Sentences with phrase «sculpture project at»

In the late seventies / early eighties Anthony Smart set a sculpture project at St.Martin's to «remake» an Etruscan lion in the British Museum.

Not exact matches

Perhaps another mechanism or collection of sculptures waits to be freed, says Brendan Foley, a marine archaeologist at Lund University in Sweden and co-director of the international project.

Patients looking at the courtyard sculptures soon began to project their troubles onto the art.

At West Denton comprehensive school in Newcastle upon Tyne, Shield and his fellow pupils are involved with several VR projects in which they can design rooms, arrange sculptures in a virtual gallery and learn about industrial safety in a virtual factory.

One of my favorite projects was working with Michael SHVO, a real estate developer and an art collector who curated a Claude & Françios - Xavier LaLanne exhibition at Sotheby's and the Lalanne Sheep Station, a public art installation at the Getty Station on 23rd Street, facilitating my exposure to sculpture that I would later imitate in my own apartment.

A Key stage 3 project which starts with Figure drawing of class mates and then looks at the modern sculptures and uses them to simplify their figures into abstract shapes.

Artist Antonius Roberts» newest project is called Sacred Space which is a series of abstract sculptures of the human body made from trees at Clifton Pier that were uprooted from Hurricane Matthew.

For his new show at the Brooklyn gallery, which recently relocated from Greenpoint to Prospect Heights, Tcherepnin will once again show work that quite literally goes over everyone's heads: five new chandelier - like sculptures hanging from on high, with videos projected on the walls around them.

with text by Yve - Alain Bois and Rosalind Krauss, in French) Screen, Friedrich Petzel Gallery, New York, USA (curated by Joshua Dechter) Twentieth Century American Sculpture at the White House: Exhibition IV, The Jaqueline Kennedy Garden, The White House, Washington D.C., USA (curated by Marcia Tucker and Hillary Rodham Clinton) Bringing It All Back Home, Gracie Mansion / Fred Dorfman Projects, New York, USA Small Truths: Repetition and the Obsessional in Contemporary Art, John Hansard Gallery, University of Southampton, England (cat.

Mexican artist Abraham Cruzvillegas stands amid his sculptures in an exhibition at Regen Projects in 2016.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

If the main aim of the City Sculpture Project was to bring abstract sculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the whSculpture Project was to bring abstract sculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the whsculpture out into the wider world, the beautifully installed main gallery at the HMI brings it back home to the rarefied atmosphere of the white cube.

Among the projects will be a group exhibition at Bluecoat, a series of sculptures at Liverpool Metropolitan Cathedral, and the development of a family programme and digital curriculum resources for primary and secondary schools.

This project looked at insect life cycles and agricultural systems, culminating in a «Living» sculpture constructed with live silkworms and the silk forms they spun.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

Earlier this month, Bradford announced he would be installing a monumental 360 - degree work at the Smithsonian's Hirshhorn Museum and Sculpture Garden, the project is his first presentation in Washington, D.C. and opens in November 2016.

In May, Hauser & Wirth is presenting its inaugural project with Simpson, an exhibition of new paintings and sculpture at the Frieze New York art fair.

Thompson had been a driving force at Creative Time, overseeing projects like Kara Walker's A Subtelty, a giant sculpture made of sugar housed in Brooklyn's old Domino factory, that drew more than 130,000 visitors to the rundown plant over its two - month run.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

The 2009 book, WEAVINGS, published by J&L Books, documents Hewitt's sculpture / photography project at Small a Projects, Portland, OR.

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

Opportunities & Open Calls New American Paintings 4Heads Art in General The Center for Fine Art Photography CUE Field Projects Northern Manhattan Arts Alliance: Sculpture at Fort Tryon Park Tiger Strikes Asteroid (Annual Flat Files Open Call) The Wells Point SITE: Brooklyn

Brooklyn - based Heather Hart is bringing a domestic rooftop to Storm King, an installation project she has previously presented at the Brooklyn Museum, Seattle Art Museum's Olympic Sculpture Park, and Franconia Sculpture Park in Minnesota.

«Parallels and Intersections: Art / Women / California, 1950 — 2000,» San Jose Museum of Art, San Jose, CA, June 1 — November 3, 2002 «New Attitudes in Sculpture,» The Gallery at Green Street, New York, NY, April 5 - May 18, 2002 2001 «Drawings,» Regen Projects, Los Angeles, May 26 - July 21, 2001 «A Room of Their Own: From Arbus to Gober,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 4 — January 20, 2002 2000 «Raumkorper.

Isenstein's performances, installations, drawings, and sculptures have been the subject of solo exhibitions at Reed College, Portland, OR (2013); Andrew Kreps Gallery, New York (2010 and 2007); Hammer Projects at the Hammer Museum (2007); Meyer Riegger Galerie, Karlsruhe and Berlin, Germany (2006); and Guild and Greyshkul, New York (2004).

Wright has exhibited extensively in England and Ireland since 1994, with solo exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and Gallery and The Lowry, 2001.

Her intimate sculptures and interactive projects have been exhibited nationally and internationally at museums and biennials including the Albright - Knox, Pulitzer Arts Foundation, iMOCA, DePaul Art Museum, Chicago Biennial, Yeosu International Art Festival, and the Kochi - Muziris Biennale.

HOUSTON — Atlas, Plural, Monumental, an exhibition at CAMH thanks to the museum's curator Dean Daderko, is a midcareer retrospective of the artist Paul Ramírez Jonas, known for his public art, sculpture, social practice projects.

Campbell talks about the work he does at the Nasher Sculpture Center — including a recent restoration project on an Alexander Calder piece — in a video interview on artthisweek.com.

