Lanyon modernised
the Romantic tradition of the landscape painting.
Not exact matches
For YSP he will make new
painting and sculpture — resolutely contemporary works that will integrate an inclination towards geometry with the
romantic sincerity
of landscape painting in the historical
tradition.
According to the gallery, «The Girl» encapsulates Op de Beeck's uncanny ability to create visual fictions
of wonder, silence and introspection, while referencing art historical
traditions of the panorama,
landscape painting and German -
Romantic notions
of melancholy and the sublime.
In the 1980s, a decade when artists commonly appropriated styles or imagery from earlier art historical periods, Mark Innerst became known for beautifully crafted natural and urban
landscape paintings that gave new life to the American
tradition of the
romantic sublime.
Their current work explores the relationship between contemporary art making practices and the historical
tradition of romantic landscape painting.
This lecture begins by exploring the roots
of northern
Romantic landscape painting (as outlined by Robert Rosenblum in Modern
painting and the Northern
Romantic Tradition) and its influence on later modernist abstract
painting.
The Piccolomini pastels on paper push to the extreme this logic
of the horizon and as such they attempt to offer a final meditation on the very
tradition of landscape painting at the moment in which this genre has been abandoned by artists and is seen as outmoded and
romantic.
Conscious
of the nineteenth - century German
tradition of romantic landscape painting, Hütte depends upon compositional and structural devices, whilst refuting its
tradition of emotional excess and self - conscious pathos.
Many
of the works harked back to the
tradition of Romantic landscape painting.
They reflect an interest in nineteenth century
romantic painting, in abstract expressionism, in Chinese
landscape painting, and in the Chinese
tradition of so - called «flung ink
painting.»
While studying
painting at Central Saint Martins and at the Chelsea School
of Art in London, he developed his unique approach; in works evoking the
tradition of romantic landscape painting, Doig drew attention to the act
of applying
paint to the canvas by combining abstracted elements with ordinary subject matter.