Sentences with phrase «roman god of love»

He was, after all, the ancient Roman god of love, and today he flits around with that little bow and arrow, urging people to buy boxes of chocolate, utter sweet verses and create exotic, experimental dinners from scratch.
«Cupid» is a romantic dramedy about Trevor, a larger than life character who may or may not be the Roman god of love, Cupid, sent to earth to bring couples together.
Much like the Roman God of Love, this feature makes us fall in love with our children even more.
I know you are probably imagining the bow and arrow held by the Roman God of Love named «Cupid» but that isn't the Cupid's bow on this list.

Not exact matches

For I am convinced that neither death nor life, neither angels nor demons, neither the present or the future, nor any powers, neither height nor depth, nor anything else in all creation, will be able to separate us from the love of God that is in Christ Jesus our Lord» (Romans 8:38 - 39).
so in your spare time of denial read Romans chapter 10 verses 9 thru 13 and give your life to Jesus Christ the one and only God that gave his life for all mankind, rich or poor that we may be forgiven of our sins and have power over the devil, and help the lost to find their way to salvation through the power of the Holy Spirit... so rebuke the devil and be free, give your life to Christ so you can begin to sleep at night... I love you all with the love of Jesus Christ...
This is not a justification for the sins we commit or the poor choices we might make, but a reassurance that God works for the good of those who love Him (Romans 8:28).
You can start this kind of prayer by taking a verse like Romans 5:8, «But God demonstrates His own love for us in this: while we were still sinners, Christ died for us.»
The Reformed love each and every one of those terms, but we think applying them to words other than God's is no real solution to the universal problem of interpretive authority — a problem from which not even the Roman Catholic Church is exempt.
A god who chooses people for eternal literal fire (Romans 9) and causing / allowing evil (rape, torture, child abuse, etc) means he looks more like Molech than the God of love revealed in Jesgod who chooses people for eternal literal fire (Romans 9) and causing / allowing evil (rape, torture, child abuse, etc) means he looks more like Molech than the God of love revealed in JesGod of love revealed in Jesus.
That is the beginning of the reasons that God says, in the stark language of the Bible, «Jacob I loved, but Esau I hated» (Romans 9:13, based on Malachi 1:2 - 3).
Paul thanked God for personal victory over sin, (Romans 7:25) for the church's victory in the proclamation of its faith «throughout the whole world,» (Romans 1:8) for the lives of faithful Christians, (Philippians 1:3; I Thessalonians 1:2 - 8) and for deliverance «out of the power of darkness» into «the kingdom of the Son of his love
According to the New Testament, this experience of the indwelling presence of God is the essential source of the Christian's power (Acts 18) and of his peace and joy; (Romans 14:17) it is the best gift which the Father can bestow on his children; (Luke 11:13; John 14:26) it is the secret alike of moral renewal (Titus 3:5) and of practical guidance; (Acts 13:2) it furnishes the interior standards of motive and behavior which must not be violated; (Ephesians 4:30) whatever else in Christian faith is valuable, even though it be the love of God, becomes effective only when this experience makes it inwardly real; (Romans 5:5) and the temple is easily dispensable since to every Christian it can be said, «Know ye not that your body is a temple of the Holy Spirit which is in you?»
At an earlier time, I taught from Romans 8:38 - 39 that no matter what we do or say, nothing can separate us from the love of God.
-- 2 John 1:6 NCV Or Romans 8:38 - 39 «For I am convinced that neither death nor life, neither angels nor demons, [a] neither the present nor the future, nor any powers, 39 neither height nor depth, nor anything else in all creation, will be able to separate us from the love of God that is in Christ Jesus our Lord.»
This is to davidnfran hay David you might have brought this up in a previous post I haven't read, but i did read quit a bit about your previous comments and replies at the beginning of this blog, so I was just wondering in light of what hebrews 6 and 10 say how would you enterprite passages like romans 8 verses 28 thrue 39 what point could paul have been trying to make in saying thoughs amazing things in romans chapter 8 verses 28 thrue 39 in light of hebrews 6 and 10, Pauls says that god foreknew and also predestined thoughs whom he called to be conformed to the image of his son so that he would be the first born among many brothers and then he goes on saying that neither death nor life nor angels nor rulers nor things present nor things to come nor powers nor hight nor death can ever separate us from the love of god in christ jesus so how would i inturprate that in light of that warning in hebrews 6 and 10,
In these chapters Paul achieves a transformative rereading of scripture through the lens of the conviction he articulated earlier in Romans 5:8: «God shows his love for us in that while we were yet sinners Christ died for us.»