Wexford, Ireland, 2018 Foundation for Contemporary Arts Emergency Grant, New York, NY, 2016 Emerging Artist Fellowship 2015, Socrates Sculpture Park, Queens, NY, 2015 The Quarry At Marble House Project, Dorset, VT, 2015 Process Space, Lower Manhattan Cultural Council, New York, NY, 2014 Frans Masereel Centrum, Kasterlee, Belgium, 2014 Workspace, Lower Manhattan Cultural Council, New York, NY, 2012 - 2013 The Banff Centre, A PAPER A DRAWING A MOUNTAIN with Silke Otto - Knapp and Jan Verwoert, Banff, Canada, 2012 Mildred's Lane, Beach Lake, PA, 2011 With funds granted from Parsons, The New School for Design Atlantic Center for the Arts - With Jean - Marc Bustamante — New Smyrna Beach, FL, 2010 With funds granted from the Center and the Joan Mitchel Foundation Vermont Studio Center — Johnson, VT, 2009 Big Cypress National Preserve - Ochopee, FL, 2007 Rocky Mountain National Park - Estes Park, CO, 2006

The project takes its point of departure from a 1968 sculpture of the same name by Noguchi, engaging the expansive collection at The Noguchi Museum alongside iconic images from the history of space exploration.

This year's Artbus tour was much the same as last year if you replace Deitch Project's Kanye West and Vanessa Beecroft collaboration with a car hood reminiscent of Michael Jackson's Peter Pan golf cart, a bunch of crappy Josh Smith wall paintings and a guided tour by curator Fionn Meade at the Sculpture Center.

The solo exhibition of Rose's work at Articulate Project Space was to have taken place in March 2015 with the provisional title of Inside - Out Sculpture but it was deferred to October 2015 due to Rose's illness and death on 20 October 2014.

Trained at London's Royal College of Art, Heatherwick's practice encompasses projects ranging in scale from very small to monumental, from products to public sculpture to architecture.

Group exhibitions include: Guerillas at Arsenał Municipal Gallery in Poznan2010; I confuse Jelenia Gora with Zielona Gora at BWA Gallery Jelenia Gora; DUST SNOW at Public Sculpture Park Project Poznan; Mimikra at Myspace Festival Lodz; and What the world needs now at ON Gallery, Pozan.

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

Currently on display at the DESTE Project Space Slaughterhouse in Hydra, Figa is an exhibition of a single work, combining the tradition of monumental public sculpture with the ritualism of visiting a quasi-relic.

His past projects, readings, performances, and exhibitions have been presented at the Museum of Modern Art; Socrates Sculpture Park; The Queens Museum of Art; The DUMBO Arts Festival; White Box Art Center; Show Room Gallery; Hunter College; The Children's Museum of Art NY; The Howl Festival; Lodge Gallery; the Center for Book Arts, and Freight + Volume Gallery.

This project involves months of touring the United States, capturing sounds, two artist residencies at the Virginia Center for Creative arts and the Salina Art Center, and the creation sonic sculptures that consider uniquely American rituals and myth.

The jury is out on whether or not this qualifies him as a communist, but his claim does provide a source of perplexity when evaluating the inspiration for his ongoing Kandor sculpture and installation series — the newest of which being currently displayed at Gagosian Gallery (Beverly Hills) alongside the latest chapters of his filmic project, Extracurricular -LSB-.....]

February 23 Cameron Fuller's whimsical, perception - bending installations have appeared at White Flag Projects, the Foundry Art Centre, Laumeier Sculpture Park, Gallery 210 and the Philip Slein Gallery, among other venues.

She has exhibited at PS1 / MoMA; Deitch Projects; Contemporary Art Museum, Houston; Contemporary Arts Center, Cincinnati; the Brooklyn Museum; Museum of Contemporary Art, Chicago; the Studio Museum in Harlem; the Frist Center for the Visual Arts; The Yerba Buena Center; The Newark Museum; Third Streaming; MCA San Diego; MoCA Taipei; and Performa 09; and has been written about in the New Yorker, Sculpture Magazine, Artforum.com, ARTNews, The New York Times, Huffington Post and on Art21's blog.

Weiner has presented a number of projects and exhibitions across the UK since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House in Edinburgh; several engagements with Bury Art Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows in commercial galleries, the most recent at Lisson Gallery in 2013.

He has participated in residencies at the Triangle Arts, Socrates Sculpture Park, Lower Manhattan Cultural Council, Kala Art Institute, the Core Program at the Museum of Fine Arts, Houston, Project Row Houses, Skowhegan School of Painting & Sculpture, and Lower East Side Printshop.

Group show venues include the Museum of Contemporary Arts Quinta Normal, Santiago, Chile; Matucana 100 Art space, Santiago, Chile; Project 722, Brooklyn, NY; The Parlour Bushwick, Brooklyn, NY; Socrates Sculpture Park, Queens, NY; and Plymouth Gallery at the Brooklyn Bridge Park, NY.

Her latest exhibition at Jack Fischer Gallery's Minnesota Street Project location presented an assortment of the artist's stuffed fabric sculptures in small - to - medium scale, along with three works cast in bronze.

«The museum is proud to present this stunning and monumental public sculpture at the museum,» said Karen Milbourne, curator and project lead.

Collected from a variety of projects including an apprenticeship at the Fabric Workshop and Museum in Philadelphia and the 2017 fashion show FREE TANGERINE, the sculptures, drawings, and textiles in Interiors and Props reflect Knoxville - based artist Lauren Sanders» recent work as a DIY designer and interdisciplinary collaborator.