Sentences with phrase «second generation artists»

Among these Second Generation artists were: Bruce McGaw, Henry Villierme, Joan Brown, Manuel Neri, and Robert Qualters.

I think many of those so - called Second Generation artists were first rate but were shortchanged; they were judged more for who influenced them and classified by which year their work was made than how good their work was.

Not exact matches

a big fella, second generation horseman, artist, poet, been around horsefarms from birth untill forever.

One of the more striking things about the new multi-strand teen drama Palo Alto is how it features a series of second and third - generation artists and rising stars.

Dana Walrath, writer, poet, artist, Fulbright Scholar and second generation Armenian, is committed to the movement for reconciliation between Turkey and Armenia.

Even as one very visible portion of the art world becomes ever more soaked in money, artists like Steiner are picking up the ideas of first - and second - generation institutional critique and adapting them to the needs of the present.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

In the public mind the younger artists were misperceived and the creation of the stigma of a second generation of Colorfield Painting was formed.

As one of the most influential artists of the second part of the 20th century, Schneemann's pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists.

One of the most influential artists of the second part of the 20th century, her pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had a significant influence on subsequent generations of artists.

1957 She participated in the Artists of the New York School: Second Generation exhibition organized by Meyer Schapiro at the Jewish Museum in New York.

Kathryn Markel Fine Arts will present two exhibitions, «Joanne Freeman: My Generation» and «Martina Nehrling: Saudade,» second solo shows at the gallery for each artist.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

The sculpture is the first in a «second generation» (SG) that extends the artist's exploration of this theme.

Cheby is the second generation of artists trained in the apprentice style by the master sculptors of the Grand Rue.

After the second world war, as the US became a superpower, a new generation of artists made New York the centre of modern art, with a strange yet authoritative form of abstraction that was free from the influence of the still - living European modern masters.

That McQueen is the second black British artist to win the prize - Chris Ofili won last year - is of no significance, except to say that they both belong to the generation which has provided the largest number of black and Asian students to make their way through art college in post-colonial Britain.

Starting around 1970, this movement has been revived by a new generation of artists born during or immediately after the Second World War.

American artist Grace Hartigan (1922 - 2008) was a second - generation abstract expressionist.

As one of Idaho's most important living artists, second generation Abstract Expressionist, Robert S. Neuman is known for exploring regional, historical and metaphysical themes.

Another foray into curating was Schapiro's 1957 «Artists of the New York School: The Second Generation at the Jewish Museum,» which included 23 artists and sought to map out the contours of Post-Abstract ExpressArtists of the New York School: The Second Generation at the Jewish Museum,» which included 23 artists and sought to map out the contours of Post-Abstract Expressartists and sought to map out the contours of Post-Abstract Expressionism.

This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at ACA Gallery in 1940.

«Don't Hold On to Your Bones» mines the artist, Leonard Suryajaya's upbringing as a second - generation Chinese Indonesian raised by a Muslim woman.

One of the most significant, funny, and nails - on - a-chalkboard jarring artists of the second half of the twentieth century, Bruce Nauman has expanded the scope of traditional art practice and influenced a generation of artists.

Nobuyoshi Araki is part of a generation of artists who emerged in the 1960s as Japan was recovering from the Second World War and influenced by theextreme growth, urbanisation and overt commercialism.

Bluhm acknowledged his artistic debt to artists of the New York School, but he also rejected the label of «second - generation abstract expressionist,» which he saw as limiting and pejorative.

A member of the «second generation» of New York graffiti artists, Daze has been hailed as one of the most important artist - writers of his time.

As an important figure in the second generation of Southern California ceramicists to deny the boundaries of traditional crafts, Shire has led the way for a surge of interest in ceramics among younger contemporary artists.

Mike Kelley (born 1954 Detroit, lives and works Los Angeles) Considered a second generation conceptual artist, Mike Kelley has a widely multivalent art practice — in installations, sculpture, painting, performance, video performance, writing, collaborations, music — his band «Destroy All Monsters».

After the Second World War, the abstraction of the New York School and subsequent generations of artists symbolizes the re-emergence and an apparent de-ideologization of art in the USA.

Educated at the trendsetting Goldsmiths College, London, Floyer quickly established herself among the new generation of British artists emerging in the second half of the 1990s.

Abstraction Second generation Abstract Expressionist Ray Spillenger has been described as «the most brilliant unknown painter of his generation» by artist Pat Passlof.

(The issue of second - generation Ab Ex women, whose best work is critically considered to have occurred after 1950, is one that many women artists felt was dismissive of the actual timing of their development and work.)

With a productive career spanning three decades, this second - generation Singaporean artist is best known for his Wave series and sculptural commissions.

In 1962, Greenberg was guest critic at the Emma Lake Artists» Workshops, where he introduced the work of second - generation American abstract painters Morris Louis, Jules Olitski and Kenneth Noland to a Canadian audience, stimulated Andrew Hudson as a critic, and had a significant impact on painters Kenneth Lochhead, Dorothy Knowles and Ernest Lindner.

He is currently writing on the work of «second generation» institutional critique artists, and their inscription of labor within research - based practices.

Mitchell was a leading figure in the group of artists known as the second generation of abstract expressionists.

Among the strengths of the collection are historical Bay Area art; second - generation minimalism; photography; representational painting; and emerging California artists.

One of the most influential artists of the second part of the 20th century, her pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history had a trailblazing influence on subsequent generations of artists.

In the spirit of Latham's belief in art as a continuous practice, while the main gallery will show a selection of Latham's one - second drawings (he discovered spray painting in 1954), scarified book sculptures, installations, public art projects and filmed performances, the Sackler will be given over to a generation of younger artists whose work was made with an affinity for Latham's philosophy and practice.

We were just looking at laying out certain works by Julian Opie and Tony Cragg, who are from that sort of «second generation» of gallery artists.

Salvador Dalí and second - generation Abstract Expressionism had pretty much spoiled the roles of shaman and suffering artist anyway, even if an avatar like Michael Goldberg went back in reality to the first generation.

And although the next generation of American artists, notably Robert Rauschenberg, reacted against the «nature painters» with work that saw the spectacle of the mediated world itself as a form of second nature, they knew that the stage on which they stood had been created by the abstract expressionist painters.

The show features 73 artworks from 35 artists that spans from Photorealism's early adopters to second and third generation artists working in the Photorealist tradition.

A second - generation New York School artist, Wolf Kahn paints luminous New England landscapes.

She featured in Artists of the New York School, Second Generation, at the Jewish Museum in 1957, and her work was shown in Japan, India, Brazil and, in 1958 - 59, as part of the major touring exhibition The New American Painting, which introduced Abstract Expressionism to European audiences.

Frankenthaler herself became associated with the second generation of the New York School and her unique method and experimental use of materials influenced her contemporaries and subsequent generations of artists.

This exhibition will focus on the decade when our artists, very much alongside our photographers, film stars, musicians and fashion designers, captured the world's imagination, creating the idea of «Swinging London», the city that was the symbol of all that was new and exciting for a generation finally throwing off the trauma of the Second World War and facing the future with an optimism born from prosperity and political freedom, despite the shadow of nuclear proliferation and the continuation of the Cold War.

Blunt, judgmental and drily humorous, Mr. Judd's writing helped identify a new generation of artists and lift the New York art world out of the doldrums of second - generation Abstract Expressionism and away from what he saw as tired European esthetic conventions.

Juarez Hawkins, a native of Chicago, is a second - generation artist.