Sitting next to a soot - covered survivor on a bench who was screaming hysterically as bodies rained from the sky, a pastor's wife (who had just escaped from Tower One) takes her hand and quotes Romans 8: «Nothing can separate us from the love of God in Christ Jesus, our Lord.»
There are places where he resorts to the imagery of myth and speaks of Christ as if he were living an unseen life with God in a heavenly realm above, from which he would descend to appear on the earth at the imminent end - time.38 At other times Paul could speak of the church as the body of Christ, of which the Christian believers formed «the limbs and organs».39 He exhorted the Galatians to «put on Christ as a garment», 40 he said to the Romans, «Let Christ Jesus himself be the armor that you wear», 41 and he told the Galatians how he was in travail until they «took the shape of Christ».42 In various ways Paul spoke of the risen Christ as an indwelling presence in the believer, the most moving passage being his own testimony, I have been crucified with Christ; the life I now live is not my life, but the life which Christ lives in me; and my present bodily life is lived by faith in the Son of God who loved me and gave himself up for me.»
The eyewitnesses of the Resurrection of Jesus — those who ate, drank, spoke with, and listened to the Lord Jesus Christ after His Resurrection — were so convinced of the Good News of God's Love, Forgiveness, Peace, and Healing Power for all humanity revealed by the Risen Jesus Christ that these eyewitnesses were willing to die as martyrs for their belief in the Risen Christ as fully God and fully man when it was illegal to do so under Roman authority (where Cesar was considered a deity in the state cult religion).
Romans 8:28 28 And we know that in all things God works for the good of those who love him, who have been called according to his purpose.
I'm absolutely convinced that nothing — nothing living or dead, angelic or demonic, today or tomorrow, high or low, thinkable or unthinkable — absolutely nothing can get between us and God's love because of the way that Jesus our Master has embraced us (Romans 8:39 MSG)
(Romans 8:28) The love of God is by no means glamorous, for, as Rodrigues demonstrates, God even loves those who betray Him and defile His image.
We know that in all things God works for the good of those who love Him, and that if we persevere in that love, nothing whatever can separate us from Christ (cf. Romans 8:28 - 39).
Here we find fear of a bodiless condition associated with firm confidence that even in this intermediate, transient condition no separation from Christ supervenes (among the powers which can not separate us from the love of God in Christ is death — Romans 8:38).
Romans 8:28 says, «And we know that in all things God works for the good of those who love him, who have been called according to his purpose.»
For in one sense God is «intervening» constantly — if by that we mean that God is perpetually sustaining us, loving us into existence, pouring God» s self into every secret crack and joint of the created process, and inviting the human will, in the lure of the Spirit, into an ever - deepening engagement with the implications of the Incarnation, its «groanings» (Romans 8), for the sake of redemption.
Let's remember that the common thread running through Matthew 18, 1 Peter 4, and Romans 13 in the life of the believer and church is something most fundamental of all: love from God, for God, and for His image in humankind (Deuteronomy 5:1 - 21; Matthew 5 - 7; 1 Corinthians 13; and Colossians 2:6 - 19).
Africanus foretells the younger Scipio's career, as a general and a statesman and, ultimately, reformer of the Roman constitution, and then assures his grandson that God loves the laws that bind human beings together in cities, and that in heaven there is a sure abode of immortal beatitude for all who guard and serve their homelands.
The end - product of prayer is conformity with God's purposes, joy in his fellowship, newness of life with him and with our brethren, and the recognition that (in Paul's words from Romans) «God works towards a good end, and in every respect, for those who love him.»
The Roman Catholics wont allow me take Mass in their Church I do not care, I still go periodically and sill love it, why, because in spite of the idiosyncrasies we are all together, weather it be with a right or wrong heart, that does not matter, we are corporate, one body, warts and all and God Loves it.
