Sentences with phrase «scream against the sky»

Selected group exhibitions and screenings include Scream Against the Sky, Solomon R. Guggenheim Museum, New York and Musée d'Art Contemporain, Lyon, France (1994); In the Spirit of Fluxus, The Walker Art Center, Minneapolis (1993); Centennial Tribute Apropos of Marcel Duchamp, Philadelphia Museum of Art, Philadelphia (1987); and SoHo - Soap Rain Damage, The New Museum of Contemporary Art, New York (1986).

Recent notable group exhibitions include «Geometries On and Off the Grid: Art from 1950 to the Present», The Warehouse, Dallas, Texas, USA (2015); «Geometric Perspectives on Japanese Abstraction», BTAP, Tokyo, Japan (2014); «Tokyo 1955 - 1970 New Advanced Guard», The Museum of Modern Art, New York, USA (2013); «The 70s in Japan, 1968 - 1982» The Museum of Modern Art, Saitama, Japan (2013); «Mono - ha Avantguard», Nakanoshima Design Museum, Oska, Japan (2012); «Depicting the Uncanny: Tricks and Humor», The Yokosuka Museum of Art, Kanagawa Japan (2011); «Japanese Art after 1945: Scream Against the Sky», Yokohama Museum of Art, Kanagawa, Japan; touring to Guggenheim Museum SoHo, New York, USA; San Francisco Museum of Modern Art in association with the Center for the Arts at Yerba Buena Gardens, San Francisco, USA (1994).

Group shows include Brooklyn Museum, 1955, 58, De Cordova Museum, Boston, 1960, 65, Riverside Museum, New York City, 1960, Städtisches Museum, Schloss Morsbroish, Leverkusen, Germany, 1960, 61, Whitney Museum American Art, New York City, 1961, 62, Pittsburgh Museum, 1961, City Museum, Städtisches Museum, Trier, Germany, 1961, Nul Stedelijk Museum, Amsterdam, 1962, Institute Contemporary Art, 1964, 65, Modern Art Gallery, Washington, 1965, Chrysler Museum, Provincetown, Massachusetts, 1965, Museum Modern Art, Stockholm, Sweden, 1966, Metropolitan Museum, Tokyo, 1965, Museum Modern Art, New York City, 1966, Woman's Work - American Art, Philadelphia, 1974, Improbable Furniture, University Pennsylvania, 1977, Neich und Plastisch - Soft Art, Zurich, 1979, National Museum Art, Osaka, 1980, National Museum Modern Art, Tokyo, 1981, Yokohama City Gallery, 1982, Landmark Tower, Yokohama, 1993, Guggenheim Museum, 1994, Scream Against the Sky, San Francisco Museum Modern Art, 1995, Otis Gallery, Los Angeles, 1995, Ars 95, Helsinki, 1995, Louisiana Museum, Denmark, 1995, Los Angeles County Museum Art, Museum Modern Art, New York, Walker Art Center, 1998, Taipei Biennale, Taipei Art Fair, 1998, Serpentine Gallery, 2000, Le consortium, Maison de culture Japan, Paris, Le Abattoirs, 2001, KUNSTHALLE, Wien, 2002, The Whitney Biennial, 2004, Kunstverein Braunschweig, Zacheta National Gallery of Art, 2004, National Museum Modern Art, Tokyo, 2004, 05, Mori Art Museum, 2004, National Museum Modern Art, Kyoto, 2005, many others.

He has exhibited in many international exhibitions including «Japanese Avant - Garde 1910 - 1970» (Centre Pompidou, Paris, 1986), «Japanese Art After 1945: Scream Against the Sky» (Yokohama Museum of Art, Japan, before travelling to the Guggenheim Museum, New York), and «Requiem for the Sun: The Art of Mono - ha» (Blum & Poe, Los Angeles, 2012), to name only a few.

Her project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the field of postwar Japanese art history in the U.S.. From 1998 - 2005, Munroe was Vice President of Japan Society, New York, and director of its museum where she presented innovative shows of pre-modern art.

Curated by Yuko Hasegawa, Artistic Director of the Museum of Contemporary Art Tokyo, it's the most extensive survey exhibition of contemporary Japanese art outside of Japan since Alexandra Munroe's «Japanese Art After 1945: Scream Against the Sky» — which toured to The Yokohama Museum of Art, Yokohama, The Guggenheim, New York, and San Francisco MoMA in 1994 — and Jonathan Watkins» «Facts of Life: Contemporary Japanese Art» at the Hayward Gallery in London in 2001.

She was a big hit in «Japanese Art After 1945: Scream Against the Sky,» which came to the San Francisco Museum of Modern Art in 1995.

«Japanese Art after 1945: Scream Against the Sky» opens June 1 and «Willem de Kooning: The Late Work, the 1980s» opens Sept. 22.

Not exact matches

Its red - tinted characters back up against a hazy California sky, and their duds and hairstyles scream disco - day nostalgia (yes, that's Jason Schwartzman sporting a Jheri curl).

But he had felt that night, while his wife kept the children over by the road — he had rushed them from the house when he saw that the barn was on fire — as he watched the enormous flames flying into the nighttime sky, then heard the terrible screaming sounds of the cows as they died, he had felt many things, but it was just as the roof of his house crashed in, fell into the house itself, right into their bedrooms and the living room below with all the photos of the children and his parents, as he saw this happen he had felt — undeniably — what he could only think was the presence of God, and he understood why angels had always been portrayed as having wings, because there had been a sensation of that — of a rushing sound, or not even a sound, and then it was as though God, who had no face, but was God, pressed up against him and conveyed to him without words — so briefly, so fleetingly — some message that Tommy understood to be: It's all right, Tommy.

The wind, the wall, the sky didn't represent men, but they were situations in life that you have to scream against.

and a microphone in the atrium, the better to perform her «Voice Piece for Soprano,» with its injunctions to «scream — against the wind, against the wall, against the sky.»

A microphone stands near a set of instructions silkscreened onto the atrium wall: «Scream: against the wind, against the wall, against the sky.»