Heavily influenced by
Russian Suprematism, Hinman creates abstract works, favoring color, shape, and form over literal representation.
Influenced by Josef Albers and
Russian Suprematism and Constructivism, Stanczak creates abstract compositions full of vibrating colors and optical illusion.
The Russian Suprematism started circa 1915/16 by founding artist Malevich.
After some years he founded
Russian Suprematism, a painter style he developed from Russian Constructivism.
Not exact matches
Constructivist artists were strongly inspired by technology and architecture (also criticized as only their inferior imitation, by the
Russian artist Malevich, the founder of
Suprematism).
On Wikipedia you can find good and extended biography facts of the
Russian painter, and a description of the meaning and facts of
Suprematism.
Suprematism and its artists, the
Russian art - movement, described and explained in short art - quotes and images, for students, pupils teachers.
Is it a coincidence that other responses included the assaults of Dada in Europe, the
Russian Revolution and
Suprematism, and a newly independent American art?
His work is not sensuous nor does he offer expressive paintwork, and his work disassociates itself from almost all other painting in the history of art: except Mondrian,
Suprematism and
Russian icon painting.
The colorful canvases draw heavily on
Suprematism,
Russian Constructivism, and, to a lesser extent, Bauhaus or de Stijl.
Barbara Krueger brings her characteristic bold advertising type to agit - prop
Russian vocab; Florian Pumhosl channels the spirit of
Suprematism with his minimal white sculptures in a replica El Lissitzky room; Janice Kerbel makes beautiful geometric patterns from representations of
Russian synchronised swimmers.
As expected, his artistic influences are based on avant - garde
Russian and constructivist painters, Malevitch's
Suprematism and color expression by the New York school of expressive abstraction.
In anticipation of the centennial of the
Russian Revolution, this exhibition examines key developments and new modes of abstraction, including
Suprematism and Constructivism, as well as avant - garde poetry, film, and photomontage.
Nina Katchadourian's five - part portfolio Window Seat
Suprematism (2014) is based on photographs of airplane wings she took over the course of numerous commercial airline flights; in this work she documents her peripatetic lifestyle while also channeling the pared - down compositions of the
Russian avant - garde.
The term covers many separate, but inextricably related, art movements that flourished at the time; namely
Suprematism, Constructivism,
Russian Futurism, Cubo - Futurism, Zaum and Neo-primitivism.
El Lissitzky was a
Russian artist and polemicist who helped the development of avant - garde and
suprematism with his mentor Kazimir Malevich.
The hallway uptown never looks back to
Suprematism,
Russian Constructivism, or other early modern gambles.
If the artistic exploration of space in
Russian Constructivism and
Suprematism was a low - tech way to expand the cosmic horizons of humanity, Socialist Realism was an artistic incarceration of the Soviet imagination.
Originally associated with the
Russian Constructivists, Malevich developed a form of abstraction outlined in his essay, From Cubism and Futurism to
Suprematism: The New Realism in Painting, 1915.
Her experience of an immense range of
Russian art, from icons to
suprematism, consolidated characteristics that had been apparent in her art for many years: brilliance of colour, especially in her pastels and watercolours, and a frequent use of abstract shapes and strokes.
• Alexander Rodchenko (1891 - 1956)
Russian sculptor, painter, industrial designer; influenced by
Suprematism; leading exponent of Constructivist non-figurative sculpture.
Coined by
Russian painter Kazimir Malevich in 1915,
Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of «pure artistic feeling.»
Pure plasticity — the aesthetic «truth,» as it were — was expressed, if in different formal terms from those of Cubism, in the abstract expressionism of Wassily Kandinsky, the leader of Der Blaue Reiter («The Blue Rider») artists in Munich, Germany, in Kazimir Malevich's
Suprematism, in
Russian Constructivism, and in the geometric abstraction of Piet Mondrian and Theo van Doesburg of the Dutch De Stijl group.
Suprematism Russian pure Abstract art movement of 1913 - 15, led by Kasimir Malevich, that used geometric elements.
Elsa Dax was born in Paris, and educated at the Sorbonne where she gained an MA in cinema,
Russian art studies, Constructivism and
Suprematism.
Planned in anticipation of the centennial year of the 1917
Russian Revolution, the exhibition highlights breakthrough developments in the conception of
Suprematism and Constructivism, as well as in avant - garde poetry, theater, photography, and film, by such figures as Alexandra Exter, Natalia Goncharova, El Lissitzky, Kazimir Malevich, Vladimir Mayakovsky, Lyubov Popova, Alexandr Rodchenko, Olga Rozanova, Vladimir and Georgii Stenberg, and Dziga Vertov, among others.
•
Suprematism (Supremus No. 58)(1916) Krasnodar Museum of Art • The Knife Grinder (1912) Yale University Art Gallery • Head of a Peasant (1912) Stedelijk Museum, Amsterdam • Black Square on White Ground (1913, State
Russian Museum, St Petersburg) • Black Circle (1913) State
Russian Museum, St Petersburg • Yellow, Orange and Green (1914) Stedelijk Museum, Amsterdam •
Suprematism Composition: Red Square and Black Square (1915) MoMA, NYC •
Suprematism (1915) Stedelijk Museum, Amsterdam • White on White (1918) MoMA, New York
He studied the writings of the great
Russian painter Kasimir Malevich (1879 - 1935), an early pioneer of concrete art and founder of the modernist art movement known as
Suprematism.
Kasimir Malevich Biography of
Russian Abstract Painter, Founder of
Suprematism.
Suprematism Characteristics of
Russian Geometric Abstract Painting.