Sentences with phrase «romantic painting movement»
THE ENGLISH SCHOOL For information about artists of 19th century England, see: Dante Gabriel Rossetti (1828 - 82) Romantic leader of Pre-Raphaelites John Everett Millais (1829 - 96) Academic portraitist William Morris (1834 - 96) Leader of Arts & Crafts Movement Aubrey Beardsley (1872 - 98) Art Nouveau illustrator English Figurative Painting 18th / 19th century portraiture English Landscape Painting 18th and 19th century art Pre-Raphaelite Brotherhood Romantic painting movement.
http://www.visual-arts-cork.com/ Not exact matches
After studying at the University of Copenhagen in the 1960s, Kirkeby initially aligned himself with the experimental art movements of the day, before forging ahead with his own Neo-expressionist style, combining the languages of romantic nature painting with abstraction.
Painting's last big hurrah was 30 - plus years ago with the ascension of the so - called Neo - expressionist / New Romantic «movement.»
[3] Polish Romantic painting is exemplified in the work of Artur Grottger, Henryk Rodakowski, or the equestrian master artist Piotr Michałowski (now at Sukiennice), and Jan Nepomucen Głowacki considered the father of Polish school of landscape painting, as well as the renowned historical painter Leopold Loeffler invited to Kraków by Matejko to teach the future luminaries of the Young Poland movement including Wyspiański, Tetmajer, Malczewski and Weiss among others.
Its fine arts collection features a vast range of sculpture, works on paper and painting, including items from the Gothic, Italian Renaissance, Northern Renaissance, Baroque, Rococo, Neoclassical, Romantic, and Realist styles and movements.
Landscape painting in Europe truly became an artform in it's own right during the 19th Century with the Impressionist, Post-Impressionist and Romantic movements.
This mid-19th century American art movement consisted of a loosely organized group of romantic landscape artists, who painted spectacular natural scenery, notably views of the Hudson River Valley and the surrounding region, including the Adirondack, Catskill, and the White Mountains.
Important influences on the origins and early development of the movement included the Romantic landscape painter Camille Corot (1796 - 1875) and the Le Havre - born artist Eugene Boudin (1824 - 98), as well as the activities of the Barbizon School of landscape painting.
The choice of works is very deliberate with the exhibition broken down into seven themes: Beauty, Power and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lives.
David Bromley's work taps into a world of fantasy and beauty, balancing bold and romantic elements in paintings full of life, movement, and color.
A key figure in the British Romantic movement of the early 19th century, Constable, together with J.M.W. Turner, changed the course of European landscape painting forever.
A selection of 47 paintings - many of which have been rarely exhibited outside of Wales - and 11 important works on paper will reveal the cross-currents between artists and movements that propelled nineteenth - century painting from the romantic naturalism of J.M.W. Turner to the post-impressionism of Paul Cézanne.
«It became apparent,» Aldrich said, «that in painting there was a movement away from the geometric, hard - edge, and minimal, toward more lyrical, sensuous, romantic abstractions in colors which were softer and more vibrant.