Sentences with phrase «shanghai art»

Guan Xiao (b. 1983, Chongqing; lives and works in Beijing) received her BA in Directing at the Communication University of China in 2006 and has exhibited internationally including at the OCT Contemporary Art Terminal, Shenzhen, the V&A Museum, London, the National Museum of Contemporary Art, Korea, Seoul; the Shanghai Art Museum and the Art Museum of Nanjing University of Art.

His work has been included in group exhibitions at: Monash University, Melbourne, Australia, 2013; CAST, Hobart, Tasmania, 2012; The Lion and Lamb, London, 2013; Ceri Hand Gallery, Liverpool 2011; Shanghai Art Gallery, China, 2010; Seongnam Art Centre, Korea, 2010; ICA, University of Pennsylvania, USA, 2007; The City Gallery, Prague 2004 and The Approach, London, 2003 and 1999.

His work has been extensively shown worldwide, recent exhibitions include in 2009 - Shanghai Art Museum; The National Museum of Modern Art, Tokyo, and Centro Galego de Arte Contemporánea, Santiago de Compostela; in 2008 - KW Institute for Contemporary Art, Berlin; San Francisco Museum of Modern Art; Kiasma Museum of Contemporary Art, Helsinki, and Istanbul Museum of Modern Art.

SHANGHAI Shanghai Biennale SHANGHAI ART MUSEUM Hard on the heels of Sao Paulo's «Metropolitan Iconographies» comes Shanghai's «Urban Creation,» another blockbuster focusing on cities and...

SHANGHAI ART MUSEUM Hard on the heels of Sao Paulo's «Metropolitan Iconographies» comes Shanghai's «Urban Creation,» another blockbuster focusing on cities and globalization.

Major exhibitions of his work were held at the Shanghai Art Museum in 2005 and Beijing's National Art Museum of China in 2010.

Currently on view at the Ullens Center for Contemporary Art, Beijing is a major mid-career survey of mercurial Chinese artist Xu Zhen, an irreverent artist with a voracious appetite for global information and a unique ability to produce work across multiple platforms and media, Xu Zhen (b. 1977) is the key figure of the Shanghai art scene and a foundational figure for the generations of Chinese artists born since 1980.

He has exhibited his work collectively in the Pompidou Center in Paris, Tokyo Shiodomeitalia Center, the Milan Triennial, the Shanghai Art Museum, Typo Berlin, Casa de la Cultura de Welt, Museum of Fine Arts in Castellon Valencia Art and the Maxalot gallery in Barcelona.

Zhou Tiehai's art works have been exhibited in a number of international exhibitions and art institutions, including major exhibitions as The 48th Venice Biennial, The 5th and 7th Asia Pacific Triennial of Contemporary Art, etc.; and major institutions as Centre National d'art et de Culture Georges Pompidou, Paris; Whitney Museum of American Art, New York; Kunst Museum Bern, Bern; Hamburger Bahnhof - Museum für Gegenw art Berlin, Berlin; Hara Museum, Tokyo; Mori Museum, Tokyo; Shanghai Art Museum, Shanghai; MOCA Shanghai, Shanghai; Yuz museum, Shanghai, etc..

The talk of the Shanghai art scene last summer was a show of 250 Giacometti works at the Yuz Museum.

He has had solo exhibitions at insittutions such as Shanghai Art Museum, Today Art Museum in Beijing, and Olimpic Art Centre of Barcelona.

Tribble & Mancenido have been exhibited and published nationally and internationally, including shows at The Studio Museum of Harlem, Centre Pompidou in association with The Shanghai Art Museum, Houston Center for Photography, Magenta's Flash Forward Festival in Toronto and Boston, PIP International Photo Festival in Pingyao, China, Athens Photo Festival, GRID Photography Biennial in Amsterdam and Host Gallery in London.

