Not exact matches
But, writing and arranging a song in a
studio or practice
space isn't quite the
same as dodging Johnny rooks on the Falklands, is it?
We both mainly use the
studio for meetings, so we really don't work in the
space all that often at the
same time.
Yet «The Cloverfield Paradox» has far more in common with two other contemporary
space - set sci - fi
studio outings, if only because they all share the
same retrograde vision of otherwise compelling female characters.
This was the
same studio, after all, that gave up on «Office
Space» only weeks into its theatrical release, and the film is now widely considered to be one of the greatest comedies of its generation.
SAME seeks to close the gap in student achievement between rural and remote and urban areas by delivering live, interactive, sessions from broadcast
studios via EDUSAT — a dedicated educational satellite launched by the Indian
Space Research Organisation.
Nick Presniakov volunteered his
studio space in the back of the
same building as a back up plan.
According to Barlog, the
same thing happens with video game genres, and we still see huge sellers in the mainstream
space with certain titles from certain
studios.
Hailing from Arkane, the
same studio behind the brilliant Dishonored games, Prey delivers a foreboding first - person experience set aboard a vast
space station filled with eerie aliens that hide in plain sight as various items.
And with the large number of
studios and publishers going under, I would hope they'd stop chasing the
same few genres and look at what's happening in the indie
space.»
Rogue has thankfully been able to continue, albeit in a reduced capacity, with Manchester City Council helping to provide a new
space in the suburb of Openshaw, evidently taking the
same approach to artists»
studios that they do to affordable housing: it does not need to be within the city centre itself, that is increasingly reserved for the privileged few.
Designed by SmithGroup Inc. of Detroit, the
same group of architects who designed the adjoining Richmond Center for Visual Art, the renovation also includes flexible, multimedia classrooms and critique
spaces, open
studios for students, and sophisticated mechanical systems for maintaining a healthy environment and providing safe disposal of art wastes.
Their presence attracted younger artists to the
same neighborhood, where
space was cheap for
studios and for living.
This
space was curated by the German - born photographer, with his reasoning that
studio recorded music does not receive the
same acknowledgement as live music.
The repeated use of his
studio as setting also brings awareness of Freud's physical presence in it — it seems vital to remember that the sitter and Freud were occupying the
same space and that the view we have of the model was Freud's view.
Which is to say that Mondrian's
studio looked very much like a Mondrian canvas, except in three dimensions... For Mondrian... the act of painting and the
space painted in were one and the
same thing.»
The Artist Residency provides
studio space and living accommodation for 2 artists or writers at the
same time.
Designed by SmithGroup Inc. of Detroit, the
same group of architects who designed the Richmond Center, the renovation also includes flexible, multimedia classrooms and critique
spaces, open
studios for students and sophisticated mechanical systems for maintaining a healthy environment and providing safe disposal of art wastes.
«In the context of Cooper,» Tehrani told me, «you have a very clear identity in terms of the building you occupy: the third floor, the
studio space where everybody shares the
same space.
In the
same tradition of great painters who settled in the Hamptons during the winter months to work without interruption and take advantage of the large
spaces and one of the most beautiful lights of the Northeast (Jackson Pollock, Willem de Kooning and Robert Motherwell are just a few who come to mind), Kawai and her husband, photographer Justin Waldron, set camp in a modernist - style home and adjacent
studio in East Hampton.
Featuring works by Ellen Hackl Fagan, Joseph Fucigna, Mauricio Higuera, Alan Neider, Margaret Roleke and Brett Wallace, this new
space contains several rooms under the
same roof for
studio or gallery activity, and aims to become a micro-gallery hub — they will be open during and after ODETTA's artist talk as well as over the weekend!
«A
studio visit is always more interesting than the
same artist's gallery show — psychologically we've got to close that gap — and so open up new
space,» says artist Graham Hudson.
In 1955, both Brown and Wonner rented
studio spaces within the
same building which was also the building where Diebenkorn worked.
My own quandary had seeded a broader interest in contemporary artists» evolving
studio needs and expectations (I wrote about the issue in «Lost in
Space: Art Post-
Studio» in the June issue of The Brooklyn Rail), and Simon was on the
same wavelength.
At the
same time, the pop - up gallery will host art talks, workshops and various events, and the British artist Susan Collis will even be creating a site - specific work at its
studio space!
The
space was founded in 2010, when two of our members moved their
studios into the
same building.
In «Ordinary Glory,» the art /
studio space Pleasant Plains Workshop showcases a few of of the artist's 3D pieces, along with a series of photographs documenting earlier pieces that he created along the Rockaway waterfront in Queens.That same evening, Hillyer Art Space opens a show dedicated to the evocative carved - wood abstractions of Rachel Roten
space Pleasant Plains Workshop showcases a few of of the artist's 3D pieces, along with a series of photographs documenting earlier pieces that he created along the Rockaway waterfront in Queens.That
same evening, Hillyer Art
Space opens a show dedicated to the evocative carved - wood abstractions of Rachel Roten
Space opens a show dedicated to the evocative carved - wood abstractions of Rachel Rotenberg.
Born in New Jersey and raised in Brighton Beach, Jaffe is identified with an American and Canadian expatriate community of painters living in Paris during the 1950s and»60s (she sublet her Rive Gauche
studio space from Louise Bourgeois and consorted with Joan Mitchell, Ellsworth Kelly, Sam Francis, and Jules Olitski, who was on the
same same boat over in 1949).
For permanent residents, however,
studio spaces are typically found in those
same neighbourhoods that are depicted by Neorealismo filmmakers, along the Casilina and Portonaccio roads: areas that spread outside the ancient Roman walls in the 1950s.
We don't share a
studio, but we have
studios in the
same complex so we're around each other a lot, but not necessarily in each other's
space.
The name of the
space was chosen to match the title of a solo show of mine called Welcome to the new now that I held in the
same space as an open
studio model in May 2016.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing
same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates
studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village
studio severely damaged in building fire leaving Wool without a working
space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
Last week Open House did a 2 - for - one double
studio visit, with two artists who live and work in the
same space, and also happen to be best friends.
It's about their kids constantly fighting about having to share the
same room or their need for a
studio space to pursue their artistic endeavors.
I will be watching this one closely, as we are building a new
studio and I will have my own 10 ′ x 10 ′
space with those
same sloped ceilings.
Description from the architects: In this home, the main idea of the project by Mood Works, polish architectural
studio was to create modern and elegant
space, and by combining at the
same time feeling, elements and traditional furniture forms from the Italian reinessance architecture.