This is the most imaginative
Shakespeare film in years, as we await Julie Taymor's wonderful unreleased A Midsummer Night's Dream.
This is from Arclight Films, the same company (essentially) behind the sci - fi
Shakespeare film Henry 5.
«
A Shakespeare film does not grab the hearts of financiers, I can tell you,» he says.
Cinderella Kenneth Branagh made possibly the best
Shakespeare film of all time with his Henry V.
Haven't been that thrilled about
a Shakespeare film adapation in years.
Steve Mirsky: I think the best
Shakespeare film that I've ever seen is Julie Taymor's Titus Andronicus.
THR believes it's «one of the funniest
Shakespeare films in ages,» and Variety thinks «this nimble black - and - white rendition honors a classic text.»
Not exact matches
Clearly the creators of La La Land spent more time making sure the
film paid homage to Gershwin, Astaire and Rogers than
Shakespeare.
The
Shakespeare in Love actor has started
filming for the soap and is due on screen in the next few months.
Michell, a former resident director at the Royal
Shakespeare Company whose filmography includes Notting Hill and the Oscar nominated 2006
film Venus, came armed to the meeting with three prospective projects — though one stood out from the pack.
The Throne of Blood isn't a
film I would necessarily recommend... unless you have a particular penchant for Samurai
Shakespeare movies!
From this point of view the
film is attempting the very same thing that Mark Gatiss and Stephen Moffat attempted with Sherlock, or that Kenneth Branagh was doing when he made his great
Shakespeare adaptations.
A graduate of the Royal Academy of Dramatic Art, Knaggs established himself in London on stage in William
Shakespeare's Cymbeline and made appearances in various British
films of the 1930s, including roles in Victor Saville's South Riding and Michael Powell's The Spy in Black.
Shakespeare's «The Tempest» is transformed in this landmark science - fiction
film with groundbreaking special effects.
Continuing to dutifully pursue his craft throughout the early»90s, Walsh again returned to a higher profile with appearances in such
films as A Time to Kill (1996), William
Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997).
Though well - versed in
Shakespeare and Moliere on stage, Cronyn was often limited to unpleasant, weasely and sometimes sadistic characters in
films; one of his nastiest portrayals was as the Hitleresque prison guard Munsey in Brute Force (1947).
Recently, she hosted the third season of «Breakfast, Lunch and Dinner» for the Si TV Network.New York Newsday raved over her performance in the indie hit «Woman Thou Art Loosed» calling her portrayal of an ex-con recovering addict «Haunting «Six Page Pictorial in the new Las Vegas National Magazine «Player» released Jan 2006Studied
Shakespeare at «The Actors Circle Theatre» in Los Angeles and received a standing ovation for her portrayal of «Miss Alma» in Tennesee William's «Summer and Smoke «Running Scared, the
film she had a supporting lead in with Paul Walker, is the Top Ten DVD Rental of the month.
Critics have seemingly cooled on Tarantino's pop culture patchwork technique over the years, mistaking cleverness for ironic detachment and his singularly innovative mode of theory - to - practice
film geekery for plagiaristic slapdash kitsch just as Tarantino is reaching personal heights as an auteur, and it begs the question: did
Shakespeare have to deal with cooler - than - thou backlash from his detractors?
In this charming
film, British actress Claire Bloom takes an insightful look at the art of Shakespearean acting with rich portrayals of many of
Shakespeare's most memorable women including Portia, Rosalind, Imogen and Juliet.
Almereyda imagines Hamlet taking place in present - day Manhattan with such vigor, insight and originality that the power and immediacy of his
film makes
Shakespeare accessible in an exciting and provocative manner beyond all expectations.
It won't be
Shakespeare, but if Lin can deliver the way he did on the last
film, it should be a pretty good time at the movies.
TITUS Julie Taymor creates a visually arrest ing
film around
Shakespeare's much - maligned «Titus Andronicus,» which emerges as a brilliant black comedy.
Talk about ambitious: For his second
film, following 2011's gut - wrenching murder story Snowtown, Aussie director Justin Kurzel has rounded up a stunning cast and gone straight for the most notoriously tough play on
Shakespeare's résumé.
Directed by Academy Award ® nominee Stephen Frears (The Queen, Philomena), this emotional
film features stunning and witty performances from Academy Award ® winner Judi Dench (
Shakespeare In Love, Philomena), Ali Fazal (Furious 7), Eddie Izzard (Ocean's Twelve, Ocean's Thirteen), Addel Akhtar (The Dictator, The Big Sick) and Michael Gambon (Harry Potter franchise).
