Sentences with phrase «several people in this film»

Several people in this film are actually afraid or have a dislike of Paddington (voice of Ben Whishaw), if you can believe it.

Not exact matches

In a classic study often dubbed the «Invisible Gorilla» test, researchers showed participants a film clip of several people passing a basketball back and forth and asked them to count the number of passes between players in white and to ignore the players in blacIn a classic study often dubbed the «Invisible Gorilla» test, researchers showed participants a film clip of several people passing a basketball back and forth and asked them to count the number of passes between players in white and to ignore the players in blacin white and to ignore the players in blacin black.

The project resulted in the production of Children's and Young People's Manifestos, the staging of several stakeholder events, a six - minute film, Ten Tips for the Insurance Sector on how to better support flood - affected children and young people, and the development of a flood suitcase «toolkit» for use in schools and youth cePeople's Manifestos, the staging of several stakeholder events, a six - minute film, Ten Tips for the Insurance Sector on how to better support flood - affected children and young people, and the development of a flood suitcase «toolkit» for use in schools and youth cepeople, and the development of a flood suitcase «toolkit» for use in schools and youth centres.

Several characters, including Nelson (P.J. Byrne), Okoye's right - hand person, are carefully introduced in the film's first part only to completely disappear later.

He doggedly pursues the fugitives throughout the film, and his several attempts to get information from people of various minority groups are gloriously politically incorrect, managing to make fun of racial stereotypes while indulging in them, too.

Another float in the «People Acting Nasty Right There in Front of You» parade that's been marching through our theaters for the past couple of years, the film boasts several respectable performances.

In spite of several lines about how romantic comedies have given people seriously messed - up expectations about the way the world works, it's unsurprising that Tropper is already working on adapting the book as a feature film.

And then, of course, there's the film's eventual premiere, when Wiseau first endures the feeling of having audiences laugh at his work, for which he had bared his soul and burned several million dollars of a fortune whose origins are anybody's guess (although «such nosy person» Sestero's best guess in the book, involving a shady business called Street Fashions USA, isn't even mentioned in the film).

Several weeks ago, in the dark basement of a music club in Madrid, Spanish filmmaker Nacho Vigalondo whispered a name in my ear, the person he hoped would be the star of his latest film, and then he quickly swore...

While the film is overlong at just under two hours, several episodes show great originality with a satiric bite reminiscent of the equally surreal films of Luis Buñuel, whose almost plotless «The Discreet Charm of the Bourgeoisie» finds six upper - middle - class people regularly interrupted in their attempt to share a meal.

One is that many of the characters in the film did not exist in reality, but rather, they are amalgams of several real - life people not associated with Woodroof, that have been turned into single supporting characters, ostensibly for the purpose of broadening the film's scope, as well as putting in more supporting stars like Leto and Garner.

The film hinges on one singular car accident that has a ripple effect in several people's lives, illuminated by three separate stories populated by an array of impressive Mexican actors (including Gael Garcia Bernal), with the the seemingly - contradictory story of a sympathetic hit man being the most moving of the bunch.

After seeing the film, I was presented with several opportunities to talk with several people involved in the film.

Several films this year, and every year in the modern age of the Yelpification of film critics, will hopefully bypass the so - called critics and head straight to the people.

A runner - up is the sad - sack Laurent scion Pierre (Franz Rogowski), who shows up drunk at a ritzy wedding with several bewildered African refugees in tow (the film is set in Calais, which has a large population of displaced people who are stranded there en route to Britain).

I was the only black person in the theater, lured to the film by its glowing reviews — at the time of this writing, it holds a rating of 93 percent on Rotten Tomatoes, boosted by several notices that gush about how the film is a dark but honest look at humanity and grief.

There were several record - breaking recognitions, as well, including Rachel Morrison of Netflix's «Mudbound,» who became the first female nominee ever in the Oscar cinematography category, and the film's star Mary J. Blige, who is the first person to be double - nominated for acting and original song.

Some speculated, since it's a trendy thing to do on several other young people's franchises, and the fact that Lawrence himself was a replacement for Gary Ross (who directed «Hunger Games»), that Lionsgate might continue to shake things up and bring in a new director for each film in the highly - successful movie series.

In it, the paranormal investigation team of Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren, co-authors of several books and shown as the film begins lecturing a small auditorium of people on the finer points of ghost - hunting, confront their Greatest Challenge Ever when they're called to the modest New England farmhouse of the Perron family.

If the film is about how one bullet changed the lives of several people forever, and the ripple effect that this causes throughout the world, it's difficult to work in the story of Chieko and her quest for a sexual connection with someone in her world.

In recent years, the CFCA has expanded its presence on the Chicago arts scene, promoting critical thinking about cinema to a wider base through several initiatives, including the re-launch of a late - winter film awards ceremony; CFCA - hosted film screenings throughout Chicagoland; and a Young People's Film Criticism Workshop at Facets Multimedia.

Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside: talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts about several months or years of their own work than you do after 90 to 120 minutes with it.

The film chronicles a leg of the «Inside Outside Project,» a roving art initiative in which the accomplished French street artist JR makes enormous portraits of people he meets and pastes them onto buildings and walls, each of them reaching several stories high.

The film spent several weeks shooting in Dublin last year, providing 300 people with temporary jobs during principle photography, and Fassbender said he enjoyed the opportunity to work at home for a change.

Paul Haggis has revealed how he changed the order of the scenes in his new film Third Person several times before deciding on the final beginning and ending.

The film covers how the alien invasion affects a wide array of people from all walks of life in several locations, including Washington DC, Las Vegas and the Midwest.

Along with a trade show floor that featured the the latest technological innovations, theatre seating, food concession goodies and more that enhance the movie going experience, the annual highlight for attendees is the opportunity to get a sneak peak at some of the most highly anticipated films from the major studios» upcoming slate, attend the screenings of several full lengths films and to catch special in person appearances by big name stars and filmmakers.

Several people die in the film, but it is this hanging space that feels most traumatizing and disruptive, the entire world around the characters bent toward their amoral solipsism and willingness to die just so long as they can prevent anyone else from getting out ahead of them.

Mutual Rescue, an organization dedicated to celebrating the bond between people and their pets through sharing stories in film and print, has produced several beautiful films celebrating these special relationships.

Nancy Holt Film and Video October 16 at 4:00 Introduced by DeeDee Halleck Video activist and filmmaker DeeDee Halleck collaborated with Nancy Holt as editor on several of her films, including Sun Tunnels (1978), which documents the making of Holt's major site - specific sculptural work in the northwest Utah desert; and Pine Barrens (1975), a film that evokes «a barren wilderness in south - central New Jersey... (with) the voices of the local people, the «Pineys,»»..

It looks likely that Steve McQueen may will become the first person ever to win both the Turner prize (1999) and an Oscar (or several): McQueen's film 12 Years a Slave, hot favourite for this year's Academy Awards, includes a scene with a wood - framed building that's reminiscent of the film that won him a Turner in 1999.

Yet initially slow film and shutter speeds, from a half - second to several seconds, meant that a moving person or object appeared in pictures as a blur, if at all.

American graphic designer, photographer and videographer Michael Tubbs brings us a few insights in Without Bound, a YouTube film that follows the stories of several people who made the plunge into a full - time nomadic lifestyle, following their dreams for more financial and personal freedom, less «stuff» and more connection with others and the greater world.