Writer - director Greta Gerwig took home the top
screenplay prize for penning «Lady Bird.»
Brett Morgan won the Documentary
Screenplay prize for Jane (National Geographic).
«Beyond the Lights» also scored a Best
Screenplay prize for its writer / director, Gina Prince - Bythewood.
Among the others were Willem Dafoe, winning Best Supporting Actor for The Florida Project; Paul Thomas Anderson won the Original
Screenplay prize for Phantom Thread, another very - recently screened film; and Scott Neustader and Michael H. Weber were the Adapted Screenplay winners for The Disaster Artist.
Alfonso Cuarón won the Best Director prize for his groundbreaking work on the space survival thriller «Gravity»; Spike Jonze's «Her» won the Best
Screenplay prize for its near - future tale of a romance between a man and a computer operating system.
The five BAFTA awards «Budapest» took — score, makeup and hair, costume design, production design and an original
screenplay prize for Anderson — might all be Oscar wins too, making it the night's most celebrated movie.
In their third cinematic go - round together, Richard Linklater, Ethan Hawke and Julie Delpy won the Best Adapted
Screenplay prize for «Before Midnight.»
Not exact matches
Last night, the 31 - year - old won the
prize for Best
Screenplay and Best Director, with his film winning Best Motion Picture — Musical or Comedy, and its stars, Emma Stone and Ryan Gosling, winning Best Actor and Best Actress in a Musical or Comedy.
Cannes awarded her its Best
Screenplay prize and Best Actor
for Phoenix, both
prizes richly deserved.
Franco's film also picked up the
prize for Adapted
Screenplay.
Ramsay shared the
screenplay prize with Yorgos Lanthimos and Efthymis Filippou («The Lobster»), who won
for the divisive «The Killing of a Sacred Deer.»
Beauvois's film (the French Oscar submission, which surprised many by failing to make the Academy's shortlist) took the top
prize, but it was «The Ghost Writer» that netted the most wins, with four — including two
for Polanski himself (Best Director and Adapted
Screenplay), plus honors
for editing and Alexandre Desplat's score.
That didn't stop writer and director Yorgos Lanthimos from winning the
prize for Best
Screenplay at the festival.
Michel Franco, whose «Chronic» won a
screenplay prize in the main competition two years ago,» received the Certain Regard jury
prize for his latest, the family drama «April's Daughters» («Hijas de Abril»).
The
prize for best
screenplay was split between Italian writer - director Alice Rohrwacher's time - warped fable about a poor farm boy in rural Italy Happy as Lazzaro and Nader Saeivar and Jafar Panahi's script
for Three Faces.
Four years ago, writer Alex Garland made his directorial debut with Ex Machina, a critical smash that surprised with two Oscar nominations
for Best Original
Screenplay and Best Visual Effects and further surprised by winning the Visual Effects
prize.
«The Past» star Bérénice Bejo won the festival's best actress
prize, while «The Salesman» took home honors
for best actor (Shahab Hosseini) and best
screenplay (Farhadi).
Elsewhere, Greek film «Miss Violence» also proved popular, taking both the Silver Lion and the Best Actor
prize for Themis Panou, while Tsai Ming - Liang «s «Stray Dogs» won the Grand Jury
Prize, Elena Cotta took Best Actress
for «Via Castellana Bandiera» (which we unfortunately didn't see), Tye Sheridan was awarded Best Young Actor
for David Gordon Green «s «Joe,» Steve Coogan and Jeff Pope picked up Best
Screenplay for «Philomena,» and Philip Groning «s «The Police Officer's Wife» won a Special Jury
Prize.
Peele won the
prize for best original
screenplay and Ivory
for...
Spotlight, which was previously awarded a Special Jury
prize for its ensemble also took home the
screenplay trophy.
You Were Never Really Here may not have technically been finished when it premiered last summer in Cannes, where it won
prizes for its
screenplay and Phoenix's spooky, urban - samurai performance.
In 1983, Ruth Prawer Jhabvala's Booker -
prize winning novel Heat and Dust was released in theatres
for its first run, and in 1984, BAFTA rewarded her with a Best Adapted
Screenplay award.
But Get Out, which won Best Original
Screenplay, was a constant threat to Best Picture, while Dunkirk and Lady Bird could not be ruled out
for either that or the Best Director
prize.
Elsewhere, Gary Oldman followed up his Golden Globe victory with another Best Actor
prize for his performance as Winston Churchill in Darkest Hour, while Jordan Peele added his name firmly to the Oscar conversation with a
screenplay victory
for Get Out.
Moonlight, which follows the life of a young black boy dealing with his sexuality, scooped three
prizes in total, landing best picture, best adapted
screenplay and best supporting actor
for Mahershala Ali.
The history: On his two previous Competition appearances,
for «All About My Mother» in 1999 and «Volver» in 2006, Almodovar entered the race as the bookies» favourite, only to land the consolation
prizes of Best Director and Best
Screenplay, respectively.
A big day: Besides the two top
prizes, Natural Selection also grabbed jury awards
for best
screenplay (Pickering), best editing (Michelle Tesoro) and best score / music (iZLER, Curt Schneider).
