Sentences with phrase «several pieces in the exhibition»

While some of the accompanying text may be more surreal than the work it is describing, there are several pieces in this exhibition that speak for themselves.

Several pieces in the exhibition have been conceived in direct response to the architecture of Modern Art's gallery at Helmet Row.

Check out our feature on Kristina Sheufelt who has several pieces in this exhibition.

Not exact matches

Several of the pieces on display come in for easy laughs — check out the room full of perfectly arranged, identical - looking rock piles, or not — but the real exhibition here is the museum's curator, Christian (Danish actor Claes Bang), a divorced father of two girls and a proud, prominent member of his city's cultural elite.

Originally planned as an exhibition center, with several architectural pieces of industrial design already in place, it turned out to be one of the most horrific places.

Several pieces for his upcoming exhibition at Lori Bookstein Fine Art in New York are in the studio, finished or close to it.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

Chareau and his wife were keenly interested in contemporary art, and the exhibition reunites several pieces from their collection of paintings, sculptures, and drawings by significant artists such as Piet Mondrian, Amedeo Modigliani, Max Ernst, Jacques Lipchitz, and Robert Motherwell.

Two years later, Mucha, adding several interior architecture details that had been characteristic of the presentation of the Block Beuys (an ensemble that was temporarily put in storage) at the Hessisches Landesmuseum, Darmstadt, conceived an exhibition of his pieces at Galerie Sprüth Magers, Berlin, where he installed an environment that faithfully recreated the dimensions and proportions of Galerie Grässlin's main showroom.

In 1947, she bequeathed several hundred pieces of Russian art, many from the Fabergé workshops, to VMFA.The Fabergé Gallery will be on view until August 1, 2012, at which time it will be deinstalled for a traveling exhibition and gallery redesign.

While the exhibition emphasizes Hofmann's drawings from the 1930s and»40s, there are a few highly suggestive late works in the exhibition, particularly several untitled pieces from 1961 in which the artist contrasts a few seemingly carefree drips and spatters of richly hued oil paint with delicate felt - marker traceries.

Originally appearing in the January 2012 print edition of the journal, Panero's piece offered a survey of successful recent shows presented by several Bushwick favorites, Norte Maar's penultimate exhibition of last year - featuring Wolowiec, Man Bartlett, and Lindsey Walt — among them.

Several artworks in this exhibition counter this idea, including Bruce Nauman's neon piece, None Sing / Neon Sign (1970).

Tonight's exhibition brings back several artists who participated in 2014, including Ted Brusubardis — whose piece Pacel Galvu became one of the best short videos I've experienced in many moons when it was shown in an appropriately darkened room at Portrait Society Gallery earlier this year — Adam Carr, Sara Condo, Cathy Cook, Paul Druecke, Kim Miller, Andrew Swant, Wes Tank, Xav Leplae, and co-organizer Marla Sanvick.

Several pieces by the artist Trixia Lara combine the mournful and celebratory tones of other works in the exhibition with a marked defiance in the face of the reality of gendered violence.

Murphy's artwork has been shown in more than 380 exhibitions nationally and abroad, and her pieces are in several public and private collections, including the Kemper Collection, the Boston Museum School, the Siena Art Institute in Siena, Italy, and the Oklahoma Museum of Art.

This is perhaps most evident in the artist's practice of incorporating parts of earlier works into newer pieces, including several of the works on view in the current exhibition.

Fairey discusses his history as an artist and activist and talks in depth about several of his favorite pieces in the exhibition.

This career survey, spanning four decades of work, is probably best summed up by the exhibition's subtitle, as the conceptual artist will stage several off - site installations, including at the Broadway - Lafayette subway station and in Times Square, where he'll present a newly commissioned augmented - reality piece.

Opening with L'Entrée de l'Exposition (Entrance to the Exhibition, 1974), an installation comprising several potted palm trees and the first of many pieces repeating the artist's initials, «MB,» on an accounting sheet, thus likening it to a currency, the exhibition in Kassel introduced Broodthaers's disingenuous and commercialist artistic subject from Exhibition, 1974), an installation comprising several potted palm trees and the first of many pieces repeating the artist's initials, «MB,» on an accounting sheet, thus likening it to a currency, the exhibition in Kassel introduced Broodthaers's disingenuous and commercialist artistic subject from exhibition in Kassel introduced Broodthaers's disingenuous and commercialist artistic subject from the start.

His residency exhibition, Ecstatic Light, presents a site - specific installation of several pieces in Russel Wright's House and Studio, marking Manitoga's first presentation of a contemporary artist within the interiors of the property.

Other pieces Doeringer copied and showcased at the Los Angeles exhibition were John Baldessari's Throwing Three Balls in the Air to Get a Straight Line, On Kawara's I Went, Richard Prince's Cowboy photographs, and several of Edward Ruscha's books.

Just as evocative was the journey that visitors embarked upon at DIMOREGALLERY's TRANSFER exhibition, on foot this time, as they progressed through several rooms of distinct cultural ambiance in two locations on Via Solferino, featuring iconic 20th - century design pieces inside Bedouin tents and a mazelike display of the latest collections by DIMORESTUDIO.

Simon Roberts has several pieces included in this group show, an Arts Council Collection National Partner Exhibition entitled A Green and Pleasent Land - British Landscape and the Imagination: 1970 to Now.

The ethos of cooperation has manifested clearly over the last few years, with several loans and international exhibition projects in which works from her collection, which now numbers 700 pieces, are exhibited.

