Sentences with phrase «seminal works featured in the exhibition»

Seminal works featured in the exhibition are profiled in greater depth through fifty new additions to the Museum's smARTphone tour available at DMA.mobi.

Not exact matches

Greene Naftali's program has reintroduced seminal figures, such as Guy de Cointet, Tony Conrad, and John Knight; and opened a ground - floor space with an inaugural exhibition featuring new and historical work by Dan Graham in September 2014.

The successive exhibitions feature work by MacConnel, Ned Smyth, Dickie Landry and Tina Girouard, artists from different parts of the country who were making seminal work in the 1970s and»80s, and who are still active.

Following in the steps of the artist's seminal solo exhibitions at Tate Modern, London (2017), Fondation Beyeler, Basel (2017), Kunstverein in Hamburg (2017), and most recently his first show in Africa at the Musée d'Art Contemporain et Multimédias in Kinshasa (2018), this presentation features a broad selection of works that respond to their surroundings while at the same time embodying a self - contained environment.

This groundbreaking exhibition, curated by Alex Donis, features the works of five seminal artists and artist groups: Rachel Rosenthal, Barbara T. Smith, Suzanne Lacy / Leslie Labowitz - Starus, Electronic Café International and EZTV; all who have been central to the alternative artist space movement in Southern California since the early 1970's.

In 1997 her work featured in the Royal Academy's seminal exhibition, Sensation, which brought the YBAs to prominencIn 1997 her work featured in the Royal Academy's seminal exhibition, Sensation, which brought the YBAs to prominencin the Royal Academy's seminal exhibition, Sensation, which brought the YBAs to prominence.

Other exhibition highlights include Petersen's Picnic series, (ca. 1965); Arneson's Herinal (no date), representative of his important body of toilets and urinals made from 1962 to 1964; seminal works like Neri's Ceramic Loop IV (ca. 1961 - 65), a ceramic sculpture featured in the UC Berkeley Art Museum's Funk exhibition (1967); and brash experiments that strike one today as prescient.

The exhibition features paintings and works on paper by one of the seminal artists of the New York art world in the 1950's and 1960's.

His show at the Jewish Museum, itself built originally as a family home in 1908, will bring together artworks, interiors, textile, furniture and wallpaper designs and feature his seminal 1978 work Here and There... as a historical lens through which to read the various materials this exhibition gathers.

Alanna Heiss (who founded PS1 back in the day) returns as curator, presenting a redux of many of the works featured in the space's seminal 1970s exhibition

The exhibition will also acknowledge the impact of MoMA's landmark photography exhibition of 1960, The Sense of Abstraction, including important works by Aaron Siskind and Edward Weston originally featured in this seminal exhibition.

The exhibition will feature key works from seminal points in the artist's oeuvre spanning the past forty years, including several never - before - seen grid, shaped, multi-panel, and monochrome paintings.

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazineIn addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein Interfunktionen, Artforum and Avalanche magazines.

[9] Her work has since featured in many seminal exhibitions, including: This Will Have Been: Art, Love & Politics in the 1980s; Radical Presence: Black Performance in Contemporary Art, [10] and En Mas»: Carnival and Performance Art of the Caribbean.

In 1982, Doyle was featured in the seminal exhibition Black Folk Art in America: 1930 - 1980 at the Corcoran Gallery of Art in Washington, DC, which introduced the islander's impassioned artwork to a broader audience that included artists such as Jean - Michel Basquiat, who collected Doyle's work, and Ed RuschIn 1982, Doyle was featured in the seminal exhibition Black Folk Art in America: 1930 - 1980 at the Corcoran Gallery of Art in Washington, DC, which introduced the islander's impassioned artwork to a broader audience that included artists such as Jean - Michel Basquiat, who collected Doyle's work, and Ed Ruschin the seminal exhibition Black Folk Art in America: 1930 - 1980 at the Corcoran Gallery of Art in Washington, DC, which introduced the islander's impassioned artwork to a broader audience that included artists such as Jean - Michel Basquiat, who collected Doyle's work, and Ed Ruschin America: 1930 - 1980 at the Corcoran Gallery of Art in Washington, DC, which introduced the islander's impassioned artwork to a broader audience that included artists such as Jean - Michel Basquiat, who collected Doyle's work, and Ed Ruschin Washington, DC, which introduced the islander's impassioned artwork to a broader audience that included artists such as Jean - Michel Basquiat, who collected Doyle's work, and Ed Ruscha.

Bayrle is an influential and pioneering figure whose work has been featured in seminal international exhibitions (Documenta 3, 6 and 13, the 50th Venice Biennale, etc.).

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

In 15,000 square feet of exhibition space, imaginatively designed by renowned architect David Adjaye, the exhibition will feature historic work from the Edison Manufacturing Company and the Fleischer Studios, as well as seminal works by masters of the moving image genre — Paul Chan, William Kentridge, Raymond Pettibon, Martha Colburn, Kara Walker and Federico Solmi.

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Ficsher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazineIn addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Ficsher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein Paris and New York, Situation Gallery in London and Konrad Ficsher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein London and Konrad Ficsher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazinein Interfunktionen, Artforum and Avalanche magazines.

Featured early in his career in Harold Szeeman's 1969 seminal exhibition, When Attitudes Become Form, at the Kunsthalle Bern, Bark's work has been featured in exhibitions at numerous international institutions including Institute of Contemporary Art, London; Musée de l'Élysée, Lausanne, Switzerland; and Whitney Museum of American Art, NFeatured early in his career in Harold Szeeman's 1969 seminal exhibition, When Attitudes Become Form, at the Kunsthalle Bern, Bark's work has been featured in exhibitions at numerous international institutions including Institute of Contemporary Art, London; Musée de l'Élysée, Lausanne, Switzerland; and Whitney Museum of American Art, Nfeatured in exhibitions at numerous international institutions including Institute of Contemporary Art, London; Musée de l'Élysée, Lausanne, Switzerland; and Whitney Museum of American Art, New York.

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and AvalanchIn addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanchin Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanchin London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanchin Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanchin such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanchin Interfunktionen, Artforum and Avalanche.

Hantaï was featured in the Wexner's seminal As Painting exhibition of 2001, and his work is housed in major collections worldwide, including The Museum of Modern Art, New York.

Featuring Theaster Gates, whose recent exhibition A Johnson Publishing Story at the Rebuild Foundation explores the enduring role of Ebony and Jet magazines in defining and popularizing a black aesthetic and identity around the globe; Corinne Granof and Amy Beste on the work of Goldsholl and Associates, whose films, television ads, and other moving image work innovated «designs - in - film» influenced by László Moholy - Nagy and the Bauhaus approach; and historian Lara Allison, speaking on the seminal legacy of the Great Ideas campaign by the Container Corporation from 1950 — 80.

It was in this environment that he became a unifying force for his peers — he curated the seminal 1969 exhibition 5 +1, featuring work by Melvin Edwards, Al Loving, Jack Whitten, William T. Williams, Daniel LaRue Johnson, and himself.

Born in 1930, Ayres studied at Camberwell College of Art between 1945 and 1950 and worked initially in London and then to Cornwall where she currently lives.Ayres» first solo exhibition was at Gallery One in 1956, and her work has featured in many key group shows since, including the Whitechapel Art Gallery's seminal British Painting in the 60s in 1965.

A 50th birthday usually signifies a midlife crisis, but not in the case of the Pace Gallery: this week, in celebration of a half - century of being modern, the institution's four New York outposts are debuting a multi-gallery exhibition featuring 200 of the most seminal works to have been displayed at the gallery over the last five decades.