Sentences with phrase «room than artist»

This often feels more like a discussion of The Room than Artist, so while it's fun, it's not as informative as I'd like.

Not exact matches

On the new Echo speaker, the one that is a bit more plump and sounds better than the original Echo, you can talk from across the room and ask about musical artists, the weather, or even ask weird questions and you'll probably get a pretty good answer.

Other characters are rendered less convincingly than their real - life counterparts, with an assortment of fake - looking dye jobs, wigs and facial hair that make the cast of «The Disaster Artist» seem, incongruously, less real than the characters in «The Room.»

As Tommy, he is the strange, unknowable presence at the center of both «The Disaster Artist» and «The Room,» and audiences need to believe this is a real person rather than a caricature.

Based on the tell - all book «The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made» co-written by Sestero and Tom Bissell, «The Disaster Artist» is one of those stranger - than - fiction stories that very few people would believe if it hadn't actually happened, but here we are.

«The Disaster Artist» — I didn't have more fun at the movies this year than with the lovable filmmaking oddballs in this tale of the making of what is widely regarded as the worst movie ever — «The Room.»

Franco is a filmmaker whose ideas are nearly always more interesting than their execution, so fans of «The Room» had reason to be concerned when he announced his intention to do «The Disaster Artist.»

Will The Disaster Artist find an audience wider than The Room?

For those who don't have any emotional connection to The Room, The Disaster Artist is little more than an oddity.

There is a meta sheen that goes much deeper than the constant winks at The Room's midnight faithful, and watching The Disaster Artist, it's not hard to understand why Franco — who has had his own disastrous ups and downs — cast himself in the title role.

James Franco's new movie The Disaster Artist has gotten much better reviews than the «Citizen Kane of bad movies» that is its subject — but how does it play if you've never seen The Room?

And I do think The Disaster Artist is probably more of an awe - inspiring experience for those of us who haven't seen The Room than those who have already.

We may be in the minority on this, considering the warm reception that has greeted the film at festival screenings, but The Disaster Artist struck us as less a movie than an over-extended Funny Or Die skit packed with celebrity cameos — which is to say, it makes little sense if you haven't already seen The Room.

It's the making - of scenes in The Disaster Artist that bring the biggest laughs, but it's what comes before the Room shoot that makes that laughter something deeper and richer than mere mockery.

Having just re-watched «The Room,» I'm happy to say «The Disaster Artist» rendered the film both funnier and stranger than it seemed before.

Fresh off wigging - and - accenting his way through the role of would - be auteur Tommy Wiseau in his The Room tribute film The Disaster Artist, James Franco is gearing up to portray another modern Renaissance man — one whose efforts to wear multiple creative hats resulted in wide - spread acclaim, rather than ironic appreciation: cartoonist, poet, and songwriter Shel Silverstein.

As a director (Franco has directed more than a dozen films), Franco has a keen sense of storytelling, and frames «The Disaster Artist» with appreciation for «The Room,» opening with a host of famous faces talking about the film and closing with recreations of key scenes paired side - by - side with the originals.

You see, Casa Malca, the 41 - room estate sitting on the left - hand side of that long stretch of unkept street, is filled with something for just about everyone including a rare sculpture by pop artist KAWS simply sitting in the entryway, stunning vistas of the crystal clear waters of the Caribbean Sea from every window, and a backstory that will make every «Narcos» fan giddy with joy because the entire property once belonged to none other than Pablo Escobar.

The creative spirit of The Blackstone is brought to life through uniquely - curated art pieces by more than 1,600 local artists placed throughout the hotel, including in the Art Hall, guest rooms and public spaces, as well as woven throughout various guest touch points including the bespoke room keys, in - room amenities, and more.

Let alone do each of the environments live thanks to the creativity of the level designers and artists, the game also tells a vivid story with each room that will eventually be flooded with demons.While it would be quite easy to carry on about the level design, the monsters have also gotten a rather unique re-imagining that brings them to life no more than ever.

The exhibition also includes the debut of the Museum's new acquisition of Japanese artist Yayoi Kusama's Light of Life, a mirrored hexagonal box measuring more than seven feet square and seven feet tall, with three portholes at varying heights to allow the viewer to look inside of the enclosed «infinity room.»

Curated by 8 first - year graduate students at the Center for Curatorial Studies, In a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel Collection.

According to a Christies press release, «The painting was pursued on the telephone and in the room, going on to set a new artist's record, at more than tripling her previous record of # 146,500 [about $ 224,550].»

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Having recently exhibited with the newly created Blenheim Art Foundation in its first contemporary art exhibition in the rooms and gardens of the 18th century Blenheim Palace, Oxfordshire — the birthplace of Sir Winston Churchill — with more than 50 artworks by the celebrated Chinese artist and social activist.

Brilliantly combining world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).

Talbott said the museum will have no problem filling the room with artworks, since the museum has more LeWitt pieces than pieces by any other artist.

