Sentences with phrase «sang bleu»
2009 Leah Ollman, «Constance Mallison and Yuval Pudik at Angles Gallery,» Los Angeles Times «Interview with Jessica Silverman,» Sang Bleu Issue III / IV Kenneth Baker, «When Art World Collide,» review, San Francisco Chronicle Better Becoming, Cederteg Publication, Stockholm, Sweden 2008 Christopher Fitzpatrick, «Enduring Patiently: Yuval Pudik,» review, Art In America
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The first special edition Bugatti Veyron Grand Sport is the Sang Bleu which means blue blood which has been released to mark Bugatti's centenary this year.
The Bugatti Veyron Grand Sport Sang Bleu is the latest in a line of centenary Bugatti models which have won worldwide acclaim in 2009.
Instead of applying two paint colours or paint and material to highlight the two tone design the Bugatti Veyron Grand Sport Sang Bleu exclusively concentrates on materials — carbon fibre and aluminum — an innovative combination never realised before.
The only difference this time is that it's actually a Bugatti Veyron Grand Sport Special Edition — The Bugatti Veyron Grand Sport Sang Bleu.
Bugatti used unpainted, polished aluminum for the doors and front fenders and painted the carbon - fiber bits of the car dark blue, giving the 16C a look similar to that of the Bugatti Veyron Sang Bleu.
> Find a used Bugatti Veyron for sale on the Classic and Performance Car site < Bugatti Veyron Grand Sport Sang Bleu — 2010: Special edition of the targa - top Grand Sport featured polished aluminium wheels and a blue carbonfibre and diamond - cut exterior finish.
Not exact matches
But there turned out to be more to the cordon - bleu groove than some head bobbing — the high - speed cameras the researchers used revealed rapid foot stomping that seemed to follow the rhythmic patterns of the birds» singing.
In the blue - capped cordon - bleu (Uraeginthus cyanocephalus), a socially monogamous songbird, both sexes perform courtship displays that are characterised by singing and simultaneous visual displays.
Beating Heart (Henri Decoin, France) Bicycle Thieves (Vittorio De Sica, Italy) Enamorada (Emilio Fernández, Mexico) Tokyo Story (Yasujiro Ozu, Japan) Vertigo (Alfred Hitchcock, United States of America) The Apartment (Billy Wilder, United States of America) Démanty noci (Jan Němec, Czech Republic) War and Peace (Sergey Bondarchuk, Russia) La Religieuse (Jacques Rivette, France) Četri balti krekli (Rolands Kalnins, Latvia) The Hour of the Furnaces (Fernando Solanas, Argentina) Le Spécialiste (Sergio Corbucci, France / Italy / Germany) João and the Knife (George Sluizer, the Netherlands) Blow for Blow (Marin Karmitz, France) One Sings the Other Doesn't (Agnès Varda, France) Grease (Randal Kleiser, United States of America) Fad» jal (Safi Faye, France) Five and the Skin (Pierre Rissient, France / Philippines) A Ilha dos Amores (Paulo Rocha, Portugal / Japan) Out of Rosenheim (Percy Adlon, Germany) Le Grand Bleu (Luc Besson, France / United States of America / Italy) Driving Miss Daisy (Bruce Beresford, United States of America) Cyrano de Bergerac (Jean - Paul Rappeneau, France) Hyenas (Djibril Diop Mambety, Senegal / France / Switzerland) Lamb (Paulin Soumanou Vieyra, Senegal) Destiny (Youssef Chahine, Egypt / France)
It's difficult to say whether Bleu and Coleman, who didn't sing in the movie, are adding anything to their limited roles on stage, but I'm skeptical that accusations of lip - synching are valid.