Twin storylines play out in parallel time frames in The Debt, the latest
film by John Madden (
Shakespeare in Love).
Kurzel and the
film's three screenwriters, Jacob Koskoff, Michael Lesslie and Todd Louiso, have turned
Shakespeare's play into a horror movie of sorts.
Starring Michael Fassbender and Marion Cotillard, the
film is the latest adaptation of one of
Shakespeare's best - known plays.
That union is rife with problems from the start, though despite the
film's
Shakespeare - referencing title, the path it wends is an original and horrifying one.
In each regular episode, a panel of guests discusses one more productions of
Shakespeare's plays, usually either adapted for the screen or
filmed live at the theatre.
With the director of Titus and Across the Universe taking on one of
Shakespeare's greatest works with such talented actors as Helen Mirren, Alan Cumming, Chris Cooper and Djimon Hounsou, how could the
film be anything short of spectacular?
Based on the long - mooted Oxfordian theory about the true authorship of
Shakespeare's plays and poems, this
film undermines its own point by over-egging the story.
Elegiac and atmospheric,
Shakespeare Wallah was the feature
film that really put Merchant Ivory Productions on the international movie map.
Tagged as: 2011, Anonymous, David Thewlis,
film review, Rhys Infans, Roland Emmerich,
Shakespeare, Vanessa Redgrave
The costumes and look of the
film fully capture the magic of
Shakespeare's descriptions.
They're also derivative of
films like Finding Neverland and
Shakespeare in Love in presenting some of the experiences that inspired the author.
But the best the festival had to offer were three stunning
films that, in speaking of the human condition, took full advantage of the dreamlike nature of cinema: Shi (Poetry, Lee Chang - dong), Lung Boonmee Raluek Chat (Uncle Boonmee Who Can Recall his Past Lives, Apichatpong Weerasethakul), and
Shakespeare's The Tempest, as re-interpreted by Julie Taymor.
Try Tempest (1982), his loose, modern - day adaptation of
Shakespeare's final play, with John Cassavetes, Gena Rowlands, Susan Sarandon, Raul Julia, and, in her first ever
film, Molly Ringwald.
These first
films include The Householder (1963), based on the book by Ruth Prawer Jhabvala, who wrote the adaptation herself and instantly became an integral part of the company, and
Shakespeare Wallah (1965).
Judi Dench has emerged as one of the finest actresses alive, in
films like «
Shakespeare in Love», «Iris» and «'' Notes on a Scandal».
«One of the reasons I was so excited to be in this
film,» Tessa Thompson told Collider in a recent interview, «is I remember seeing the first Thor
film and being like, «Oh my God, it's a
Shakespeare family drama.»
If you want to see
Shakespeare's dialogue delivered as if it were an episode of Buffy with excessively chewed scenery and awful cinematography, this
film is for you.
The Buckingham Players try to uphold British tradition by staging
Shakespeare plays for the general public, boarding schools, and local royalty, but are unable to compete with the wildly popular Bollywood
film industry.
Set in the 11th century and using
Shakespeare's original dialogue, the
film follows General Macbeth (Michael Fassbender), whose ambitious wife (Marion Cotillard) urges him to use wicked means in order to gain power of the throne over the sitting king.
The
film picked up surprisingly strong notices on the festival circuit, and Dench (a Supporting Actress winner in ’99 for «
Shakespeare In Love «-RRB- could be due again, having just missed out on another nod last year for «Skyfall.»
Obviously, this is not a
film for everyone, as there is a large segment of society who have little tolerance for
Shakespeare, or even costumed period pieces in general.
Think of this
film as Friday the 13th crashes head - on into
Shakespeare's Macbeth, and you have an idea of its tone.
In recent years, it seems that there is a rush to retell William
Shakespeare's plays in
film, with wildly variant results.
John Madden (
Shakespeare In Love) is directing the
film, which will see Chastain playing «a powerful lobbyist who sacrifices her career on Federal Hill in order to successfully pass an amendment enforcing stricter gun control laws.»
Since
Shakespeare's works have been adapted for
film more than any other author, it can be difficult to muster up excitement for yet another retelling.
Ran is a
film that channels perfectly the emotions found in
Shakespeare's play - of greed, revenge, anger, and courage.