Sentences with phrase «seven easy pieces»

Another gift was the decidedly mixed pleasure of being first to see Seven Easy Pieces, the film that Babette Mangolte has distilled from Abramovic's weeklong residency at the Guggenheim during PERFORMA05, Roselee Goldberg's first biennial of performance art.

The most prominent recent manifestation of this impulse is probably Marina Abramovic's «Seven Easy Pieces,» a series of performances that took place in 2005 at the Solomon R. Guggenheim Museum in New York, where the artist restaged seven works epitomizing the transgressive ethos of the Conceptual era — among them, Vito Acconci's Seedbed, 1972; Valie Export's Action Pants: Genital Panic, 1969; and Bruce Nauman's Body Pressure, 1974.

The piece was recreated by Marina Abramovic as part of Seven Easy Pieces (2005).

SITTING SQUARELY BETWEEN Jack Nicholson's five and Bartók's ten, Marina Abramovic's Seven Easy Pieces occasioned a week of nightly pilgrimages to New York's Solomon R. Guggenheim Museum last November.

«Seven Easy Pieces», presented in 2005 at the Solomon R. Guggenheim Museum in New York, presented Abramović as an agent of the history of performance art.

Seven Easy Pieces examined the possibility of repeating and preserving an art form that is, by nature, ephemeral.

She is best known for her «Donna Karan Essentials» line, an initial series of seven easy pieces which could then be mixed and matched into a fully integrated wardrobe.

She was honored for Seven Easy Pieces by the Guggenheim at their International Gala in 2006 and by the AICA - USA, which awarded her the Best Exhibition of Time Based Art designation in 2007.

Recent solo exhibitions have included: Seven Easy Pieces, The Solomon R. Guggenheim Museum, New York; The Star, Contemporary Art Museum, Kumamoto, Japan; Marina Abramovic: The Hero, Hirshhorn Museum and Sculpture Garden, Washington, DC; Marking the Territory, The Irish Museum of Modern Art, Dublin, Ireland; The Hunt, Center for Contemporary Art Kitakyushu, Kitakyushu, Japan; Spirit Houses, Bourganeuf, France; Marina Abramovic, Fondazione Antonio Ratti, Como, Italy, and Public Body — Artist Body, The Kunstverein Hannover, Germany.

That same year, she held a series of performances entitled Seven Easy Pieces at the Solomon R. Guggenheim Museum in New York.

She was honored for Seven Easy Pieces by the Guggenheim at their International Gala in 2006 and by the AICA USA with the «Best Exhibition of Time Based Art» award in 2007.

In 2005 at New York's Guggenheim Museum Abramovic staged a landmark week - long series of performances entitled Seven Easy Pieces.

In 2005, she held a series of performances called Seven Easy Pieces at the Guggenheim Museum in New York.

She was honored for Seven Easy Pieces by the Guggenheim, at its International Gala in 2006, and by the AICA USA with the Best Exhibition of Time Based Art award for 2005 — 2006.

Recent performances include Seven Easy Pieces at the Guggenheim Museum, New York, USA in 2005.

That same year, she held a series of performances called Seven Easy Pieces at the Guggenheim Museum in New York.

She also received the New Media Bessie award in 2003 for The House with the Ocean View and the AICA - USA award for Best Exhibition of Time Based Art in 2007 for her performance, Seven Easy Pieces at the Solomon R. Guggenheim Museum, New York.

Abramovic reenacted famous performances in «Seven Easy Pieces,» at the Guggenheim Museum during the biennial series Performa 2005.

However, it really caught on in 1980s America thanks to former Parsons alumni, designer Donna Karan and her «Seven Easy Pieces» collection.

Not exact matches

If I remember correctly, we're going to see seven different horror vignettes wrapped around this premise: «When a group of petty criminals is hired by a mysterious party to retrieve a rare piece of found footage from a rundown house in the middle of nowhere, they soon realize that the job isn't going to be as easy when they find stacks upon stacks of VHS tapes.

It seemed like it would be an easy story, a quick piece about an old house that Harvard has owned for more than seven decades.

Think about, however, that when a seven - digit phone number is chunked into two smaller pieces, it's even easier to remember.

It took me seven months to find the ICE memos, placed in Greenpeace archives in a manner not conducive to easy discovery, but I'll detail that major problem in a future blog piece.