The Scottish Modern Art Gallery's new retrospective is his first UK show in two decades, and begins spectacularly in the grounds, where the bright yellow - painted bronze «Declination» (2004), a huge bottle form metamorphosed in combination with other vessels into an abstract push - and - pull dynamic, echoes the twisting energy - plus - elegance of Charles Jencks's permanent landscape spiral.
Not exact matches
Those of an artistic inclination may want to consider going to one of Edinburgh's many fantastic museums or
galleries — the
Scottish National
Gallery of
Modern Art being a particular highlight, even if you are not especially arty.
In short, the
Scottish National
Gallery of
Modern Art is one of Scotland's finest art galleries and deserves to make the itinerary of any Edinburgh visit
Art is one of Scotland's finest
art galleries and deserves to make the itinerary of any Edinburgh visit
art galleries and deserves to make the itinerary of any Edinburgh visitor.
Art lovers visiting Edinburgh should be sure to pay a visit to the
Scottish National
Gallery of
Modern Art.
The
Scottish National
Gallery of
Modern Art is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the presen
Modern Art is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the present d
Art is part of the National Galleries of Scotland with the
Scottish National Portrait
Gallery and the
Scottish National
Gallery and houses the national collection of
modern and contemporary art dating from about 1900 to the presen
modern and contemporary
art dating from about 1900 to the present d
art dating from about 1900 to the present day.
The collection at the
Scottish National
Gallery of
Modern Art includs works by Matisse, Picasso, Vuillard and Dix, as well as a superb selection of paintings by
Scottish artists such as Peploe, Fergusson, Gillies and Redpath.
The
Scottish National
Gallery of
Modern Art is located on Belford Road, in a beautiful parkland close to the Waters of Leith in the west of Edinburgh city centre and comprises two buildings which face each other:
Modern One and
Modern Two.
The
Scottish National Portrait
Gallery is part of the National Galleries of Scotland with the
Scottish National
Gallery of
Modern Art and the
Scottish National
Gallery.
Museums,
galleries, libraries, theatres, cinemas, they're all here, and more, including the National Library of Scotland, the National
Gallery of Scotland and
Scottish National
Gallery of
Modern Art, the Royal Botanic Garden and, of course, Edinburgh Castle, which dominates the skyline.
Just fifteen minutes walk from Princes Street is The
Scottish National
Gallery of
Modern Art.
Janet McKenzie, «Francis Bacon: Portraits and Heads», Studio International,
Scottish National
Gallery of
Modern Art, Edinburgh, 4 June — 4 September 2005, Hamburger Kunsthalle, Hamburg, 14 October 2005 — 15 January 2006, 22.09.05.
Solo exhibitions from the past decade include those organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of
Modern Art, Oslo, 2004 (traveled to the Helsinki City
Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary
Art Chicago, 2008; The Metropolitan Museum of
Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine
Gallery, London, 2009;
Scottish National
Gallery of
Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.
From Death to Death and Other Small Tales Masterpieces from the
Scottish National
Gallery of
Modern Art and the D.Dask
Group exhibitions include: «GENERATION: 25 Years of Contemporary
Art in Scotland»,
Scottish National
Gallery of
Modern Art, Edinburgh (2014); «A Picture Show»,
Gallery of
Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of
Art (2012); «Edge of the Real», The Whitechapel
Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of
Modern Art, San Francisco (2003).
Artist Rooms: Agnes Martin,
Scottish National
Gallery of
Modern Art, Edinburgh, August 6, 2009 — July 10, 2010.
Significant solo exhibitions have been held at the Fruitmarket
Gallery and
Scottish National
Gallery of
Modern Art, both in Edinburgh.