For the apostle Paul, the love of God in Christ is already so tremendous an experience that he is sure «neither death, nor life» can separate him from it (Romans 8:38 - 39).
«To those who love God,» wrote Paul, «everything that happens fits into a pattern for good» (J. B. Phillips's translation of Romans 8:28).
«And we know that in all things God works for the good of those who love him» (Romans 8:28).
And doesn't Romans 8 declare that NOTHING... ABSOLUTELY NOTHING... can separate us from the love of God?
God is Uncategorized Bible & Theology Topics: accountability group, Discipleship, flesh, law, love of God, Romans 8, sin, victory over sin
We know that God is using everything that happens on Earth for the Good of those who love Him: Romans 8:28 says, «And we know that all things work together for good to them that love God, to them who are the called according to his purpose.»
I think the Apostle Paul said it best in Romans 8:38 - 39: «For I am persuaded, that neither death, nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come, nor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord.»
«In this manner I shall guarantee that faith is kept with me, and this on account of Rome, which devours its inhabitants, never having kept faith nor keeping it now, where the most sacred fathers kill their beloved sons for the love of God, and brothers destroy brothers in obedience to Christ, as is the Roman custom and style.»
Further, a fuzzy definition of Romanticism itself is employed throughout the book — in the very chapter with the subtitle, «Franciscan Romanticism» (somewhat oddly slight and situated near the end of the book), a promising opening discussing the origins of medieval «roman ‑ tic» literature collapses into a watery (modern) use of the word relative to Francis» and Clare's «youthful mutual attraction [that] grew into a shared understanding of God's love for them» (p. 151).
I feel optimistic because of Romans 8:28: «in everything God is working for the good of those who love him, who are the called according to his purposes.»
It is the hope - giving promise of Romans 8:32, that neither life nor death can separate the believer from the love of God in Christ Jesus.
«Nothing in all creation can separate us from the love of God that is in Christ Jesus our Lord» (Romans 8:39) St Paul
Responsive parenting is truly a picture of God's sacrificial, unconditional love in that, as we respond to our children where they are, («This is how God showed His great love for us, that Christ died for us while we were still sinners [emphasis added]» Romans 5:8) comforting their cries, guiding their choices, providing for their needs, encouraging their individuality, we are, moment by moment, day by day, sacrificing our lives for them.
The artist is Max Lawrence and the title of it is Romans 8:39 «neither height nor depth, nor anything else in all creation, will be able to separate us from the love of God that is in Christ Jesus our Lord.»
Best Film: «Of Gods and Men» Best Director: Roman Polanski, «The Ghost Writer» Best Actor: Eric Elmosnino, «Gainsbourg» Best Actress: Sara Forestier, «The Names of Love» Best Supporting Actor: Michael Lonsdale, «Of Gods and Men» Best Supporting Actress: Anne Alvaro, «The Clink of Ice» Most Promising Actor: Edgar Ramirez, «Carlos» Most Promising Actress: Leïla Bekhti, «Tout ce qui brille» Best Original Screenplay: Baya Kasmi and Michel Leclerc, «The Names of Love» Best Adapted Screenplay: Robert Harris and Roman Polanski, «The Ghost Writer» Best Foreign Film: «The Social Network» Best Animated Feature: «The Illusionist» Best Documentary: «Oceans» Best First Film: «Gainsbourg» Best Cinematography: Caroline Champetier, «Of Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquOf Gods and Men» Best Director: Roman Polanski, «The Ghost Writer» Best Actor: Eric Elmosnino, «Gainsbourg» Best Actress: Sara Forestier, «The Names of Love» Best Supporting Actor: Michael Lonsdale, «Of Gods and Men» Best Supporting Actress: Anne Alvaro, «The Clink of Ice» Most Promising Actor: Edgar Ramirez, «Carlos» Most Promising Actress: Leïla Bekhti, «Tout ce qui brille» Best Original Screenplay: Baya Kasmi and Michel Leclerc, «The Names of Love» Best Adapted Screenplay: Robert Harris and Roman Polanski, «The Ghost