Not exact matches
Working with one
piece of dough at a time, coat with flour, and
roll through the pasta machine at the lowest setting (usually 1).
Roll each
piece of dough into a tight ball, then poke your finger
through the center and create a 1 - to 2 - inch hole.
Trim the edges, dust the
rolled - out dough lightly, and feed each
piece through a pasta machine if using.
Fold in thirds like a
piece of paper, then
roll it
through the pasta
roller again (do this three times).
Slicing tip: if you can, use a long serrated knife to cut
through the entire package of
rolls, leaving the top half of the
rolls in one large
piece.
After I
rolled the dough out and
rolled into a long «snake» I cut it into about 2 ″
pieces and then cut each
piece into 3 sections — two slices, not quite
through, and 1 slice in between the two in the opposite direction, then I twist the
piece into a knot.
Working with one
piece of dough at a time, flatten slightly and feed
through the smooth
rollers of a pasta machine starting at the widest setting.
When the dough is ready to
roll, flatten one
piece and knead it
through the Pasta
Roller attachment on the Stand Mixer.
Step 3 - Divide dough into six
pieces and
roll through a pasta maker making sure to dust the pasta machine and dough with flour until you get it as thin as possible without tearing.
Working with 1
piece at a time and keeping remaining dough wrapped in plastic, flatten dough into a narrow rectangle (no wider than mouth of machine); pass
through rollers.
Working with 1
piece at a time and keeping remaining dough wrapped in plastic as you work, flatten dough into a narrow rectangle (no wider than mouth of machine); pass
through rollers.
Divide your dough into 4
pieces and flatten each into a narrow rectangle (no wider than mouth of machine); pass
through rollers.
As tanks
roll through Beijing and soldiers hammer on his hotel door, Joe — a young American photojournalist — captures a
piece of history.
NOAA is in the process of
rolling out a fleet of 15 gliders in a swathe of ocean that spans from Nova Scotia to Georgia, after pairs of gliders on unrelated missions inadvertently got caught in superstorm Sandy last year but came
through in one
piece.
Though no one has ever been killed by a falling meteorite (mostly due to their tendency to burn up in the atmosphere), the recent Tiangong - 1 falling Chinese space satellite incident has proven that every sizable
piece of debris that makes it
through the atmosphere is another
roll of the dice.
With winter temps
rolling in and plenty of snow now on the ground, it's time to start thinking about the
pieces that will get you
through the season.
«Catch Me If You Can: Behind the Camera» (17:09) is a general making - of
piece that runs
through the issues of production, from Spielberg deciding to direct out of an enjoyable table read to the period production design to the Janusz Kaminski's cinematography, with good interviews and B -
roll.
Above and beyond, this is a film of big ideas, elevated from what could be a theatrical chamber
piece by the rigorous manner in which it delves into the question of artificial intelligence and the singularity, leaving you picking over its issues well after the credits
roll, while also never feeling like you're sitting
through a TED talk.
With its 6.0 - liter, V - 12 engine, unique touches borrowed from the One - 77 supercar and that wonderful exterior design it looks like a
rolling piece of art
through the video.
To put it simply combat is cumbersome, and the only way it provides a challenge is
through the sheer number of enemies attempting to mash you into a pulp, usually resulting in you
rolling madly around the place while guzzling potions of healing and throwing ice spells about the place, because frozen enemies take extra damage and it's an easy
piece of magic to spam.
Every
piece is hand - made
through a variety of techniques — press - molded,
rolled, scratched, carved, slab - built and coiled work combine to produce the
pieces at the making stage.
The exhibition at Serpentine highlights Latham's ideology
through a selection of works that span his entire career: his iconic spray and
roller paintings; onesecond drawings; the film
piece Erth (1971); and Five Sisters (1976).
The subject of the
piece, a tumbleweed attached to a rotating mechanical arm, reminded me of the opening credits of «The Big Lebowski» where one lonely tumbleweed
rolls its way incredibly
through the urban streets and yuppie beaches of Los Angeles.
But what many folks would really like to do is give you a tool that does it for you: go
through the tedious work of figuring out Facebook's inscrutable privacy dashboard, and
roll that expertise up in a self - executing recipe — a
piece of computer code that autopiloted your browser to login to Facebook on your behalf and ticked all the right boxes for you, with no need for you to do the fiddly work.
With our Millennial cover, our «
Rolling Stone» cover (February 2012), and now with our two luxury covers, we knew that you could credibly tell the story
through our original research data, consumer insights, and broker success stories, but to truly bring the point home — and have the industry take note and remember you — is
through the creative
piece.