Sentences with phrase «scapes series»

The exhibit even includes several collages that were part of her D.C. Collage Scapes series.

Not exact matches

A revered landmark and symbol of style and sophistication since its opening in 1954, Fontainebleau Miami Beach boasts 1,504 guestrooms and suites appointed with lavish amenities and iMacs; the world - renowned LIV ™ Nightclub, 12 restaurants and lounges including two restaurants from Chef Michael Mina — StripSteak and Michael Mina 74; two AAA Four Diamond signature restaurants, Scarpetta and Hakkasan; the 40,000 - square - foot Lapis spa with mineral - rich water therapies and invigorating treatments; a dramatic oceanfront pool - scape offering lush cabanas; and is home to BleauLive, the innovative concert series that combines intimate performances with memorable weekend escapes.

A revered landmark and symbol of style and sophistication since its opening in 1954, Fontainebleau Miami Beach boasts 1,504 guestrooms and suites appointed with lavish amenities and iMacs; 12 restaurants and lounges including three AAA Four Diamond signature restaurants Gotham Steak, Scarpetta and Hakkasan; two dynamic nightlife venues including the world - famous LIV Nightclub; the 40,000 - square - foot Lapis spa with mineral - rich water therapies and invigorating treatments; a dramatic oceanfront pool - scape offering lush cabanas and sun loungers; and is home to BleauLive, the innovative concert series that combines intimate performances with memorable weekend escapes.

Understanding what could be meant by the title of the series goes some way towards understanding the structure of the story's cosmology, here a future - scape where the only distinct characters are bounty hunters and the fugitives that they hunt, sometimes with the help of a gloriously cheesy television program that apes reality shows on the one hand (and the Japanese have a long history of outrageous television that no number of «Fear Factor «s can approach), but more trenchantly, the Japanese infatuation with the mythology of the American Old West.

Nancy Egan nancyegan.com «My trademark today is my Museum Scapes [series].

Priscilla Tea's untitled video work, screened intimately on a tablet, confronted the merge between digital and real landscapes, similarly thematized by an index of the computer virus and cyberweapon Stuxnet through a series of scapes printed on aluminum by James Hoff (Skywiper No. 16, 2014).

Under the enigmatic name of Land (e) scape, he will present his newest series of paintings, an attempt to represent the evasion from reality, a horizon, a landscape, as if it were an escape to the outer space and visual postmodern exploration of the new dimensions.

This fall she will unveil a large - scale portrait series: Think of them as abstract Technicolor «head - scapes» borne from the full - bodied gestural ethos of Bill de Kooning.

The series of beach and pool - scapes is inspired by his countless travels as well as his home city of Miami Beach, Florida.

As mentioned a couple of weeks ago, opened Italian artist Vesod Brero, Land (e) scape, a new solo show at Punto618 Art Gallery in Turin, consists in a series of new paintings that reflect the

Pictured here: Echo by studiopluz, «an illuminated sculpture reminiscent of an ancestral melody comprised of a series of glass disks fusing glass with senses to produce a stimulating sound scape, evocative of the gravitational waves coming from black holes».

As mentioned a couple of weeks ago, opened Italian artist Vesod Brero, Land (e) scape, a new solo show at Punto618 Art Gallery in Turin, consists in a series of new paintings that reflect the results of his latest artistic research and evolution.

series, with what the exhibition catalogue describes as «post-millennium Gulf gameshow» videos screening hyperreal CGI stock footage of city scapes engulfing their grinning contestants.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Among his greatest 20th century paintings are works like: his mural Swing Landscape (1938, Indiana University of Art); his «Egg - Beater» series (1927 - 30), Hot Still - Scape for Six Colors - 7th Avenue Style (1940, Museum of Fine Arts, Boston); Report from Rockport (1940, Metropolitan Museum of Art, New York); Little Giant Still Life (1950, Museum of Fine Arts, Richmond); Owh in San Pao (1951, Whitney Museum of American Art); The Mellow Pad (1951, Lowenthal Collection); and Colonial Cubism (1954, Walker Art Center, Minneapolis).