After scooping up Best
Screenplay and Best Actor honors
for The Salesman at the Cannes Film Festival, Iranian auteur Asghar Farhadi has swiftly landed two more international
prizes for his next film: Penélope Cruz and Javier Bardem.
Hailed by the LA Times as an «implausible feat of sustained imagination,» and the Wall Street Journal as «an almost perfect movie with flawless performances,» Nancy Oliver's
screenplay was nominated
for an Oscar, while Gillespie's film won numerous critics» awards and festival
prizes.
Last year Barry Jenkins and Tarell Alvin McCraney of «Moonlight» took home the original
screenplay prize; at the subsequent Oscars they won
for adapted
screenplay.
Ramsay was the only other woman to win a top non-acting award, earning Best
Screenplay for her film, You Were Never Really Here; she shared the
prize with Greek filmmakers Yorgos Lanthimos and Efthymis Filippou
for their movie, The Killing of a Sacred Deer.
She received several nominations and
prizes, including an Independent Spirit Award nomination
for best first
screenplay.
The caustic, darkly comic ballbuster Three Billboards Outside Ebbing, Missouri walked away from the Globes with trophies in four of the six categories it was nominated in, and the most awards of any feature film of the night: The movie took the Best Motion Picture — Drama)
prize, stars Sam Rockwell and Frances McDormand both took home acting awards in their categories, and director Martin McDonagh won
for his
screenplay.
Gerwig in particular has been in contention
for Best Director
prizes from critics» groups throughout the end of the year, including winning that honor (along with Best
Screenplay and Best Picture) the day before the Globes by the National Society of Film Critics.
The victory
for «The Shape of Water» is rather surprising because,
for the first time in over 20 years, a Best Picture winner has won the top
prize without having a nomination
for Best Cast from SAG, along with another big surprise of not winning its respective
Screenplay category on the way to the top.
Both were nominated
for Best Picture and the Best Original
Screenplay prizes.
Additionally, the film scored
prizes for Best Actor
for Timothée Chalamet, Best Adapted
Screenplay for James Ivory, and Best Original Song
for the number «Mystery of Love.»
That movie, which won the festival's jury
prize and went on to earn an Oscar nomination
for its
screenplay, was a surreal and haunting satire of monogamous love — governed by a rigid speculative premise but also open, in its way, to the rich and startlingly funny possibilities of human experience.
Best Cast Ensemble went to Greta Gerwig «s «Lady Bird,» the only win
for the film despite runner - up
prizes in Supporting Actress and Original
Screenplay.
Jane Campion, «The Piano» (1993) • The Australian director won an Oscar
for her original
screenplay for the period drama but lost the directing
prize to Steven Spielberg
for «Schindler's List.»
The Salesman, from Iranian director Asghar Farhadi (A Separation), picked up two awards: one
for Farhadi's
screenplay, the other a Best Actor
prize for Shahab Hosseini, who plays a stage actor whose wife is assaulted in their home.
Comedy film «In Bruges» won the award
for Best Original
Screenplay, while «I've Loved You So Long» was awarded the
prize for Best Non-English language film.
Last year at the bi-coastal WGA ceremonies, Barry Jenkins and Tarell Alvin McCraney of «Moonlight» took home the original
screenplay prize; at the subsequent Academy Awards they won
for adapted
screenplay.
Gaspard Ulliel's mesmerizing turn at Yves Saint Laurent in Saint Laurent earned him the Best Actor
prize and the supporting categories were won by Kristen Stewart
for Clouds of Sils Maria (which also won Original
Screenplay and a place in the top 5 films of the year) and Oscar Isaac
for Ex Machina.
Asghar Farhadi (pictured above) returned and picked up two
prizes, best actor and best
screenplay,
for a not - quite - up - to - his best Forushande / The Salesman, a post-earthquake tale whose tremors reverberate and imbalance an artsy couple playing in a Persian version of Arthur Miller's play.
«The Past» star Bérénice Bejo won the best actress
prize, while «The Salesman» took home honors
for best actor (Shahab Hosseini) and best
screenplay (Farhadi).
He wrote the winning adapted
screenplays for «Sideways» and «The Descendants,» and has been nominated
for additional writing, directing, and Best Picture
prizes.
A late surge of momentum (five stars from Peter)
for Andrei Zvyagintsev's Russian drama which takes literal pot shots at the Kremlin administration was only enough, in the end, to secure it the
screenplay prize.
Up
for four other
prizes — including Best Director and Best Original
Screenplay — the Austrian end - of - life drama will likely follow in the footsteps of the three previous Best Foreign Film / Best Picture double nominees (Life is Beautiful, Z, and Crouching Tiger, Hidden Dragon), easily taking the Foreign Film Oscar and leaving the big one
for domestic product.
Hours after James Franco won the best actor
prize at the Gotham Awards, The Disaster Artist screenwriters Scott Neustadter and Michael H. Weber won the NBR's best adapted
screenplay prize, setting up that film about The Room director Tommy Wiseau
for an unlikely awards season run.