Sentences with phrase «secession art»

[12] Its holdings include significant works of Austrian Secession art, German expressionism, 1920s abstraction, and material related to the Bauhaus design school.

A school of modern art that left its mark on an extraordinary number of wonderful Budapest buildings and dates from the end of the nineteenth century is called, in the West, «Art Nouveau» and, in Hungary (eccentrically), «Secession Art.»

Not exact matches

First off, its 470,000 residents have made something of an art form of feeling slighted; it was not that long ago that talks of secession were being taken seriously.

She has had solo exhibitions at the Secession, Vienna, Austria, and the Museum of Contemporary Art, Los Angeles, CA.

Recent solo exhibitions include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery, Canada (2010); and the San Francisco Museum of Modern Art, CA (2009).

Other prominent institutions which have presented recent solo shows include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery (2010); San Francisco Museum of Modern Art (2009); and the Wexner Center for the Arts, Columbus, Ohio (2008).

2014 Transcendences (three - person exhibition with Wang Gongxin and Lin Tianmiao), Dowd Gallery, SUNY Cortland, NY The Fates, Secession, Vienna, Austria Diana Al - Hadid, Columbus College of Art and Design, Columbus, OH Diana Al - Hadid: Regarding Medardo Rosso (two - person exhibition with Medardo Rosso), Marianne Boesky Gallery, New York, NY

He has had additional one - person exhibitions at the Nevada Museum of Art, Reno; Secession, Vienna; Berkeley Art Museum; Kunsthall Oslo; and Kunsthalle Giessen, Germany.

Picabia held his first one - man show in New York, Exhibition of New York studies by Francis Picabia, at 291 art gallery (formerly Little Galleries of the Photo - Secession), March 17 - April 5, 1913

Selected solo presentations include Vienna Secession, Vienna, Austria; IVAM Valencia, Spain; Geneva Center for Contemporary Art, Geneva, Switzerland; and Staatliche Kunsthalle Baden - Baden, Germany; among others.

Wallinger has held solo exhibitions at institutional venues including Dundee Contemporary Arts, Dundee, Scotland (2017); The Fruitmarket Gallery, Edinburgh, Scotland (2017); Serlachius Museum / Art Museum Gösta, Mänttä, Finland (2016); BALTIC Centre for Contemporary Art, Gateshead, England (2012); Museum de Pont, Tilburg, Netherlands (2011); Kunstnernes Hus, Oslo, Norway (2010); Aargauer Kunsthaus, Aarau, Switzerland (2008); Museo de Arte Carillo Gill, Mexico City, Mexico (2005); Neu Nationalgalerie, Berlin, Germany (2004); Vienna Secession, Vienna, Austria (2000); Tate Liverpool, Liverpool, England (2000); Palais Des Beaux Arts, Brussels, Belgium (1999); Museum for Gegenwartskunst, Basel, Switzerland (1999); the Serpentine Galleries, London, England (1995).

Kota Ezawa at Murray Guy, New York, by Orit Gat Political Populism at Kunsthalle Wien, by Raimar Stange Mark Leckey at Secession, Vienna, by Kimberly Bradley Roman Signer at Art: Concept, Paris, by Violaine Boutet de Monvel Lucy McKenzie at Galerie Buchholz, Berlin, by John Quin Scott Myles at Meyer Riegger, Berlin, by Martin Herbert Caselle di Anton Bruhin at Istituto Svizzero, Milan, by Barbara Casavecchia Ed Ruscha at Pinacoteca Giovanni e Marella Agnelli, Turin, by Sherman Sam Von Calhau!

The artists have exhibited in major international institutions including solo engagements at the Museum of Modern Art in New York, Vienna Secession, Dallas Museum of Art, and Kunsthalle Zurich.

Recent exhibitions include: «Clear Water on Both Sides of the Glass» at CCA Andratx, a contemporary art gallery in Spain; «7 Films, One Photo and a Silver Nose» at Gl Holtegaard, a modern and contemporary art gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in Miami Beaart gallery in Spain; «7 Films, One Photo and a Silver Nose» at Gl Holtegaard, a modern and contemporary art gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in Miami Beaart gallery in Denmark; «Kabinet,» a social critique of the classic Dickens» story A Christmas Carol, at Secession in Vienna, Austria; and «Voynich Botanical Studies» featured at Andersen's Contemporary at Art Basel in Miami BeaArt Basel in Miami Beach.

