This also included past students from Upwey High
School filming the performance as a part of the cross-age tutoring program run across the school network.
Not exact matches
The eyes belong to the seven members of the
school's MBA admissions committee who sit, like
film critics, to judge the candidate's video
performance.
Mike White, who scripted biting, edgy satire of this sort («The Good Girl,»» Chuck and Buck») before making his fortune with «
School of Rock,» serves up an unsettling and generally deft comedy of manners with this clash, a
film that greatly benefits from subtle, stinging
performances by Salma Hayek and as her opposite number, John Lithgow.
In 1983 Phillips went to
film school in Los Angeles for a year but decided to follow his heart and stick to music and stage
performances.
At a running time of close to two hours,
School for Scoundrels is clearly much longer than it has any right to be - although, that being said, there's little doubt that the
film remains consistently watchable thanks to Todd Phillips and Scot Armstrong's surprisingly clever screenplay and the uniformly effective
performances.
Both
films follow a group of students (in 1980, Maureen Teefy, Irene Cara, Paul McCrane, and Barry Miller are the stand outs, in 2009, it's Kay Panabaker, Naturi Naughton, Walter Perez, and Paul Iacono) through their four years at a prestigious New York
performance arts
school where they learn to act, sing and dance.
The
film is fairly paint - by - numbers and mostly predictable, but a standout
performance from Shannon as the drunk, gambling - addicted father of a high
school basketball star and an impressive turn from the always - welcome, always - gorgeous Carla Gugino will help position Wolves for a decently widespread theatrical release, though it probably won't have much staying power.
Tony Kaye's
film about America's failing
school system isn't subtle, but it has a fierce emotional punch and he draws knockout
performances from his eclectic cast.
Thanks to some very good casting (though Spader, in his mid-20s, looks far too old to be playing high
school age), solid
performances, and the insights of John Hughes at the peak of his creative screenwriting talent, Pretty in Pink emerged as an instant teen classic, and remains, to this day, a quintessential
film for those who enjoy everything 1980s.
Having made just four
films since being Oscar - nominated for his tremendous
performance as a junkie
school teacher in 2006 drama Half Nelson, Ryan Gosling is now hitting the big - screen three times inside two months.
The
film sees Kalu take on a community leadership role as traditional Hawaian burial sites are disturbed; Kalu's status Kumu sees her teach her male high
school students as they prepare for a end of
performance, accompanied by sixth grade tomboy Ho'onani, who is also «in the middle» like Kalu.
Screen Daily calls Robot & Frank Frank Langella's «most endearing screen
performance in years,» but
Film School Rejects notes the
film has some moments where it «lags and sags and loses its eager - to - be-pleased audience.»
The
film's pleasures are simple — soaring landscapes, old -
school DIY adventure and some sweet
performances by the child actors.
Always a spirited devotee of old -
school Hollywood genres, Guillermo del Toro achieves in his latest
film, «The Shape of Water,» an inspired melding of creature feature, spy thriller and wondrously perverse love story, the latter sustained by Sally Hawkins» achingly delicate
performance as Eliza, a mute cleaning lady who immediately bonds with the imprisoned merman (played, naturally, by Del Toro's prosthetic - happy muse, Doug Jones).
Nevertheless, the production design does nicely evoke old -
school horror
films and I quite enjoyed Hugo Weaving's
performance as Abberline, the Scotland Yard policemen.
Leba Hertz: In this
film about three illegal high
school immigrants, the stories are timely, and Julianne Nicholson and Dennis O'Hare give riveting
performances and are the driving forces behind the story.
Except for a friend in grad
school who also thought the same way, no one I know remembered Hall's
performance in that
film.
The
film's absolutely worth watching for the
performances alone, and I'd be lying if I said I wasn't intrigued to catch the «Him» and «Her» versions down the line too (if nothing else, the whole project should be invaluable to
film school lecturers in years to come).
Best characterised as a melding of «Allo «Allo with Star Trek, the
film revels in broad
performances and a high -
school kind of kitsch that's endearing enough and would have taken the
film to Galaxy Quest levels if it only had some decent gags.
The supporting cast, mostly young actors playing high
school students, are generally adequate; Max Riemelt, who also starred in Napola (Elite für den Führer) under the direction of Dennis Gansel, stands out among his colleagues as Marco, while Frederick Lau has been nominated in the Best Supporting Actor category at the upcoming German
Film Awards for his
performance as Tim (along with the
film itself for Best
Film and Best Editing).
Joseph may not be a terribly substantial work for the stage, but as seen in this
film version — whose
school assembly framing device nicely evokes the show's origins as a 15 - minute
school performance piece — it's awfully fun.
There are, to be sure, the usual tropes of high
school angst and triumph to be found in THE DUFF, based on the book by Kody Keplinger, but this is a
film distinguished by sprightly, intelligent writing, and outstanding
performances that are not just funny, but also perceptive and nuanced.
Editor's Note: Since this video was
filmed in 2001, the Urban Academy has become a member of the New York
Performance Assessment Consortium, a coalition of public schools in New York State that uses a system of performance - based assessment in lieu of high - stakes
Performance Assessment Consortium, a coalition of public
schools in New York State that uses a system of
performance - based assessment in lieu of high - stakes
performance - based assessment in lieu of high - stakes exit exams.
The
School's partnership with Hudl will enable coaches and pupils to take footage
filmed during training and matches and using Hudl's software, share and review
performance and techniques.
The statistics in the
film about poor educational
performance were misleading and erroneous, as was its idyllic portrait of charter
schools.