2017 The Lotus in Spite of the Swamp: Prospect 4, New Orleans, New Orleans, USA Eatable Alphabet, Hamburger Kunsthalle, Germany Entangled: Threads & Making, Turner Contemporary, Margate, England Life Worlds, Fondazione Sandretto Re Rebaudengo, Turin, Italy Punto de Partida (Coppel Collection), Fundación Banco Santander, Madrid, Spain NOW,
Scottish National
Gallery of
Modern Art, Edinburgh, Scotland
Art and Space, Guggenheim Bilbao, curated by Manuel Cirauqui, Bilbao, Spain 14th Biennale de Lyon: Floating Worlds, Biennale de Lyon, Lyon, France I'll Be Your Mirror, Espaço Breu, São Paulo, Brasil How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney, MAK - The Schindler House, Los Angeles, USA First day of good weather, Sies + Höke, Düsseldorf, Germany Past / Future / Presente: Contemporary Brazilian
Art from the Museum of
Modern Art, São Paulo, Phoenix Museum of
Art, Phoenix, USA
Richard Demarco and Joseph Beuys at
Scottish National
Gallery of
Modern Art, Edinburgh, by Susannah Thompson
Museum representation includes the
Art Institute of Chicago, Metropolitan Museum, Whitney Museum, Museum of
Modern Art, Museum of Contemporary
Art / Chicago, National Museum of American
Art,
Scottish National
Gallery, Museum Boymans, Rotterdam, and many others.
• 3 December to 21 May,
Scottish National
Gallery of
Modern Art, Edinburgh.
His work can be found in museum collections, including The
Art Institute of Chicago, Illinois; The Guggenheim Museum, New York; Irish Museum of
Modern Art, Dublin; The Metropolitan Museum of
Art, New York; The Museum of Contemporary
Art, Los Angeles, California; Museum of Fine
Arts, Boston, Massachusetts; The Museum of
Modern Art, New York; National
Gallery of
Art, Washington, D.C.; National
Gallery of Australia, Canberra; Phillips Collection, Washington, D.C.;
Scottish National
Gallery of
Modern Art Gallery, Edinburgh; Tate
Gallery, London; Victoria and Albert Museum, London, England; Whitney Museum of American
Art, New York; Yale Center for British
Art, New Haven, Connecticut.
The acquisition of an early Cubist collage is a major coup for the
Scottish National
Gallery of
Modern Art, and made headlines when it was announced at the tail end of the month.
Arts Council Collection, London, England British Council, England Moderna Museet, Stockholm, Sweden MUDAM, Luxembourg
Scottish National
Gallery of
Modern Art, Edinburgh, Scotland Tate
Modern, London, England Touchstones Rochdale, Lancashire.
Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this exhibition spans five rooms of the
Scottish National
Gallery of
Modern Art and places the artist alongside major new works, installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.
Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary
Art, Chicago, The New Museum of Contemporary
Art, New York (1997), MoMA, Oxford, the
Scottish National
Gallery of
Modern Art, Edinburgh (1998), Tate Britain, London (2000) Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004), Museum of Contemporary
Art, Sydney (2005) and Palazzo Querini Stampalia in the context of the Venice Biennale (2009).
Hunter's work has been acquired by the
Scottish Arts Council Collection, the British School at Athens, The
Scottish National Portrait
Gallery, the
Gallery of
Modern Art, Glasgow and the
Scottish Parliament.
2014 Generation: 25 Years of Contemporary
Art in Scotland,
Scottish National
Gallery of
Modern Art, Edinburgh, Scotland Below another sky, Aberdeen
Art Gallery, Aberdeen, Scotland; touring to Inverness Musuem and
Art Gallery, Inverness, Scotland Underside / Disturbance, performance piece in collaboration with choreographer Janice Parker for Hospital House, Abroath, Scotland Paradigm Store, Howick Place, London, England
This article titled «From Death to Death and Other Small Tales: Masterpieces from the
Scottish National
Gallery of
Modern Art and the D Daskalopoulos Collection — review» was written by Laura Cumming, for The Observer on Sunday 23rd December 2012 00.06 UTC
The
Scottish National
Gallery of
Modern Art has done something daring and rare.
For her first solo exhibition with the
gallery Modern Art in London, the
Scottish artist Karla Black presents new sculptures...
