It makes no difference whether we are face - to - face with one of his large format images, in which he allows the pigments dissolved in epoxy resin to
run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small
drilled craters disclose many apparently archeological layers of paint, or find ourselves in one of his site - specific, all - over paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.
â $ That gives us 17 years, as the wells weâ $ ™ ve already
drilled slowly run dry, to replace all that oil with renewable energy.