Sentences with phrase «russian suprematism»

Heavily influenced by Russian Suprematism, Hinman creates abstract works, favoring color, shape, and form over literal representation.
Influenced by Josef Albers and Russian Suprematism and Constructivism, Stanczak creates abstract compositions full of vibrating colors and optical illusion.
The Russian Suprematism started circa 1915/16 by founding artist Malevich.
After some years he founded Russian Suprematism, a painter style he developed from Russian Constructivism.

Not exact matches

Constructivist artists were strongly inspired by technology and architecture (also criticized as only their inferior imitation, by the Russian artist Malevich, the founder of Suprematism).
On Wikipedia you can find good and extended biography facts of the Russian painter, and a description of the meaning and facts of Suprematism.
Suprematism and its artists, the Russian art - movement, described and explained in short art - quotes and images, for students, pupils teachers.
Is it a coincidence that other responses included the assaults of Dada in Europe, the Russian Revolution and Suprematism, and a newly independent American art?
His work is not sensuous nor does he offer expressive paintwork, and his work disassociates itself from almost all other painting in the history of art: except Mondrian, Suprematism and Russian icon painting.
The colorful canvases draw heavily on Suprematism, Russian Constructivism, and, to a lesser extent, Bauhaus or de Stijl.
Barbara Krueger brings her characteristic bold advertising type to agit - prop Russian vocab; Florian Pumhosl channels the spirit of Suprematism with his minimal white sculptures in a replica El Lissitzky room; Janice Kerbel makes beautiful geometric patterns from representations of Russian synchronised swimmers.
As expected, his artistic influences are based on avant - garde Russian and constructivist painters, Malevitch's Suprematism and color expression by the New York school of expressive abstraction.
In anticipation of the centennial of the Russian Revolution, this exhibition examines key developments and new modes of abstraction, including Suprematism and Constructivism, as well as avant - garde poetry, film, and photomontage.
Nina Katchadourian's five - part portfolio Window Seat Suprematism (2014) is based on photographs of airplane wings she took over the course of numerous commercial airline flights; in this work she documents her peripatetic lifestyle while also channeling the pared - down compositions of the Russian avant - garde.
The term covers many separate, but inextricably related, art movements that flourished at the time; namely Suprematism, Constructivism, Russian Futurism, Cubo - Futurism, Zaum and Neo-primitivism.
El Lissitzky was a Russian artist and polemicist who helped the development of avant - garde and suprematism with his mentor Kazimir Malevich.
The hallway uptown never looks back to Suprematism, Russian Constructivism, or other early modern gambles.
If the artistic exploration of space in Russian Constructivism and Suprematism was a low - tech way to expand the cosmic horizons of humanity, Socialist Realism was an artistic incarceration of the Soviet imagination.
Originally associated with the Russian Constructivists, Malevich developed a form of abstraction outlined in his essay, From Cubism and Futurism to Suprematism: The New Realism in Painting, 1915.
Her experience of an immense range of Russian art, from icons to suprematism, consolidated characteristics that had been apparent in her art for many years: brilliance of colour, especially in her pastels and watercolours, and a frequent use of abstract shapes and strokes.
• Alexander Rodchenko (1891 - 1956) Russian sculptor, painter, industrial designer; influenced by Suprematism; leading exponent of Constructivist non-figurative sculpture.
Coined by Russian painter Kazimir Malevich in 1915, Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of «pure artistic feeling.»
Pure plasticity — the aesthetic «truth,» as it were — was expressed, if in different formal terms from those of Cubism, in the abstract expressionism of Wassily Kandinsky, the leader of Der Blaue Reiter («The Blue Rider») artists in Munich, Germany, in Kazimir Malevich's Suprematism, in Russian Constructivism, and in the geometric abstraction of Piet Mondrian and Theo van Doesburg of the Dutch De Stijl group.
Suprematism Russian pure Abstract art movement of 1913 - 15, led by Kasimir Malevich, that used geometric elements.
Elsa Dax was born in Paris, and educated at the Sorbonne where she gained an MA in cinema, Russian art studies, Constructivism and Suprematism.
Planned in anticipation of the centennial year of the 1917 Russian Revolution, the exhibition highlights breakthrough developments in the conception of Suprematism and Constructivism, as well as in avant - garde poetry, theater, photography, and film, by such figures as Alexandra Exter, Natalia Goncharova, El Lissitzky, Kazimir Malevich, Vladimir Mayakovsky, Lyubov Popova, Alexandr Rodchenko, Olga Rozanova, Vladimir and Georgii Stenberg, and Dziga Vertov, among others.
Suprematism (Supremus No. 58)(1916) Krasnodar Museum of Art • The Knife Grinder (1912) Yale University Art Gallery • Head of a Peasant (1912) Stedelijk Museum, Amsterdam • Black Square on White Ground (1913, State Russian Museum, St Petersburg) • Black Circle (1913) State Russian Museum, St Petersburg • Yellow, Orange and Green (1914) Stedelijk Museum, Amsterdam • Suprematism Composition: Red Square and Black Square (1915) MoMA, NYC • Suprematism (1915) Stedelijk Museum, Amsterdam • White on White (1918) MoMA, New York
He studied the writings of the great Russian painter Kasimir Malevich (1879 - 1935), an early pioneer of concrete art and founder of the modernist art movement known as Suprematism.
Kasimir Malevich Biography of Russian Abstract Painter, Founder of Suprematism.
Suprematism Characteristics of Russian Geometric Abstract Painting.
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