Including: «Bell / Irwin / Wheeler,» Tate Gallery, London, England (1970); «Fractured Light — Partial Scrim — Eye Level,» Museum of Modern Art, New York (1970 - 1971); «Black Line Room Division + Extended Forms,» Whitney Museum of American Art, New York (1977/2013); «48 Shadow Planes,» Old Post Office, Washington DC (1983); «Two Running Violet V Forms,» Stuart Collection, UCSD, California (1983); «Ascending,» Musee d' Art Moderne deVille Paris, France (1994); «Double Diamond,» Musée d'Art Contemporain, Lyon, France (1997 - 1998); «1º 2º 3º 4º,» Museum of Contemporary Art San Diego (1997); «The Central Garden,» J Paul Getty, Los Angeles (1998); «Architecture and Grounds,» DIA Art Foundation, Beacon, New York (2003); «Primaries and Secondaries,» Museum of Contemporary Art San Diego (2007 - 2008); «Black on White,» J. Paul Getty Museum, Los Angeles (2011 - 2012); «Niagara,» Albright - Knox Art Gallery, Buffalo, NY (2012); «Hedge Wedge,» San Diego Federal Courthouse Building, San Diego (2012); «Double Blind,» Vienna Secession, Vienna (2013); «Miracle Mile,» Los Angeles County Museum of Art, Los Angeles (2013); «Primordial Palm Garden,» Los Angeles County Museum of Art (2010 - 2013).

Selected group exhibitions include Art through the Eye of the Needle, Henie Ondtad Kunstsenter, Oslo (2001); ARS 01, KIASMA, Helsinki (2001); Sharing Exaustism, 5th Biennial de Lyon (2000); Human Being and Gender, 3rd Kwiangju Biennial (2000); The Sky is the Limit, 2nd Taipei Biennale (2000); Hypermental, Kunsthaus Zürich (2000); ArtWorld in Dialogue, Museum Ludwig, Cologne (1999); d'APERTutto, 48th Venice Biennial (1999); Echolot, Museum Fridericianum, Kassel (1998); 5th Istanbul Biennale (1997); Manifesta 1 (1996); Traditions / Tensions, Queens Museum; Cities on the Move, Secession, Vienna; P.S. 1 Contemporary Art Center, New York, 1997 - 2000.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Recent solo shows include Carre d'Art, Nimes, Boijmans van Beuningen, Rotterdam (2016); Palais de Tokyo, Paris, Secession, Vienna (2015), Rockbund Art Museum, Shanghai, Museo Anahuacalli, Mexico (2014); Art Institute of Chicago, Chicago, M Museum, Leuven (2013)

Witek's work has been exhibited at various galleries and museums throughout Europe and the US, including the Leopold Museum; Kunst Haus Wien; Fotomuseum Winterthur; Museum of Fine Arts Houston; and Secession, Vienna.

Deschenes currently has a project on view at the Walker Art Center in Minneapolis and was recently the subject of a solo exhibition at the Secession, Vienna (2012).

His work has been the subject of solo exhibitions at: GI Holtegaard, Holte; Secession, Vienna; Aarhus Center for Contemporary Art, Aarhus; Raucci Santamaria, Naples; Willfried Lentz Gallery, Rotterdam; Andersen ́s Contemporary, Copenhagen; Kirkhoff, Copenhagen; and CPH Kunsthal, Copenhagen.

Her videos, drawings, performances, and other works have been the subject of solo exhibitions at The Art Institute of Chicago, Chicago (2015); Hayward Gallery, London (2014); the Julia Stoschek Collection, Dusseldorf, Germany (2013); Contemporary Art Gallery, Vancouver (2012); MoMA PS1, Long Island City, New York (2011); Performa 11, New York (2011); Mills College Art Museum, Oakland, CA (2011); the MIT List Center for Visual Arts, Cambridge, MA (2010); Center for Contemporary Art, Glasgow (2010); Nottingham Contemporary (2009); Portikus, Frankfurt, Germany (2008); Secession, Vienna (2008); Culturgest, Lisbon (2008); and the Van Abbemuseum, Eindhoven, The Netherlands (2006).

He participated in 1997's Sculpture Project Munster, the travelling exhibition Cities on the Move (originating at Wiener Secession, Vienna, Austria in 1997); Unfinished History at the Walker Arts Center, Minneapolis (1998); and EXPO 2000, Hanover, Germany (2000).

