Sentences with phrase «soulages peinture»

A French making - of featurette titled «De la peinture au dessin anime» (32:42) gathers remarks from the key creative personnel and behind - the - scenes footage.

In the art of the last 100 years, pranks and jokes have gone from sophomoric donkey - tail peinture to ever more sophisticated foolery, assuming many of the permutations of art making today: performance, activism, and street art, subversive gestures and in - your - face challenges to the status quo.

Foreground at Yvon Lambert: Pierre Soulanges, Peinture, 2007, acrylic on canvas, 103.54 x 71.25 (there are subtleties here, and the gallery website shows them)

Traveled to the Rhode Island School of Design, Providence, Rhode Island (April 30 - May 23, 1965), Museum of Fine Arts, Boston, Massachusetts (June 4 - 27, 1965), Detroit Institute of Fine Arts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in Paris

1973 Peinture, Galerie Jean Fournier, Paris (November 13 — December 12) The Private Collection of Martha Jackson, University of Maryland Art Gallery, College Park (June 22 — September 30).

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

For example, Louis Cane wrote several essays on it for Peinture cahiers théoriques.

Traveled to Blum Helman Gallery, New York (July 13 — August 17); Murray State University, Murray, Kentucky (November — December); Grand Rapids Art Museum, Grand Rapids, Michigan (January 12 — February 25, 1990); University Art Gallery, University of North Texas, Denton (September — October 1990); Richard F. Brush Gallery, St. Lawrence University, Canton, New York (November — December 1990); and the University of Oklahoma Museum of Art, Norman (January 18 — March 3, 1991) Morceaux Choisis 1: Sélections des acquisitions du FRAC de Haute - Normandie 1983 — 1988, Fonds Régionale d'Art Contemporain de Haute - Normandie, Hôtel de Région, Rouen, France (May 9 — June 2) The Linear Image: American Master Works on Paper Since 1939, Marisa del Re Gallery, New York (April 25 — May 27) Emplois du Temps: Exposition de Peinture Contemporaine, Salle des Procureurs du Palais de Justice de Rouen, France (April 21 — May 2) Made in America, Virginia Beach Center for the Arts, Virginia Beach (April 5 — June 11) Methods in Abstraction, Gallery Urban, New York (March 3 — 25) Ronald Bladen the 1950s: Bluhm, Bolotowsky, Held, Mitchell, Youngerman, Washburn Gallery, New York (February 7 — March 12) Important Works on Paper, Meredith Long Gallery, Houston

Paris, Galerie André François Petit, Hans Bellmer, Salvador Dalí, Max Ernst, René Magritte, Francis Picabia, Yves Tanguy, 1963 (illustrated; titled «Peinture» and dated» 1924»).

On March 10, 1965, a month before his 36th birthday, the Israeli artist Avigdor Arikha experienced a moment of profound transformation after viewing an exhibition of Caravaggio's paintings, «Le Caravage et la peinture italienne du XVIIe siècle,» at the Louvre.

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

1964 Jean Degottex / Sam Francis / Simon Hantaï / Jean Messagier / Joan Mitchell: dix tableaux, Jean Fournier & Cie, Paris (December) Art USA Now: The Johnson Collection of Contemporary American Painting, Musée d'Art Moderne de la Ville de Paris (September) Painting and Sculpture of a Decade,» 54 -» 64, Tate Gallery, London (April 22 — June 28) Peinture Hors Dimension Depuis 1950, Centre Americain pour les Artistes, Paris (March 4 — 28)

Each of these stretched - out paintings (which are made on separate abutting canvases or, in the case of Chemin de Peinture, a long roll of paper) recapitulates nearly the whole of 20th century painting from Constructivism to Abstract Expressionism, Neo-Dada, Minimalism and Neo-Expressionism, but because of the extreme horizontal format, artist and viewer are constantly treading into unknown territory.

AWARDS 1991 Le Grand Prix des Arts (Peinture) of the City of Paris 1989 Award for Painting, French Ministry of Culture 1987 Honorary Doctorate, the School of the Art Institute of Chicago 1973 Brandeis University Creative Arts Awards; Citation in Painting 1971 Honorary Doctorate, Miami University, Oxford, Ohio 1961 Premio Lissone (Lissone Prize), Milan 1947 James Nelson Raymond Foreign Traveling Fellowship from the Art Institute of Chicago

1986 Ringing in the Changes, Fabian Carlsson Gallery, London (November 5, 1986 — January 10, 1987) The 1950s: American Artists in Paris, Part III, Denise Cadé Gallery, New York (November 4 — December 15) Couleurs de l'Ombre: Peintures Modernes de Grands Formats, Chapelle de la Sorbonne, Paris (September 24 — October 26) Un Musée éphémère: Collections privées françaises, 1945 - 1985, Fondation Maeght, Saint - Paul - de-Vence, France (July 5 — October 5) Paintings, Sculpture, Collages, and Drawings, Janie C. Lee Gallery, Houston (March) An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale (January 12 — March 30) Drawings, Xavier Fourcade Gallery, New York (January 8 — February 8) The Inspiration Comes From Nature, Part 1, Jack Tilton Gallery, New York (January 7 — February 1)

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

Lausanne, Galerie Bonnier, Yves Klein: Peintures de feu, 1966, no. 26 (illustrated).

Dorothea Tanning: Peintures Recentes, Petites Sculptures D'Or.

In the same fashion Peinture Blanche et Dorée N ° 3 is caught in between being half abstract painting half painted object.

«Peinture gesturelle, peinture dense.»

