We received the former for review, which contains a 2.35:1 transfer
of the film in anamorphic video; the image is quirky in accordance with John Seale's cinematography: grain is overemphasized in
several climactic shots, as if to ground the ludicrous plot machinations in some
kind of hard - edged reality, while blacks are chalky throughout and detail has a
filtered quality — a Lawrence Kasdan trademark.