Her work has been exhibited widely in venues such as Foundation Cartier and Musée d'Art Moderne de la Ville in Paris; Iniva in London; Creative Time, New Museum, Queens Museum, Ford Foundation and Apex Art in New York; Serralves Museum in Porto and Museu da Cidade in Lisbon; House of World Cultures and NGBK in Berlin; Secession in Vienna; Moderna Galerija in Slovenia; MUSAC in Leon, Santa Monica Art Center in Barcelona, and Casa Encendida and Matadero in Madrid; Wattis Institute in San Francisco; LACE and 18th Street Art Center in Los Angeles; Teorética in San José; Alianza Francesa, Espacio La Rebeca and Galería Santa Fé in Bogotá.

Other recent solo exhibitions include Slow Graffiti, Secession Building, Vienna, Austria; A Man Full Of Trouble at Maccarone Gallery, New York; 50 Wigs at the Herning Museum of Contemporary Art, Herning, Denmark; A Season in He'll at Art + Practice, Hammer Museum, Los Angeles (2016); Die Hexe at Luxembourg & Dayan Gallery, New York; Devil Town at Gio Marconi, Milan; Le Miroir Vivant at The Museum Boijmans van Beuningen, Rotterdam, Netherlands (2015); Easternsports at the Institute of Contemporary Art, Philadelphia (2014, together with Jayson Musson).

Her work has been presented internationally, including at the Museum of Modern Art, New York; the Stedelijk Museum, Amsterdam; Tate Modern, London; Bergen Kunsthall, Norway; and Secession, Vienna; and in the Whitney Biennial, New York; the Liverpool Biennial; Performa, New York; and Wien Modern, Vienna.

Francis Upritchard represented New Zealand at the 2009 Venice Biennale and has had solo exhibitions at Contemporary Arts Center, Cincinnati (2012) and Secession, Vienna (2010).

Kassel (2007), Artist Space, New York (2006), Secession, Vienna (2005), Kunstverein München, Germany (2004), Whitney Museum of American Art (2003).

Furthermore, their work has been shown widely, for instance in Associates, London; Art In General, New York; Kunsthaus Graz, Modelle fur Morgen, European Kunsthalle; Trans (cient) City, Luxemburg; Differentiated Neighborhoods, Belgrade (2007), INSA Art Space, Seoul; Fly Me To The Moon, a project for the New Rijksmuseum, Amsterdam; Periferic 7, Strategies of Learning, Biennale Iasi, Rumania (2006); Secession, Vienna; Witte de With, Rotterdam (2005).

Recent solo exhibitions include: the world just makes me laugh at Berkeley Art Museum, let's start this day again at Contemporary Art Center (Cincinnati), giorni d'oro + notti d'argento at Museo d'Arte Contemporanea di Roma, Seven Magic Mountains organized by Art Production Fund and the Nevada Museum of Art (Nevada), vocabulary of solitude at Museum Boijmans van Beuningen (Rotterdam), i love john giorno at Palais de Tokyo (Paris), artists and poets at Vienna Secession (Vienna), breathe walk die at Rockbund Art Museum (Shanghai), human nature organized by Public Art Fund in Rockefeller Plaza, (New York), we run through a desert on burning feet, all of us are glowing our faces look twisted at Art Institute of Chicago, thank you silence at M - Museum Leuven (Belgium).

His work has been featured in numerous exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris.

Other recent solo exhibitions include those at the CCA Wattis Institute for Contemporary Arts, San Francisco (2016); Secession, Vienna (2015); and Kunstmuseum Bonn, Germany (2011).

Paglen's solo exhibitions have been presented at the Vienna Secession, Eli and Edythe Broad Art Museum at Michigan State University, Van Abbemuseum in Eindhoven, the Netherlands, Frankfurter Kunstverein, and Protocinema in Istanbul.

Slavs and Tatars have presented solo exhibitions at major institutions including MoMA, NY; Secession, Vienna; REDCAT, Los Angeles; Kunsthalle Zurich, and the Dallas Museum of Art.

Saskia Olde Wolbers has exhibited widely including solo shows at the Museum M Leuven, Belgium (2013); Wiener Secession, Vienna (2011); the Goetz Collection, Munich (2010); Mori Art Museum in Tokyo (2008); Stedelijk Museum, Amsterdam (2006) and South London Gallery, (2005).

Paglen has had solo exhibitions at Vienna Secession, Eli & Edythe Broad Art Museum, Van Abbe Museum, Frankfurter Kunstverein, and Protocinema Istanbul, and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.

His sculpture and installation work has been exhibited internationally, including the following selected solo exhibitions: Addict Love, Sculpture Center, NY; Moods, Secession Vienna (2007); Extrospective, Musee Cantonal des Beaux - Arts de Lausanne (2006); Relapse, Modern Art, London (2006); Complete Breakdown, Galerie Neu, Berlin (2005); Deep Purple, Whitney Museum of Art, NY (2002); and Low Slung, Kunstverein Braunschweig (2000).

