Sentences with phrase «see her exhibition through»

See the exhibition through March 22.

See her exhibition through December 23, 2016.

Not exact matches

They have daily opportunities to see and hear about great tennis through our daily meetings, on court demonstrations, exhibitions, matches and videos.

One way to break the habit of rushing through a museum visit is to limit the number of exhibitions you'll see.

«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»

Imagine walking through this exhibition and seeing over a hundred humanoid robots that represent, in different periods over the last 500 years, what we thought of the world, what we valued, how technology would change our lives, how we dreamt the future would look.

The iCub you can see on display in the Robots exhibition is the world's most advanced robot that learns the same way we do — through exploring and interrogating the world around it.

The trial, which is expected to be run in 200 schools, will cover a range of cultural learning experiences including visiting venues, seeing theatre performances and exhibitions as well as learning through practical activity.

Celebrants will have the opportunity to see just how the money from their ticket purchases is helping to save the lives of New York City's homeless animals through evocative video exhibitions, courtesy of (collabo!)

With your art historian guide, you'll also see part of the museum's blockbuster exhibition of Dutch Masters collected by Catherine the Great, an extraordinary show available only through May 2018.

Myths and technology co-exist to create a very unique vision for this game and its storyline, with buildings seeing advanced structural innovations and technology rivaling anything seen at the first world fair / The Great Exhibition in 1851 from the invention of wireless technology to thermal imaging and even the power of flight through zeppelins.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

«Franz Kline: The Vital Gesture,» which runs through March 2 at the Cincinnati Art Museum, is one of a lengthening list of distinguished exhibitions that will not be seen in New York City.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

«It's about how changing images of the Queen act as a kind of lens through which to see changes in our society and changes in artistic values,» says exhibition curator Paul Moorhouse.

This Exhibition sees Sara create vibrant and visually stimulating imagery through subtle use of colour together with her unique and intimate perspective of the natural world.

As this is a non-commercial venue, an exhibition at the Butler Gallery provides the artist with a special opportunity to see through a particular proposal or thematic objective.

Of particular focus is Giacometti's studio practice, which is examined through rarely seen plaster sculptures that highlight the artist's working process, in addition to historical photographs documenting his relationship with the Solomon R. Guggenheim Museum — which hosted the artist's first US museum exhibition, in 1955 — and with New York City.

So when I saw «Slippery Slope,» Theresa Hackett's sharp and thoughtful exhibition at High Noon, on view through April 22, I had been conditioned to read jeopardy into her large - scale panels depicting abstracted landscape cross-sections.

See after: Daleesha, Corey, Raymond & Toby — the Park's culminating exhibition from our community art program, Sculpture Studio — now on view through July 23rd!

You can see it is moving through I probably quote is a performance by artist Patrick Coyle directly addressing artworks from the exhibition.

Head a few blocks over, and seize the opportunity to see some more top - shelf art by heading to Hammer Galleries to admire their exhibition dedicated to the masters Matisse and Picasso, or to Leslie Feely, currently displaying a selection of paintings by Jules Olitski that explore light and color through his diverse painting techniques, processes, and materials.

If you live in the Northwest, be sure to see Alden's exhibition at Foster / White Gallery, which opens this week and continues through the end of April.

MUST - SEE EXHIBITION openings and interesting talks and appearances happening this week in black art: Through June 21, 2014 Brenna Youngblood at Contemporary Art Museum St. Louis A selection of muted abstracts by Los Angeles - based artist Brenna Youngblood are on view at the Contemporary Art Museum St. Louis.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

This exhibition, drawn from the Albright - Knox's collection, reminds us that although our experience and knowledge of the world often comes to us through our eyes, seeing should not always be believing.

MUST - SEE EXHIBITION openings and interesting talks and appearances happening this week in black art: Through May 31, 2014 Cullen Washington Jr..

Works central to this exhibition include the theatrical setting A Fashionable Marriage, through which visitors can walk; 40 small paintings comprising Inside the Invisible, seen for the first time in the UK; and The Feast Wagons, an installation of handcarts.