As a part of «The Waiting Room,» her solo exhibition that was on view this summer, Leigh invited more than 100 black women artists to take over the New Museum for an evening.

The hope was that, in combination, the pieces would yield greater meaning than the individual parts, that, as an artist, I was creating the stage with room for the viewer to locate his / her own associations.»

Even more conspicuous was the number of artists who, whatever their subject matter, are conjuring a kind of space that seems teasingly «real,» yet clearly relies on life as experienced through the computer screen more than the living room window.

The new phase of Artist Rooms will tour more than 30 UK venues, presenting exhibitions and displays from the collection over a three - year period, starting with Roy Lichtenstein at Wolverhampton Art Gallery in autumn 2016.

2017 Panelist, «Keeping It Real: Interventions, Ruptures and Affirmations», Porter Colloquium, Howard University, Washington, DC 2016 Panelist, Porter Colloquium 2016, Howard University, Black Artists Collective: BAM and its Influences 2015 Presenter: Black Arts United States: Institutions and Interventions Northwestern University; Let the Circle Be Unbroken: BADC an alternative network based on collaboration that prepares Black artists...) 2014 «African American Art: Resistance, Community, and Creativity», Busboys and Poets, Washington DC 2013 Open Studio visit Smithsonian Institute, Anacostia Museum, Washington, DC 2012 «Art and Diversity», panelist, Washington Sculpture Group, Washington, DC 2010 Sam Gilliam» More Than A Room: Effective Studio Practices», interview WashingArtists Collective: BAM and its Influences 2015 Presenter: Black Arts United States: Institutions and Interventions Northwestern University; Let the Circle Be Unbroken: BADC an alternative network based on collaboration that prepares Black artists...) 2014 «African American Art: Resistance, Community, and Creativity», Busboys and Poets, Washington DC 2013 Open Studio visit Smithsonian Institute, Anacostia Museum, Washington, DC 2012 «Art and Diversity», panelist, Washington Sculpture Group, Washington, DC 2010 Sam Gilliam» More Than A Room: Effective Studio Practices», interview Washingartists...) 2014 «African American Art: Resistance, Community, and Creativity», Busboys and Poets, Washington DC 2013 Open Studio visit Smithsonian Institute, Anacostia Museum, Washington, DC 2012 «Art and Diversity», panelist, Washington Sculpture Group, Washington, DC 2010 Sam Gilliam» More Than A Room: Effective Studio Practices», interview Washington, DC

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Katherine is a featured artist in the White Room Gallery's show, «More than Meets the Eye,» curated by Andrea McCafferty and Kat O'Neill.

Collaboration within Mirrorcity is key to this exhibition: between the artists, the works, and between the works and the space they are housed in, as many new commissions have been created less for the sake of making a new artwork than of building an exhibition which works cohesively within the Hayward — something of a maze of rooms across several levels.

An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second...

More than a hundred artists get or share a room, but few indeed are site specific.

me Collectors Room and Olbricht Foundation organized an amazing show entitled Falling Fictions, featuring more than 20 artists.

This emptiness is only partly occupied by a little extra space, more a sculptural space than a room defined by a work that continues and alternates the older lamp practice of the artist.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Alemani even invited novelist Rick Moody to pen a short story set on the island; and, in a nod to the site's history as a locale for hospitals and asylums in the 19th century, Israeli artist Uri Aran will remake an abandoned office into a fictional examination room with doctors, patients, and strange «procedures» broadcast live — a piece of performance that is sure to be less Treasure Island than Shutter Island.

«Lucas Samaras: New York City, No - Name, Re-Do, Seductions» at Pace Gallery More than 185 photographs are spread out over seven rooms in the artist's 35th exhibition with the New York gallery.

These compositions appear to focus on painter's spaces rather than architectural spaces, alternately resembling crowded rows of canvases, artist's loft storage with the room subtracted, or paintings falling like a tumbling house of cards.

Entitled «The Room» (not to be confused with the Tommy Wiseau flick that's always playing at Sunshine) the exhibit is the artist's first solo show in New York in over a decade, and it could not have found a more appropriate home than Oko, the nondescript East Village gallery known for its immersive art experiences.

And the self - conscious use of paint by the younger artists in this room — the awareness that it is a culturally informed choice rather than a preordained tool — forms the foundation of much painting practice today.

The ARTIST ROOMS collection of modern and contemporary art is displayed across the UK in solo exhibitions that showcase the work of more than 40 major artists.

Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).

In a gallery that represents 20 or 30 artists, your rotation may not come up more than once every three years, but a gallery that is working hard to represent you will find ways to keep your work visible: online, in the viewing room, with a special project, with inclusion in the occasional group show.

Whether it is a throne room, altar or artist's studio, it is not clear whether we should be venerating his body rather than obeying it.

More than one institution failed to present a solo exhibition by a living non-white artist since 2013: the Art Gallery of Nova Scotia, the Rooms and the National Gallery of Canada.