Sentences with phrase «rising role of the artist»
«Working in Stereo»: Sean Ripple on Tom Sachs: Boombox Retrospective and the Rising Role of the Artist - Curator Austin Chronicle
https://www.thecontemporaryaustin.org/ Not exact matches
Rising Swedish star Alicia Vikander won the best supporting actress Oscar for her role of portrait artist Gerda Wegener in Tom Hooper's semi - biographical drama «The Danish Girl».
Best Picture: The Artist (Thomas Langmann, Producer) Actor in a Leading Role: Jean Dujardin (The Artist) Actress in a Leading Role: Viola Davis (The Help) Actor in a Supporting Role: Christopher Plummer (Beginners) Actress in a Supporting Role: Berenice Bejo (The Artist) Animated Feature Film: Rango (Gore Verbinski) Cinematography: The Tree of Life (Emmanuel Lubezki) Art Direction: War Horse (Rick Carter, Lee Sandales) Costume Design: Hugo (Sandy Powell) Directing: Michael Hazanavicious (The Artist) Documentary Feature: Hell and Back Again (Dafung Dennis & Mike Lerner) Documentary Short: Saving Face (Daniel Junge & Sharmeen Obaid - Chinoy) Film Editing: The Descendants (Kevin Tent) Foreign Language Film: A Separation (Iran)(Asghar Farhadi) Makeup: The Iron Lady (Mark Coulier & J. Roy Helland) Music (Original Score): The Artist (Ludovic Bource) Music (Original Song): «Man or Muppet» From The Muppets (Bret McKenzie) Short Film (Animated): La Luna (Enrico Casarosa) Short Film (Live): Raju (Max Zahle & Stefan Gieren) Sound Editing: The Girl With the Dragon Tattoo (Ren Klyce) Sound Mixing: The Girl With the Dragon Tattoo (David Parker, Michael Semanick, Ren Klyce & Bo Persson) Visual Effects: Rise of the Planet of the Apes (Joe Letteri, Dan Lemmon, R. Christopher White & Daniel Barrett) Writing (Adapted Screenplay): The Descendants (Alexander Payne, Nat Faxon & Jim Rash) Writing (Original Screenplay): Midnight in Paris (Woody Allen)
Picture: The Artist Directing: Michel Hazanavicius, The Artist Actor: Jean Dujardin, The Artist Actress: Viola Davis, The Help Actor in a Supporting Role: Christopher Plummer, Beginners Actress in a Supporting Role: Octavia Spencer, The Help Original Screenplay: Midnight in Paris Adapted Screenplay: The Descendants Foreign Language Film: In Darkness Documentary Feature: Undefeated Animated Feature Film: Rango Documentary Short: Saving Face Animated Short: The Fantastic Flying Books of Mr. Morris Lessmore Live Action Short: Tuba Atlantic Film Editing: Hugo Art Direction: Hugo Cinematography: Hugo Costume Design: Hugo Makeup: The Iron Lady Score: The Artist Song: «Man or Muppet,» The Muppets Sound Editing: Hugo Sound Mixing: Hugo Visual Effects: Rise of the Planet of the Apes
In an essay in the catalogue, Caitlin Julia Rubin (an assistant curator at the Rose who co-curated the show with art historian Katy Siegel, curator - at - large for the museum) writes that Home Sweet Home «suggests the duality of Drexler's home — the spaces where she lived never all that separate from the ones in which she worked — and her own, twinned role as homemaker and artist.»
This is the first retrospective of Bickerton's work in the UK of this size and it offers a chance to assess his role as an artist, from New York rising star to the Blue Man, and the result is pretty baffling.
[3] This searing example of institutional disadvantage makes clear that being a great artist was not a role permitted for women and that the tiny band of women artists who earned success — many in their eighties, as the Guerilla Girls remind you — were aberrations, downright revolutionaries, who had a good deal of luck and a hell of lot of persistence to rise above their circumstances in order for their work to be seen at all — and then still labeled feminine.
The artists presented in this selection from the Rose Art Museum's collection — Sarah Charlesworth, JJ PEET, Robert Rauschenberg, and Andy Warhol — question the role of images circulated within the public sphere.
There's at least an appearance of a conflict of interest in these dual roles: Artists who show at a major museum stand to see their prices rise in the marketplace.
Around 800 guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000 works of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief Curator of LA MOCA).
Franz Kline was born in Pennsylvania in 1910, and became one of the most influential artists of the 20th Century, playing a central role in the rise of Abstract Expressionism...
Franz Kline was born in Pennsylvania in 1910, and became one of the most influential artists of the 20th Century, playing a central role in the rise of Abstract Expressionism and Action Painting, alongside fellow New York School artists Willem de Kooning, Robert Motherwell and Lee Krasner.
Each artist plays a major role in the rising tide of art emerging from Africa today.
Inspired by the feminist masterpiece The Dinner Party by Judy Chicago, this exhibition featured artists who have risen above the narrow roles imposed on women and whose work has challenged the status quo, particularly within the canons of art history.
In response to the centenary of the 1916 Rising and the evolution of society over the past 100 years, IMMA, The Hugh Lane and Create's 2016 programmes reflected on the role artists and creativity play in society and the identity of the nation state.
In this WonderRoot Artist Feature, presented in conjunction with the Spelman College Museum of Fine Art, art curator and historian Sarah Lewis talks with WR interactive media manager Floyd Hall about her new book, The Rise, which examines the distinction between mastery and perfectionism, the role of criticism in the arts, and how to reinvigorate dialogue...
Doug Harvey in the LA Weekly: «One of the most pronounced symptoms of the wide - scale institutionalization of artistic practice has been the rise of curatorial studies as an academic category and the subsequent escalation of the curator's role and visibility — sometimes to the point of supplanting the place of the artist as the raison d'être of an exhibition.
10 am — 5.30 pm The Artist & The State / International Symposium The Chapel Irish Museum of Modern Art Tickets $ 6 (incl tea & coffee) In response to the centenary of the 1916 Rising and the evolution of society over the past 100 years, IMMA, The Hugh Lane and Create's 2016 programmes reflected on the role artists and creativity play in society and the identity of the nation state.
Like several other shows from the early 1990s, including Jeffrey Deitch's Post Human (1992), Kelley's experiment took its cue from the rise of «mannequin art,» a term he coined to describe artists like Charles Ray, Kiki Smith, and Jonathan Borofsky, whose life - size sculptures — not, in fact, all mannequins — evoked anxieties about the role of the human body in a time wrought by the AIDS epidemic, the growth of plastic surgery procedures, and advances in biotechnology.
Established in 2012, this statewide, juried exhibition promotes contemporary art practices in the state of Louisiana, provides exhibition space for the exposition of living artist's work, and engages a contemporary audience that recognizes the vibrant visual culture of Louisiana and the role of New Orleans as a rising, international art center.
Associated Events The Artist & the State / International Symposium Saturday 26 November 2016 / The Chapel, IMMA / 10 am - 5.30 pm In response to the centenary of the 1916 Rising and the evolution of society over the past 100 years, IMMA, The Hugh Lane and Create's 2016 programmes reflected on the role artists and creativity plays in society and the identity of the nation state.