When Nadia Belerique opened her solo exhibition, «The Weather Channel», at Oakville Galleries in early April, snow could still be seen falling through the gallery's windows.

Jane Sharp, Arts Curriculum Development Organiser at Community Learning MK, says: «This exhibition shows how local people see our city through art.

The exhibition, on view Nov 17 — Dec 16, 2012, features 15 artists «united through a heightened sense of awareness to their immediate surroundings seen through the lens of the American landscape; a landscape shaped by unseen socio - political forces, constantly shifting cultural paradigms, and the on - going flux of construction and destruction.»

I'm also keen to see what Heather Phillipson comes up with for her exhibition at Gateshead's BALTIC in October — I'm intrigued by the surreal, humorous, haphazard worlds she creates (19 October through spring 2019; exact closing date to be confirmed).

«Often times the ideas are consistent, but the materials are reimagined and reapplied as she sees them through a different set of circumstances,» said Nancy on Macuga's work, some of which was lent from their collection to the Museum of Contemporary Art during her 2013 solo exhibition.

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptual work.

Well I've seen this exhibition of Ken Weathersby's recent paintings through the glassy gaze of my computer screen.

On the artists, Dayton Director Ian Berry said, «You'll see work by Mike Bidlo, David Hammons, Amy Podmore, and Millie Wilson, who are responding directly to Duchamp, alongside artists like Sheila Metzner and Anya Kielar, whose links to Duchamp can be seen through the context of the exhibition.»

Featured in ArtNet News as the top 25 must see exhibitions this Spring, Chaos and Awe: Painting for the 21st Century includes paintings by an international array of artists, including Franz Ackermann, Ahmed Alsoudani, James Perrin, Eddy Kamuanga, Wangechi Mutu, Sue Williams, and many more, that induce feelings of disturbance, mystery, and expansiveness through the portrayal of forces shaping and hastening social transformation in ways that are increasingly difficult to predict, such as globalism, ideological conflict, technology, science, and philosophy.

The exhibition Dissecting Nature criss - crosses through the terrain of artists using nature in their art questioning what is seen as nature and what is seen as art.

See the world through the eyes of one of Germany's greatest Expressionist artists in this extensive exhibition of works by Emil Nolde.

Amar's next exhibition sees their space filled with a representation of the Biblical character Eve, through a celebration of all things women and womanhood.

KSU officials agreed to reinstate the work, and it remained on view until May 17 as part of the inaugural exhibition «See Through Walls.»

Do click through to the gallery at the bottom of the post to see more works from the exhibition online.Continue Reading

Their inaugural exhibition America Is Hard to See, will remain on view through September 27, 2015.

However, the exhibition sees them all through the eyes and words of their most famous champions, Rosenberg and Clement Greenberg.

As well as providing a lasting record of the exhibitions, these catalogues are also a means of rediscovering Van Gogh, in particular as seen in refraction through the eyes of contemporary artists.

From his portraits and images of Los Angeles swimming pools, through to his drawings and photography, Yorkshire landscapes and most recent paintings — some of which have never been seen before in public — this exhibition shows how the roots of each new direction lay in the work that came before.

SOLO EXHIBITIONS 2016 Entoptic Touch, James Memorial Chapel at Union Theological Seminary, New York, NY 2015 Catching My Reflection, The Master, New York, NY 2014 I Can See Through My Hands, So What Space, Brooklyn, NY 2012 Near, Far, Wherever You Are, The Cooper Union, New York, NY

As you may have seen on Instagram, the Denver Art Museum held a Curator's Choice: #DispatchPortrait contest in conjunction with the opening of the photography exhibition Alec Soth: Colorado Dispatch (on view through November 29).

Allowing the viewer to see the works through visual cues and historical connections, looking at the image within the photograph as well as relationships between photographs, this exhibition seeks to engender new «ways of looking.»

The paintings of the two artists were arranged on the walls so that the viewer could see the work of one painter with that of the other close by, moving chronologically through time so that, in walking through the exhibition, the viewer could see how each artist developed over time, both on his own, as well as in relation to the other.