Writer» Best Foreign Film: «The Social Network» Best Animated Feature: «The Illusionist» Best Documentary: «Oceans» Best First Film: «Gainsbourg» Best Cinematography: Caroline Champetier, «Of Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquof Love» Best Supporting Actor: Michael Lonsdale, «Of Gods and Men» Best Supporting Actress: Anne Alvaro, «The Clink of Ice» Most Promising Actor: Edgar Ramirez, «Carlos» Most Promising Actress: Leïla Bekhti, «Tout ce qui brille» Best Original Screenplay: Baya Kasmi and Michel Leclerc, «The Names of Love» Best Adapted Screenplay: Robert Harris and Roman Polanski, «The Ghost Writer» Best Foreign Film: «The Social Network» Best Animated Feature: «The Illusionist» Best Documentary: «Oceans» Best First Film: «Gainsbourg» Best Cinematography: Caroline Champetier, «Of Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquOf Gods and Men» Best Supporting Actress: Anne Alvaro, «The Clink of Ice» Most Promising Actor: Edgar Ramirez, «Carlos» Most Promising Actress: Leïla Bekhti, «Tout ce qui brille» Best Original Screenplay: Baya Kasmi and Michel Leclerc, «The Names of Love» Best Adapted Screenplay: Robert Harris and Roman Polanski, «The Ghost Writer» Best Foreign Film: «The Social Network» Best Animated Feature: «The Illusionist» Best Documentary: «Oceans» Best First Film: «Gainsbourg» Best Cinematography: Caroline Champetier, «Of Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquof Ice» Most Promising Actor: Edgar Ramirez, «Carlos» Most Promising Actress: Leïla Bekhti, «Tout ce qui brille» Best Original Screenplay: Baya Kasmi and Michel Leclerc, «The Names of Love» Best Adapted Screenplay: Robert Harris and Roman Polanski, «The Ghost Writer» Best Foreign Film: «The Social Network» Best Animated Feature: «The Illusionist» Best Documentary: «Oceans» Best First Film: «Gainsbourg» Best Cinematography: Caroline Champetier, «Of Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquof Love» Best Adapted Screenplay: Robert Harris and Roman Polanski, «The Ghost Writer» Best Foreign Film: «The Social Network» Best Animated Feature: «The Illusionist» Best Documentary: «Oceans» Best First Film: «Gainsbourg» Best Cinematography: Caroline Champetier, «Of Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquOf Gods and Men» Best Art Direction: Hugues Tissandier, «The Extraordinary Adventures of Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquof Adèle Blanc - Sec» Best Costume Design: Caroline de Vivaise, «The Princess of Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama&raquof Montpensier» Best Film Editing: Hervé de Luze, «The Ghost Writer» Best Sound: «Gainsbourg» Best Short Film: «Logorama»
All of these films will join the others we've been announcing over the last few months at this new edition of the Festival, marked by the new manifestations of evil, as is the case with Only God Forgives, the new film from Nicolas Winding Refn; Jim Jarmusch's most recent work, Only Lovers Left Alive, a unique story of eternal love between two vampires; a bizarre, surreal, comedy from Roman Coppola, A Glimpse Inside the Mind of Charles Swann III; The Congress, the spectacular Stanislaw Lem adaptation directed by Ari Folman; Real, director Kiyoshi Kurosawa's return to fantastic cinema; or La danza de la realidad, the new work by multifaceted Alejandro Jodorowski.
The flagship of the Festival, section Oficial Fantàstic, presents some of the most eagerly awaited movies of the year, such as Only God Forgives by Nicolas Winding Refn - director of Valhalla Rising and Drive; Jim Jarmusch's latest film Only Lovers Left Alive, an eternal love story between two vampires; A Glimpse Inside the Mind of Charles Swann III, a surrealist comedy by the hand of Roman Coppola; The Congress, a spectacular adaptation of Stanislaw Lem directed by Ari Folman - responsible for Vals with Bashir -, that combines animation with a science - fiction story starring Robin Wright and Harvey Keitel; Sitges 2013 will also represent the return of Kiyoshi Kurosawa to the fantastique genre with Real.
This story of a man who plays God being confronted by a kid who plays Devil reminds me of peak Roman Polanski, another filmmaker who loved paranoia and unexplainable fear.
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