Artwork © Jenny Saville; Video courtesy National Galleries of Scotland; Produced on the occasion of Now: Jenny Saville,
Scottish National
Gallery of
Modern Art, Edinburgh, March 24 — September 16, 2018
Having studied
Art History and German Literature and Linguistics at the University of Hamburg, Germany, Herrmann worked as Curator at the
Scottish National
Gallery of
Modern Art, Edinburgh, Scotland, before joining the Whitechapel
Gallery in 2010.
Look out for Ed Ruscha at the
Scottish National
Gallery of
Modern Art and Jac Leirner at the Fruitmarket
Gallery.
In recent years Emin has been the subject of a number of retrospective museum exhibitions around the world, including a major solo show at the Museo de Arte Latino Americano de Buenos Aires; a solo exhibition at Turner Contemporary in her hometown of Margate (2012); and Tracey Emin: 20 Years, the artist's first retrospective which originated at
Scottish National
Gallery of
Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2009).
A modest exhibition at the
Scottish National
Gallery makes clear the big impact Daubigny had on
modern art
Albright - Knox, New York
Arts Council of Great Britain
Art / Pace Roberts Foundation, San Antonio British Museum, London Camden
Arts Center, London Denver
Art Musuem, Colorado Deutsche Bank Garage Centre for Contemporary Sculpture, Moscow Hamburger Kunsthalle, Hamburg Hara Museum, Tokyo Mattress Factory, Pittsburgh Museum of Contemporary
Art, Los Angeles Museum of Contemporary
Art, San Diego Museum of
Modern Art, New York Museum van Loon, Amsterdam National Portrait
Gallery, London Neue Nationalgalerie, Berlin Pompidou Centre, Paris RISD Museum, Rhode Island Saatchi Collection, London Sackler Center for Feminist
Art, Brooklyn Museum Sammlung Goetz Collection, Munich San Francisco Museum of
Modern Art Scottish National
Gallery, Edinburgh Simmons and Simmons, London South London
Gallery, London Tate
Gallery, London TI Group PLC, Oxon Walker
Art Centre, Minneapolis
British Museum, London, England Museum of Contemporary
Art, Los Angeles, CA Museum of Contemporary
Art, San Diego, CA Museum of
Modern Art, New York, NY Museum van Loon, Amsterdam, The Netherlands Pompidou Centre, Paris, France Sackler Center for Feminist
Art, Brooklyn Museum, New York, NY Sammlung Goetz Collection, Munich, Germany San Francisco Museum of
Modern Art, San Francisco, CA
Scottish National
Gallery, Edinburgh, Scotland Tate
Gallery, London, England
His work has been the subject of numerous major retrospectives most notably at the Metropolitan Museum, New York (1995),
Scottish National
Gallery of
Modern Art, Edinburgh (2002) Tate Britain, London (2006), The Irish Museum of
Modern Art, Dublin (2006) and the Reina Sofia, Madrid (2007).
Group Exhibition taking place across three venues in Edinburgh: Inverleith House,
Scottish National
Gallery of
Modern Art and Talbot Rice
Gallery (Part II).
Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including — in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American
Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the
Modern Art Museum of Fort Worth, and tour, including The Museum of
Modern Art, New York (1989); the National
Gallery of
Art, Washington, D.C., and tour (1993, prints); the Naples Museum of
Art, Florida, and tour, including the Yale University
Art Gallery (2002, woodcuts); and the Museum of Contemporary
Art, North Miami, traveled to the Royal
Scottish Academy, Edinburgh (2003, works on paper).
