watching this film, from Mitt «Our most basic civil liberty is the right to be kept alive» Romney to Ron «Lincoln was a despot» Paul to all the Democrats who didn't stand with Chris Dodd on the FISA bill.

BMJ told Retraction Watch that it took down the film review in response to a European citizen exercising his or her «right to be forgotten,» an internet privacy idea that, according to the European Union, ensures:

6 terrifying short horror films you can watch for free right now.

Composed of field testimonies and hidden camera footage, the film also features interviews with Haiti's Ambassador to the United States, Ambassador Raymond Joseph, the U.S. Department of States» Ambassador John Miller from the Office of Human Trafficking, renowned anthropologist and sugar historian Sidney Mintz, Carol Pier from Human Rights Watch, Public Interest Attorneys Bill Quigley as well as Greg Schell, and a number of activists from the field including human rights lawyer Noemi Mendez, Colette Lespinase of G.A.R.R. Haiti [Organization for Refugees and the Repatriated] and missionaries Pierre Ruquoy and Father Christopher HaRights Watch, Public Interest Attorneys Bill Quigley as well as Greg Schell, and a number of activists from the field including human rights lawyer Noemi Mendez, Colette Lespinase of G.A.R.R. Haiti [Organization for Refugees and the Repatriated] and missionaries Pierre Ruquoy and Father Christopher Harights lawyer Noemi Mendez, Colette Lespinase of G.A.R.R. Haiti [Organization for Refugees and the Repatriated] and missionaries Pierre Ruquoy and Father Christopher Hartley.

This is not the best film to watch if you want to see it for him right now, but all the same, I enjoyed it a good bit.

If you just fancy a quick fix though, and like your trailers, then check out the teaser on disc two, now re-mixed into 5.1 sound - it'll fire you right up into watching the film.

Taking the film on its own material terms, there's a perverse frisson of pleasure — of sweet, egregiously unequal justice — to be had in watching two people this immaculately beautiful finally unite in quite such accordingly beautiful fashion, and it's here where James (once more acting as producer) and the filmmakers have us right where they want us.

It's enjoyable watching Leonardo and Kate draw closer together, and the film's emotional moments strike the right notes.

«This thing you are looking at right now» he essentially says, often, «is like this other thing you have looked at in the past, when you were watching an entirely different film.

Watching this film you are in New York right before the black out when the city is filled with nothing but predators and evil - which was the opinion at the time.

There are constant acknowledgements that you're watching a movie, and a formulaic one at that (right before the the start of the film's third act, our boy declares that if his plan succeeds, everybody gets to go home early because there'll be no need for a third act).

The great writer / director Michael Haneke's ongoing commitment to an unblinking, deeply aware, and brutally honest cinema goes to new, more intimate and personal places in Amour, and while it's not always easy to watch (nor should it be; even at its most painful, it always feels precisely and ineffably right), it's tremendously moving and powerful in a way very, very few films are.

I realized that watching it with my son on video in the absense of the right mood destroys the film.

To watch Downey making the classic films within the main film you would actually think Chaplin was still alive today starring in his own bio, amazing work to get it right.

You were right in one thing you graded your review as 1,5 / 5 which is reasonable since you made an attempt to watch the film but was overwhelmed with hatred for the reason known only to you...

But first and foremost, it should be watched, and enjoyed, as a brilliant horror film, which manages to deliver the chills right up until the last, brilliant line.

And with all that talk about films that have been and films that will be, it's a bit too easy to lose track of the actual films that are actually sitting right there waiting to be watched.

Very rarely do you get a film where you'd go right back into the theatre and watch it again immediately after the first screening and have the same emotions.

The Thunder Buddies return next week with the U.S. release of the comedy sequel Ted 2, and a rather excellent Flash Gordon - inspired poster has arrived online for the Seth MacFarlane film, which you can see right here... SEE ALSO: Watch the latest trailer for Ted 2 Seth MacFarlane returns as writer, director and co-star of -LSB-...]

The opening night film of this year's Human Rights Watch Film Festival shows China on a collision course with chaos.