Magnetic Fields features early - and later - career works, pieces from specific series, several exhibited for the first time, and the long - awaited reappearance of iconic works such as Mavis Pusey's large - scale painting Dejygea (1970) from the Whitney Museum of American Art's 1971 exhibition Contemporary Black Artists in America.

The Frick Collection has one of the most important American collections of sculptures, which is presented in the exhibition with several other top pieces, including Francesco Laurana's moving portrait bust of Beatrice van Aragon, and the bronze Hercules of Antico, both from the fifteenth century.

Twenty - five leading artists guide us in a journey through contemporary sculpture, in a show featuring most of the highlights of the last twenty - five years — among them some well - know pieces shown in exhibitions such as dOCUMENTA or the Venice Biennale, and several artists participating in the Forth Plinth commissions.

She is joined on the short list by Laure Prouvost, 35, a French artist and filmmaker who works in London, and was nominated for «Wantee,» a performance piece, and several exhibitions; Tino Sehgal, 36, a British - born, Berlin - based artist, selected for his «This Variation» and «These Associations» exhibitions; and David Shrigley, 44, a British artist known for his darkly humorous works (including a stuffed Jack Russell terrier holding a sign that reads, «I Am Dead»), shortlisted for «Brain Activity,» a retrospective of his drawings, photography, sculpture and film.

SEVERAL PIECES OF PAPER in Joëlle Tuerlinckx's recent exhibition have the words NOTHING FOR ETERNITY stamped on them.

The exhibition spans two decades and includes the New York premiere of Pneuma (1994/2009) a video / sound installation, and several flat - screen pieces from the Transfigurations series, Viola's newest body of work, which originated with Ocean Without a Shore, created for the 15th century Church of San Gallo during the Venice Biennale in 2007.

On the one hand, each work is composed of several separate pieces; Abrams has created a series of eighteen paintings, three of which are included in the exhibition.

In 2016, van Herpen also caught the attention of the Metropolitan Museum of Art's Costume Institute, which included several of her looks in their blockbuster exhibition «Manus x Machina» — and acquired six pieces for their permanent collectioIn 2016, van Herpen also caught the attention of the Metropolitan Museum of Art's Costume Institute, which included several of her looks in their blockbuster exhibition «Manus x Machina» — and acquired six pieces for their permanent collectioin their blockbuster exhibition «Manus x Machina» — and acquired six pieces for their permanent collection.

As well as Hockney's, a veritable tsunami of work by other artists, all produced on the West Coast, will flood the Berlin gallery: Peter Alexander — his Cloud Box (Large), 1966 is included, John Altoon, John Baldessari, Larry Bell — several of his minimal pieces will be there, while others, including Cube # 22 and Cube # 16 (Gren), are being shown in the Sotheby's exhibition.

Spanning three floors of the museum, the exhibition provides an overview of the artist's career, from earlier studies and drawings to recent work created in 2015, bringing together several pieces that have never been seen before.

Although one source, who preferred not to be named, says that Snow may have been avoiding his studio because it brought back bad associations, Peres says he'd been at work on several projects, including work for a presentation for Peres's gallery at London's Frieze Art Fair in October — work that, Peres says, may be complete at this point — as well as pieces for an upcoming exhibition at Berlin gallery Contemporary Fine Arts.

The artist has had several solo exhibitions around Finland and her pieces have been shown among others in exhibitions ARTISTS 2012 (Artists» Association of Finland), WAR or PEACE?

After several Street Pieces around East London (covered), VinZ opened his latest solo show «Tempus Fugit» last Thursday evening at RexRomae Gallery in Shoreditch which was curated by Rom Levy.Tempus Fugit is an exhibition of original works and sketches with their street counterparts on display.

An accompanying publication will reproduce works from the exhibition and supplementary ephemeral material used in the making of several pieces as well a curatorial project inspired by Melody Sumner Carnahan's The Form (1979).

As a result of recent related exhibitions («Vanessa Bell», Dulwich Picture Gallery, 2017; «Bloomsbury: Art and Design», Courtauld Gallery, 2017), several pieces not seen in public for many years have come to light.

An accompanying publication reproduces works from the exhibition and supplementary ephemeral material used in the making of several pieces, as well a curatorial project inspired by Melody Sumner Carnahan's The Form (1979).

In addition to TVR's forum, it features several other events as well as an exhibition of work by members of the featured collectives — EverydayClimateChange, Invisible Borders, Kamoinge, Piece of Cake, Rawi (ya), and WRRQ — which remains on view in the gallery through March In addition to TVR's forum, it features several other events as well as an exhibition of work by members of the featured collectives — EverydayClimateChange, Invisible Borders, Kamoinge, Piece of Cake, Rawi (ya), and WRRQ — which remains on view in the gallery through March in the gallery through March 9.

This solo exhibition of Li Songsong will include more than 30 works of the artist made since 2001, including several pieces of the important collectors in private collection, such as the famous German collector Sammlung Goetz and the famous Swiss collector Uli Sigg.

In an earlier review of the same Brooker exhibition from the September issue of ARTnews magazine, critic Stephanie Strasnick writes that several pieces with their energy and musicality recall Kandinsky's work, while the gently blended blocks of color in others suggest the influence of RothkIn an earlier review of the same Brooker exhibition from the September issue of ARTnews magazine, critic Stephanie Strasnick writes that several pieces with their energy and musicality recall Kandinsky's work, while the gently blended blocks of color in others suggest the influence of Rothkin others suggest the influence of Rothko.