He has exhibited in many group exhibitions across China, as well as in Puerto Rico and the UK including CIRCA 10, Puerto Rico (2010); 10 Years, LuXun, Academy of Fine Arts, Shenyang, China (2009); Simon Franks and Rob Suss Collection show, London, UK (2008); Hong Kong International Art Fair, Hong Kong Convention & Exhibition Center, Hong Kong (2008); Subtlety, Platform China, Beijing, China (2008); Looking for Me, Minsheng Center for Contemporary Art, Shanghai, China (2008); Making Time, Waiting for the answer, DoART, Beijing, China (2007); Beyond Image — Chinese New Painting, Shanghai Art Museum, Shanghai, China (2007); Removing the Ladder, Platform China Contemporary Art Institute, Beijing, China (2006); Hold on and Break Through, China National Museum, Beijing, China (2006).

The exhibition, to be held in the Shanghai Art Museum until March 28, includes over 50 works by 14 artists, such as Zhang Peili, dean of the new media department in CAFA, Zhao Bandi, known for his serial pictures with a stuffed panda toy, and many others widely exhibited at the Venice Biennale, the Shanghai Biennale, Documenta Kassel and other leading international visual art exhibitions.

Selected group exhibitions include» A Story of the Image: Old & New Masters from Antwerp», National Museum of Singapore (Singapore, 2009) and Shanghai Art Museum (Shanghai, 2009); Banks Violette — Sophie Ristelhueber — Narcisse Tordoir, Museum Dhondt - Dhaenens (Deurle, 2009); Dear ICC, M HKA (Antwerp, 2005); De wereld deugt, wijzelf helaas wat minder.

In the 1960s, video art emerged and grew in the 1990s, which brought us Nam June Paik, Gary Hill, Bill Viola, Matthew Barney, Mariko Mori (these two have been presented in the Shanghai Art Museum in 2000) and other masters.

On one hand, as a touring exhibition, it was shown at the Shanghai Art Museum last year; on the other hand, these works have traveled to the Venice Biennial, Italy; Shanghai Biennial; Kassel, Germany; Yokohana Triennial, Japan; The Museum of Modern Art, New York; Mori Art Museum, Tokyo, they have been represented in China and also sent to international cultural exchange events.

New York, Metropolitan Museum of Art, Henry Moore: 60 Years of His Art, May 14 - September 25, 1983, p. 120 (another example exhibited and illustrated as Draped Reclining Mother and Child) London, Marlborough Fine Art, Henry Moore: 85th Birthday Exhibition, June 15 - August 13, 1983, no. 31, p. 62 (another example exhibited and illustrated as Draped Reclining Mother and Baby) Hempstead, Hofstra Museum, Hofstra University; University Park, Museum of Art, The Pennsylvania State University; Philadelphia, Arthur Ross Gallery, University of Pennsylvania; The Baltimore Art Museum, Mother and Child: The Art of Henry Moore, September 10, 1987 - April 17, 1988, no. 110, p. 119 (another example exhibited and illustrated) Beijing, Beihai Park; Beijing, China Art Gallery; Guangzhou, Guangdong Museum of Art; Shanghai Art Museum, Moore in China, October 24, 2000 - April 15, 2001, no. 108, p. 85 (another example exhibited and illustrated) Sakura, Kawamura Memorial Museum of Art; Ashikaga Museum of Art; Takamatsu City Museum of Art; Kagoshima City Museum of Art, Henry Moore: A Living Presence, April 5 - November 3, 2003, no.

The artist has also taken part in various group exhibitions at the MAXXI in Rome, the Georges Pompidou Centre in Paris, the Triennale di Milano and the Shanghai Art Museum.

His art was also shown at the DoART in Beijing and at the Shanghai Art Museum.

He has exhibited works at Centre Pompidou, Fukuoka Asian Art Museum Japan, Seoul Art Museum, Bern Art Museum Switzerland, NAMOC, Shanghai Art Museum, Guangdong Art Museum, Ullens Center for Contemporary Art (UCCA), Pace Beijing and other eminent exhibition spaces.

An unusual piece for Chinese artist Xu Zhen, a burnt - orange tent with church steeples rising out of its sides, stood ominously at Shanghai Art.

Selected Group Exhibitions 2017 «Simultaneous Eidos,» Guangzhou Image Triennial 2017, Guangdong Museum of Art, Guangzhou, China «After Party: Collective Dance and Individual Gymnastics,» