Sentences with phrase «school action painters»

Not exact matches

Mia recently posted... Painting murals: Action in the Special School of Egaleo (Painters in Action for the Children)

GOLDEN TOWER Charles Palminteri is a bold, abstract painter of the «action» school.

Selected recent group exhibitions include: Beyond the Cartoon, Cassina Projects with ARTUNER, New York (2016); Royal Academy Schools Degree Show, Royal Academy of Arts, London (2016); Studio Leigh, London (2015); Drawing Biennial 2015, Drawing Room, London (2015); E-Vapor-8, Site Gallery, Sheffield, UK (2014); Symbolic Logic, Identity Gallery, Hong Kong (2014); Stop / Action, Test Space, Spike Island, Bristol, UK (2013); Young London, V22, London (2013); and Magic 8 Ball, FOLD, London (2013); The Response, The Sunday Painter, London (2012); Happy Accident, Wandering Around Wandering, New York (2012); VIDEO PROGETTO, Grand Union, Birmingham and 26CC, Rome, Italy (2010).

Our extensive inventory includes artists from the first and second generation for the New York School of action painters

On one side: the Ashcan School, social realists, abstract expressionists, surrealists, action painters, color field artists, Op Artists, minimalists and postmodernists.

• JACKSON POLLOCK (1912 - 56) Hugely influential American painter, dominant figure of the post-war New York School, inventor of action painting, and chronic alcoholic.

The curator's inclusion of Motherwell's citation of Harold Rosenberg's excerpt from his 1952 «The American Action Painters» essay in a work on paper is a nod to their relationship, but it also calls to mind that historically, Motherwell's work, like that of his New York School colleagues, was placed within a discourse that was either existential or formal — devoid of social and political contexts — by prominent critics Rosenberg and Clement Greenberg.

For me, DeKooning was the pick of the litter of the New York School of action painters.

Not for nothing was he held in such high esteem by action painters of the New York School.

The term was coined by the American critic Harold Rosenberg in 1952, [4] in his essay «The American Action Painters», [5] and signaled a major shift in the aesthetic perspective of New York School painters and Painters», [5] and signaled a major shift in the aesthetic perspective of New York School painters and painters and critics.