United Kingdom Abbot Hall
Art Gallery, Kendal Aberdeen
Art Gallery, Aberdeen
Arts Council Collection, Southbank Centre, London Artworks Collection, Leicestershire County Council, Leicester Birmingham Museum and
Art Gallery, Birmingham Brighton Museum and
Art Gallery, Brighton Bristol's Museums, Galleries and Archives, Bristol British Council, London British Museum, London Ferens
Art Gallery, Hull Fermanagh County Museum, Enniskillen Fitzwilliam Museum, Cambridge Hatton
Gallery, University of Newcastle, Newcastle The Hepworth Wakefield, Wakefield The Higgins Bedford, Bedford Imperial War Museum, London Jerwood
Gallery, Hastings Kettle's Yard, University of Cambridge, Cambridge Leeds
Art Gallery, Leeds McLean Museum and
Art Gallery, Greenock McManus Galleries and Museums, Dundee Middlesbrough Institute of
Modern Art, Middlesbrough National Museums Northern Ireland, Belfast National Museum Cardiff, Cardiff Newport Museum and
Art Gallery, Newport Otter
Gallery, University of Chichester, Chichester Pallant House
Gallery, Chichester Pier
Arts Centre, Stromness, Orkney Portsmouth City Museum, Portsmouth Royal Academy of
Arts, London Royal Academy of Music, London Royal Albert Memorial Museum, Exeter Royal College of
Art, London
Scottish National
Gallery of
Modern Art, Edinburgh Southampton City
Art Gallery, Southampton The Stanley and Audrey Burton
Gallery, University of Leeds
Art Collection, Leeds Tate, London Tate Archive, London Towner, Eastbourne Victoria
Art Gallery, Bath Victoria & Albert Museum, London Walker
Art Gallery, Liverpool The Whitworth, University of Manchester, Manchester
Museum of
Modern Art, New York, NY The British Council, London, England
Scottish National
Gallery of
Modern Art, Edinburgh, Scotland
Art Institute of Chicago, Chicago, IL The Aldrich Contemporary
Art Museum, Ridgefield, CT
A focused presentation of her work was the subject of the exhibition Artist Rooms: Agnes Martin (2009 — 2011), which travelled to the
Scottish National
Gallery of
Modern Art, Edinburgh; Kettle's Yard, Cambridge; May 15 — July 10, 2010; and the Tate
Modern, London.
ARTIST ROOMS Schools Programme,
Scottish National
Gallery of
Modern Art Displays: Vija Celmins, Damien Hirst, Ellen Gallagher, Alex Katz, Andy Warhol and Francesca Woodman.
Landscape painters Constable and William McTaggart are at the
Scottish National
Gallery, while «NOW» — a three - year programme of six exhibitions — at the
Scottish National
Gallery of
Modern Art, launches with a display of work by Mona Hatoum, Rivane Neuenschwander and Nathan Coley.
p. 49) Long term loan,
Scottish National
Gallery of
Modern Art, Edinburgh, Feb. 1988 - June 1989 Francis Bacon: Paintings Since 1944, Tate
Gallery Liverpool, Feb. 1990 - Jan.
For the 2011 Venice Biennale, the Selection Committee consisted of: Rachel Campbell - Johnson,
Art Critic, The Times; Christoph Grunenberg, Director Tate Liverpool; Nav Haq, Curator, Arnolfini, Bristol; Keith Hartley, Senior Curator,
Scottish National
Gallery of
Modern Art, Edinburgh; Hugh Mulholland, Director, The Third Space
Gallery, Belfast; Karen McKinnon, Curator, Glynn Vivian
Art Gallery, Swansea; Richard Riley, Head of Exhibitions, Visual
Arts, British Council; Ralph Rugoff, Director, Hayward
Gallery, London; Godfrey Worsdale, Director, BALTIC, Gateshead; Chair: Andrea Rose, Director of Visual
Arts, British Council.
Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of
Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate
Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American
Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate
Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National
Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA
Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets,
Scottish National
Gallery of
Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).
London, Tate Britain and Edinburgh, The
Scottish National
Gallery of
Modern Art, Picasso &
Modern British
Art, February - November 2012, pp. 192 and 232, no. 120 (detail illustrated in color as a frontispiece; illustrated in color, p. 193).
«Bridget Riley Paintings, 1964 - 2015» is at the
Scottish National
Gallery of
Modern Art, Edinburgh, from 15 April 2016 — 16 April 2017.