Her work has appeared in exhibitions at P.S. 1 Contemporary Art Center, Artists Space, MUMOK (Vienna) and the Secession in Vienna, among other venues.

Heilmann has exhibited widely in Europe and the United States and has had solo shows at Bonnefantenmuseum, Maastricht (2012); Museum Ludwig, Cologne (2010); Orange County Museum of Art, Newport Beach (2007); Secession, Vienna (2003); Camden Art Centre (2001) and the Institute of Contemporary Art, Boston (1990), among others.

Recent solo shows include: your age my age and the age of the rainbow, The Garage Museum of Contemporary Art, Moscow; let's start this day again, Contemporary Arts Center, Cincinnati; every time the sun comes up, Place Vendome, Paris; girono d'oro + notti d'argento, Mercati die Traiano, Rome; becoming soil, Carre d'Art, Nîmes; seven magic mountains, Art Production Fund and Nevada Museum of Art / Desert of Nevada; vocabulary of solitude, Museum Boijmans Van Beuningen, Rotterdam; Ugo Rondinone: I ♡ John Giorno, Palais de Tokyo, Paris; golden days and silver nights, Art Gallery of New South Wales, Sydney; and artists and poets, Secession, Vienna.

Asked to curate a show at the National Arts Club in 1902, he called it «an exhibition of American photography arranged by Photo - Secession.»

Recent exhibitions include the Portland Institute of Art (2016), the MAK Schindler House, Los Angeles (2015), the Austrian Cultural Forum, New York (2015) and previously at the Secession, Vienna (2011).

Barrada's work can also currently be viewed at Manifesta 11 in Zurich, and the Beirut Art Centre, as well as in her solo exhibitions at Secession in Vienna, and Tabakalera in

She has had solo shows at many art institutions, including: Secession, Vienna; Malmö Konsthall, Malmö (2017); NBK, Berlin; CACP musée d'art contemporain de Bordeaux; Schirn Kunsthalle, Frankfurt (2016); MIT List Visual Arts Center, Cambridge, MA; EMPAC, Rensselaer Polytechnic Institute, Troy, US (2015); Bergen Kunsthall, Bergen (2013); Kunsthaus Zürich; Jeu de Paume, Paris (2012); MART Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto (2011); Tate Modern, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid (2010).

Opie's work has been exhibited extensively, including solo shows at the ICA London, the Vienna Secession, and London's Hayward Gallery, and group shows at venues such as the Tate Britain, the Royal Academy of Arts in London, and the Museum of Modern Art.

Other Planes of There: Selected Writings, Duke University Press, 2014 Endless Dreams and Time - Based Streams, Yerba Buena Center for the Arts, 2011 Renée Green: Ongoing Becomings 1989 - 2009, JRP Ringier, 2009 Renée Green: Negotiations in the contact zone / Negociações na zona de contacto, Assírio & Alvim, 2003 Between and Including, Secession; DUMONT, 2001 Shadows and Signals / Sombras y señales, Fundació Antoni Tàpies, 2000 Artist / Author: Contemporary Artist Books, American Federation of Arts; D.A.P., 1998 Certain Miscellanies: Some Documents, De Appel Foundation; DAAD, 1996 Camino Road, Museo Nacional Centro de Arte Reina Sofía; Free Agent Media, 1994

Major group exhibitions include Carnegie Museum of Art, Pittsburgh (2018, forthcoming); Rubell Family Collection, Miami (2015); the Whitney Museum of American Art, New York (2008), the Van Abbemuseum, Eindhoven, the MoMA PS1, New York (both 2006), the MoMA, New York (2005, 2001, 1999), the Institute of Contemporary Art, London (1997, 1992), and the Secession, Vienna (1994).

Between 1904 and 1908, Kandinsky participated in art exhibitions in Moscow and St Petersburg, the Berlin Secession, and the Salon d'Automne in Paris.

Located in the centre of Vienna (Schikanedergasse 11), it's just around the corner from one of the city's main gallery drags (Schleifmühlgasse), in between two pillars of Vienna's contemporary art mainstream — the Secession and the Generali Foundation — and just a few minutes» walk from the main cluster of contemporary art institutions, at the MuseumsQuartier, as well as another chunk of commercial galleries on Eschenbachgasse.

Paglen's work has had solo exhibitions at Vienna Secession, Eli & Edythe Broad Art Museum, Van Abbe Museum, Frankfurter Kunstverein, and Protocinema Istanbul, and he has participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.