Sentences with phrase «roll each piece through»

Not exact matches

Working with one piece of dough at a time, coat with flour, and roll through the pasta machine at the lowest setting (usually 1).
Roll each piece of dough into a tight ball, then poke your finger through the center and create a 1 - to 2 - inch hole.
Trim the edges, dust the rolled - out dough lightly, and feed each piece through a pasta machine if using.
Fold in thirds like a piece of paper, then roll it through the pasta roller again (do this three times).
Slicing tip: if you can, use a long serrated knife to cut through the entire package of rolls, leaving the top half of the rolls in one large piece.
After I rolled the dough out and rolled into a long «snake» I cut it into about 2 ″ pieces and then cut each piece into 3 sections — two slices, not quite through, and 1 slice in between the two in the opposite direction, then I twist the piece into a knot.
Working with one piece of dough at a time, flatten slightly and feed through the smooth rollers of a pasta machine starting at the widest setting.
When the dough is ready to roll, flatten one piece and knead it through the Pasta Roller attachment on the Stand Mixer.
Step 3 - Divide dough into six pieces and roll through a pasta maker making sure to dust the pasta machine and dough with flour until you get it as thin as possible without tearing.
Working with 1 piece at a time and keeping remaining dough wrapped in plastic, flatten dough into a narrow rectangle (no wider than mouth of machine); pass through rollers.
Working with 1 piece at a time and keeping remaining dough wrapped in plastic as you work, flatten dough into a narrow rectangle (no wider than mouth of machine); pass through rollers.
Divide your dough into 4 pieces and flatten each into a narrow rectangle (no wider than mouth of machine); pass through rollers.
As tanks roll through Beijing and soldiers hammer on his hotel door, Joe — a young American photojournalist — captures a piece of history.
NOAA is in the process of rolling out a fleet of 15 gliders in a swathe of ocean that spans from Nova Scotia to Georgia, after pairs of gliders on unrelated missions inadvertently got caught in superstorm Sandy last year but came through in one piece.
Though no one has ever been killed by a falling meteorite (mostly due to their tendency to burn up in the atmosphere), the recent Tiangong - 1 falling Chinese space satellite incident has proven that every sizable piece of debris that makes it through the atmosphere is another roll of the dice.
With winter temps rolling in and plenty of snow now on the ground, it's time to start thinking about the pieces that will get you through the season.
«Catch Me If You Can: Behind the Camera» (17:09) is a general making - of piece that runs through the issues of production, from Spielberg deciding to direct out of an enjoyable table read to the period production design to the Janusz Kaminski's cinematography, with good interviews and B - roll.
Above and beyond, this is a film of big ideas, elevated from what could be a theatrical chamber piece by the rigorous manner in which it delves into the question of artificial intelligence and the singularity, leaving you picking over its issues well after the credits roll, while also never feeling like you're sitting through a TED talk.
With its 6.0 - liter, V - 12 engine, unique touches borrowed from the One - 77 supercar and that wonderful exterior design it looks like a rolling piece of art through the video.
To put it simply combat is cumbersome, and the only way it provides a challenge is through the sheer number of enemies attempting to mash you into a pulp, usually resulting in you rolling madly around the place while guzzling potions of healing and throwing ice spells about the place, because frozen enemies take extra damage and it's an easy piece of magic to spam.
Every piece is hand - made through a variety of techniques — press - molded, rolled, scratched, carved, slab - built and coiled work combine to produce the pieces at the making stage.
The exhibition at Serpentine highlights Latham's ideology through a selection of works that span his entire career: his iconic spray and roller paintings; onesecond drawings; the film piece Erth (1971); and Five Sisters (1976).
The subject of the piece, a tumbleweed attached to a rotating mechanical arm, reminded me of the opening credits of «The Big Lebowski» where one lonely tumbleweed rolls its way incredibly through the urban streets and yuppie beaches of Los Angeles.
But what many folks would really like to do is give you a tool that does it for you: go through the tedious work of figuring out Facebook's inscrutable privacy dashboard, and roll that expertise up in a self - executing recipe — a piece of computer code that autopiloted your browser to login to Facebook on your behalf and ticked all the right boxes for you, with no need for you to do the fiddly work.
With our Millennial cover, our «Rolling Stone» cover (February 2012), and now with our two luxury covers, we knew that you could credibly tell the story through our original research data, consumer insights, and broker success stories, but to truly bring the point home — and have the industry take note and remember you — is through the creative piece.
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