Directed by Anthony Wonke, the feature - length film gives fans an extensive and in - depth look behind the scenes of the latest entry in the Star Wars saga, and you can watch the first 12 minutes of the movie right now.

[Watch the trailer for true story - inspired The Disappointments Room right HERE] Disturbia director D.J. Caruso returns to the horror genre with a haunted house film that was inspired by true events in The Disappointments Room, a psychological thriller that they are saying is in the same vein as The Shining.

Anderson released a prologue to Darjeeling online and the film annoyingly starts with a reminder to go and watch it, then the film proceeds to directly reference it... which is more annoying than Murray's dumb cameo and the second cameo (though this one turns out all right) combined.

We'll get right down to it: Here are the seven movies that our very own film critic Joshua Rothkopf suggests you watch this weekend.

And finally, for all you star spotters, this was the first real «big» film for current belle of the Hollywood ball, Keira Knightly, who seems all to happy to dispense with certain articles of clothing during some scenes; not that anyone here would watch it just to leer at some Hollywood starlet, right?

The film is based on a true story, and the tone of the movie is set right away as we watch footage from a cell phone camera of the policy brutality against the real life Grant and his friends by the Bay Area Rapid Transit officers.

Three of the films in my top 10 are Netflix releases — Casting JonBenet, Icarus, and Okja — and it's been an uphill battle persuading anyone to watch them even though people could right now, on their couch, for free.

I would put a giant pass on this film for sure or just watch the trailer and all the good stuff is right in there.

Though the whisper campaigns are hard at work trying to convince voters that the film itself is too «hard to watch,» there will be no denying Ejiofor's talent, and right now I consider him the early frontrunner to take the trophy home.

Pitch Perfect holds a very uncertain standing for me, a first film that was truly outstanding (I am craving to watch it right now), and a follow - up that was crass, unoriginal and unfunny.

Perhaps the excitement might even carry over just enough to make you enjoy this film a little bit more if you watch it right after.

For us, it's those Brooks films — The Producers, Blazing Saddles and Young Frankenstein, that we love best, and want to watch right now.

Tagged With: 20th - century history, Africa, based on a true story, cinema, drama, film, genocide, HBO, Human Rights Watch, Hutu, Idris Elba, movie, narrative, Raoul Peck, Rwanda Genocide, Tutsi, world history

The most wonderful thing about watching older films right now has been the chance to see 2017 movies, which are still fresh on my mind, in this broader context.

Every time I think of this film I get a slightly breathless feeling somewhere in the space between my stomach and my heart and I'm taken right back to how I felt watching it, that's what made this rugged little gem my film of 2017.

Ava DuVernay's 13th is an equally important film and worth a watch, but the lyricism and beauty of Raoul Peck's I Am Not Your Negro, based on an unfinished manuscript by social critic James Baldwin detailing his friendships and interactions with civil rights leaders, has stuck with me.

The awkward stylistic choices begin right after the film opens as we watch General Zod attempt an unsuccessful insurrection on Krypton, a distant dying planet with only a few years of existence left.

Best Actress: Annette Bening — Kids Are All Right — stern, intelligent yet moving and likeable — it takes a real pro to accomplish that with such style and verve Nicole Kidman — Rabbit Hole — heartbreaking but resilient — a perfect balance between broken and fixed — it is so joyful to watch a character so succinctly communicated Lesley Manville — Another Year — heartbreaking with closeup after closeup of vulnerability and grasping hope — truly a fragile and pulsating performance Julianne Moore — Kids Are All Right — courageous and oh so human — sexy and vulnerable in an earthy way — her struggles with herself are the heart of the movie and she carries it magnificently and warmly Natalie Portman — Black Swan — the tour de force this year — the crazy, emotionally volatile core of a crazy, emotionally volatile film — some wonder if it might be «easer» to play such big emotions but the incredibly thin wire she has to traverse in such an extreme environment is daunting and she makes it work and gives us believability and solicits true sympathy in the middle of a fright fest — a truly accomplished achievement

With Valentine's Day right around the corner and the release of The Vow this weekend, couples around the world are going to be forced into watching all types of romance films.