Sentences with phrase «royalty share deals»

In terms of ACX for an experienced narrator, I'm very circumspect about the royalty share deals I do.

«Effective for projects started on or after March 12, 2014, titles distributed exclusively to Audible, Amazon, and iTunes will earn a non-escalating 40 % royalty paid to the Rights Holder (or, on Royalty Share deals, split equally between the Rights Holder and the Producer).

Jeffrey: Well, I'm a little different in that I don't do a lot of straight royalty share deals unless it's from an author that I know.

In Royalty Share deals, the Rights Holder and Producer will now split the $ 50 bounty equally.

And, so if you're being paid per finished hour, as a narrator, I don't consider necessarily that it's such an important part of my job to market that type of book, because I've been paid for my role; I do feel responsibility with royalty share deals to help in the marketing of them, which is why we're doing this, of course!

Producers and Rights Holders who enter into Royalty Share Deal split a $ 50 Bounty Payment — $ 25 each — whenever an audiobook they produce under a Royalty Share deal is the first purchase by an AudibleListener ™ member.

You and your Producer can agree to a Pay for Production Fee (a one - time flat fee) or a Royalty Share Deal (in which case your Producer won't earn money up front, but will instead share in the proceeds from the sale of your audiobook 50 - 50).

Do you want to pay them for their efforts upon completion of the audiobook (a fee per finished hour, as part of a Pay For Production deal) or do you prefer to split your royalties with them fifty - fifty (as part of a Royalty Share deal)?

An author can self - pub a title at ACX and likely will make anywhere from $ 1000 — $ 0, and if it is a royalty share deal half of that goes to the narrator.

And they understand that you can't necessarily do a royalty share deal, but they want you to have some skin in the game, because if a narrator takes on your 10 hour book, that's 40 hours of work for them.

Don't treat it just as a stream of income because you have got a narrator on the other side who, if it's a royalty share deal may be reliant on the income.

When you're happy, you pay your producer directly, unless you agreed to a Royalty Share deal.

It's not a chore — and it mustn't ever be a chore, whether you're paid or whether you're on a royalty share deal — but because this is what I do for a living, it's more of a risk for me to take on a project that I can't believe in, and not be paid to do it, because the payment aspect requires an investment of marketing when it's a royalty share deal, and if I'm going to take that royalty share deal, it, it behooves me to help with the marketing.

Narrators on the royalty share deal want to know that your book has high earnings potential.

Not exact matches

Only a «limited» number of faculty members share in this kind of wealth, but «on more than half of the research - intensive campuses in the United States, there are a handful of faculty who earn more than their salaries each year from royalties» — some a great deal more, she notes.

After being approached by Shelf Media about an unconventional deal to publish Final Appearance through Lulu.com, Stark decided against a traditional publishing contract and royalty advance because of the greater control and potentially higher revenue share self - publishing — or «direct publishing» as Stark calls it — might bring to an accomplished novelist such as himself.

As GoodEReader reported last week, several groups have lashed out at the lack of an advance and the complete reversal on the typical royalty model; rather, authors were being given what the publisher called a «profit sharing» model that the organizations and many agents and authors felt was shoving too much financial risk on the authors who signed these deals.

If you give it away, and a large share of this limited market takes advantage of the deal, you could reduce the total sales and royalties that you could realize.

Traditional deals don't require the author to pay for anything, either out of pocket or by allowing the publisher to recoup expenses before calculating the author's royalty share.

If Audible does not commence selling the Audiobook within 3 months after its receipt of your written notice, (a) this Agreement will automatically terminate and all rights in the Book and the Audiobook granted to Audible in this Agreement will revert to you and (b) if you agreed to the royalty share payment option with the Producer for production of the Audiobook, Audible will pay the Producer a termination fee of $ 100 times the actual number of finished hours (in 10 minute increments) in the deal confirmation page; up to a maximum of $ 2,500 as full payment for the Producer's services in creating the Audiobook.

In terms of the money, the royalty share is still a good deal (despite reducing just before ACX opened up to the UK).

Currently my situation is that only one of my authors seems to be doing much marketing at all (all current deals are royalty share).

Many voice actors eschew deals that require them to work in exchange for a share of future royalties.

If Rights Holder and Producer have agreed to a royalty share arrangement, Rights Holder must pay Producer a cancellation fee equal to $ $ 100 base plus $ 100 per finished hour times the projected number of finished hours (in 10 minute increments) in the Deal Confirmation Page; up to a maximum of $ 2,500.

The deal for 100 % royalties (I presume this is 100 % net royalties after Amazon, etc have their share, although it doesn't say) is aimed at bringing in self - publishers who will then pay for the author services offered by T&T.

Doubtless this is fresh fodder for future releases, but we do have to hat - tip Fanning's deal - making skills again — SLE only paid $ 4 M up - front, the consideration is primarily a carry commitment (for the seller's remaining 20 % interest) & a potentially substantial royalty share of future production revenues.