The Independent to Cease Print Edition «Paddington Pole» May be Halved in Height Recommended Reading: Hermann Göring's Inventaire des Peintures Jorvik Museum In Need of # 2 million to Reopen Marc Quinn and White Cube Part Ways Facebook Censors Evelyne Axell Painting

David Hockney and friends looking at Bigger Trees Near Warter or / ou Peinture sur le motif pour le nouvel age post-photographique, at the Royal Academy of Arts, London, 2007 Summer Exhibition.

His «Travail - Peinture» method never wavers: He makes strokes with a number 50 paintbrush at 30 - centimeter intervals.

The artist confirms that the correct title of this work is «Peinture grise et verte».

She also took part in the group show Peintures / Paintings in Berlin that same year.

, Marlborough Fine Art, London, January 1962 (40) as «Peinture verte et noire»; XXXII Biennale, Venice, June - October 1964 (Room XII, 13 repr.)

This spirit of collaborative, even playful complicity with her public came shortly after Saint Phalle's inclusion in the Salon de Comparisons: Peinture Sculpture exhibition at the Musée d'Art Moderne de la Ville de Paris.

Whereas earlier works, such as «Peinture 146 x 97 cm, 10 janvier 1951» and «Peinture 195 x 130 cm, mai 1953,» respectively in the collections of MoMA and the Guggenheim, suggest a kind of contradiction between form and space, between the gesture and the surface, between the support and its interior.

Contemporary Modern Paintings Drawings Collages Objets - Peinture Sculpture Property of The American Chess Foundation, Parke - Bernet Galleries, New York

It has sometimes been given as «Peinture grise et verte XXXVII», but the Roman numerals are the Galerie Stadler record number and do not form part of the title.

«Peinture - Sculpture», 1971 paint on white and blue striped cotton canvas 20 x 10 meters installed, folded 15 x 130 x 89 cm

The exhibition is accompanied by a color catalogue containing essays by Michael Solomon and Kent Minturn, as well as a never - before - published translation of the original appendix for Peintures initiatiques d'Alfonso Ossorio (The Initiatory Paintings of Alfonso Ossorio), Dubuffet's 1951 monograph.

Jean - Michel Basquiat: Peinture, dessin, écriture.

David Hockney's oil painting «Bigger Trees Near Warter» (also called Peinture en Plein Air pour l'age Post-Photographique) depicts a scene near Bridlington in Yorkshire.

«His career really began in 1954 with the publication of the artist book Yves Peintures, a series of monochromes that was essentially a parody of a catalogue raisonné.

Galerie Templon presented George Segal's works for the first time in 1979 in Paris, as part of the group exhibition La peinture américaine.

Une exposition de peinture, Portmanteau, Geneva, Switzerland Practicing to Pretend, Alterspace, San Francisco, United States Floater, BravinLee programs, New York, United States Winter Group Show, Ever Gold Gallery, San Francisco, United States Untitled - Sandy, Motus Fort, Tokyo, Japan

The 1999 Benezit book's entry on Jane Frank takes it as a given that her works on canvas may be summarized as semi-abstract aerial views: «Sa peinture, abstraite, fait cependant reference a un paysagisme aerien, comme vu d'avion.»

Peinture (1926), with an estimate of # 600,000 - 900,000, belongs to the artist's famed series of «oneiric» or «dream» paintings — an enigmatic group of spectral compositions which the artist began in Paris in 1925.

Mangelos» Negation de la Peinture series, 1951 - 1956, are striking examples of early conceptualism wherein an image, perhaps from an art magazine, is almost completely occluded by black tempera as a gesture against direct representation.

Paris, Musée des arts décoratifs, Picasso: Peintures, 1900 - 1955, June - October 1955, no. 127 (illustrated).

The exhibition traveled to the Mus?e de Peinture et de Sculpture in Grenoble and was accompanied by a catalogue with an essay by Germano Celant.

Pierre Soulages» Peinture 130 x 92 cm, 8 avril 1989 (1989), Zao Wou - Ki's 22.11.2002 - 10.12.2003 (2002 — 2003), Andy Warhol's Marilyn (Reversal)(1979 — 1986), Yayoi Kusama's Infinity Nets I.N. PQR (2007), and Rudolf Stingel's Untitled (2015) will be presented together.

PIERRE SOULAGES Peinture 130 x 92 cm, 8 avril 1989 1989 Oil on canvas 51 3/16 x 36 1/4 inches (130 x 92 cm) Signed, dated, and titled SOULAGES «Peinture 130 x 92 cm 8 avril 1989» (on the reverse)

1987 New York, Marlborough Gallery: Francis Bacon: Paintings of the Eighties Basel, Galerie Beyeler: Francis Bacon: Retrospektive Paris, Galerie Lelong: Francis Bacon: Peintures Récentes

Throughout the years, Niele Toroni has remained steadfast in his practice of «Travail - Peinture,» in which the working method of applying paint in imprints of regular intervals delineates what is put on view.

The first Surrealist exhibition, La Peinture Surrealiste, was at Galerie Pierre in Paris in 1925.

1992 Alfonso Ossorio, Peintures 1950 - 53, Zabriskie Galerie, Paris, France Alfonso Ossorio, Drawings 1940 - 48: The Anatomy of a Surrealist Sensibility, Whitney Museum of American Art, New York, NY

Ossorio spent much of 1951 in Paris with Dubuffet, who was writing a monograph on the artist titled Peintures intiatiques d'Alfonso Ossorio.

Interviewmagazine.com January 8, 2009 «New York Artists Dictionary Part 1», Flash Art, January / February, 2009 Herbert, Martin «Reviews Marathon, London» Art Review, January / February, 2009 2008 Holte, Michael Ned, «Buoys, Props and Signs: Richard Aldrich & Lisa Williamson» Artlies.org, Winter 2008 Holte, Michael Ned, «The Best of 2008» Artforum, December, 2008 Lavrador, Judicael, «Qu'est Que La Peinture Aujoud» hui?»