The first Open Doors evening took place in March 2011 and included the
performance of a play by the children of Bond primary
school in Mitcham and our pupils, short
films made by our pupils about the art and poetry created by students at Perseid and Cricket Green special
schools with our pupils» support, a
performance by a primary
school choir coached by sixth - formers, and an exhibition of art made at the two special
schools.
Together, they fill a whiteboard with interconnected professional development opportunities for their teachers over the next eight weeks: a morning meeting and daily classroom coaching sessions, weekly peer meetings, the
filming of teachers for an all - faculty critique, monthly
performance reviews, visits to higher - performing
schools, potlucks, and happy hours.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and
performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS
School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish S
School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass
school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish S
school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass
School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish S
School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass
school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish S
school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum
School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish S
School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature
film «Yupanqui» 2009 - 2011 The Readers
performance Group LANGUAGES English Norwegian Swedish Spanish
Known for its competitive «New Genres» program — spanning installation, video,
film, audio,
performance, and assorted digital mediums — this unique area of study questions «preconceived notions of the role of art in culture and its relationship to a specific form or medium,» according to the
school's literature.
Selected for the job were Stuart Comer, formerly a
film curator at Tate Modern and now chief curator of media and
performance art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the
School of the Art Institute of Chicago as well as a teacher at Yale.
During
school vacation weeks in February, April, and December, the ICA hosts special activities and projects Tuesday to Friday, including art - making,
films,
performances and activities with visiting artists.
He directs the museum's programs of
performance,
film, public dialogue, and
school initiatives.
With the move to a new, larger building in 1963, the
School's program of instruction expanded to include photography and
film animation, as well as
performance and installation art.
Freilicher's
performances in Burckhardt's
films are some of the few pieces of direct evidence that attest to her remarkable presence in the circles of friendship and acquaintance that have been given the entirely too - formal name of the New York
School.
The Bauhaus: Art as Life public programme also brings to London a host of workshops, talks,
films and
performances as well as a major Creative Learning initiative for the Bauhaus exhibition, the Art
School Lab, an intensive two - week summer school held at the Barbican and led by leading practitioners from all artistic backgr
School Lab, an intensive two - week summer
school held at the Barbican and led by leading practitioners from all artistic backgr
school held at the Barbican and led by leading practitioners from all artistic backgrounds.
Representing the diversity and uniqueness of the Los Angeles community, the exhibition highlights important works from legendary L.A. artists who remain vital and influential alongside those emerging from renowned local art
schools, visionary artists associated with various street cultures and subcultures, and crossover artists connected to
performance, music, and
film.
The program of the House of World Cultures includes special exhibitions, site specific installations, festivals (such as as the yearly festival of digital culture Transmediale), concerts, live
performances,
film screenings (including events part of the Berlin
Film Festival — Berlinale), lectures, debates, artist's talks, workshops and educational programs for children and
schools.
Waters hopes the exhibition at the DCA — which also features a selection of «shonky»
films, an art
school for teenagers and preview night events featuring an artist talk, live
performance by artists Plastique Fantastique and Walter's performative installation The Shonky Bar — will also inspire similar interest.
An - artist, Unlearning, programmed by Louise Garrett, is a series of
film screenings,
performances and discussions animating aspects of pedagogical address in the shadow of the gallery, academy and art
school.
An event, on 21 August from 6 - 8 pm, will draw the summer
school to a conclusion and will include
film screenings, durational
performance and readings by the Scholars, to supplement the exhibited works.
Finishing
School produces interdisciplinary actions, installations, workshops, design, publications,
film, studio art,
performance and new media.
The museum will hold around - the - clock free activities, including
performances by local musicians and high
school bands, midnight tours of the galleries,
film screenings, yoga and meditation sessions, open - mike poetry and a celebration Wednesday of what would have been Elvis Presley's 68th birthday.
A
film of the
performances taking place at the Whitechapel Gallery on May Day 2014 and on London's South Bank shows the artist and sixty children aged 8 and 9 from Marion Richardson Primary
School in Tower Hamlets in demonstration.
SCHOOL OF CHANGE comprises narrative
film, sculptural installation and continuous live
performance.
The museum will host around - the - clock activities free to the public, including
performances by local musicians and high
school bands, midnight tours of the galleries,
film screenings, yoga and meditation sessions, open - mike poetry and a celebration of what would have been Elvis Presley's 68th birthday Wednesday.
About Astria Suparak: Astria Suparak has curated exhibitions, screenings, live music events and
performances for art spaces,
film festivals, and academic venues internationally, including PS1, The Kitchen, Yerba Buena Center for the Arts, Eyebeam, Museo Rufino Tamayo, and The Liverpool Biennial, as well as for non-art spaces such as elementary
schools, sports bars, and rock clubs.
The photographs,
performance documents and
films on view date from 1970 to 1974, when Ms. Wilson was attending art
school in Halifax, Nova Scotia.
In addition to these
performances and sales, attendees are invited to see the current exhibitions from The Menil Collection, the Watercolor Art Society — Houston and the Houston Center for Photography; as well as attend youth art workshops from Southwest Alternate Media Project (SWAMP), Friends of Mandell Park and Aurora Picture Show;
film screenings with Aurora Picture Show and SWAMP; watermedia demonstrations by Watercolor Art Society — Houston; and creative writing tours with Writers in the
Schools.
In the 2003 Spanish
film Noviembre, the
school entrance scenes and some
performance scenes were shot in the square in front of the museum.
A trained musician, the influence of theatre and classical music on her work endured as she turned to
film, installation and
performance during her BA at Nottingham Trent University in 2007 and her MA at the Slade
School of Art in 2013.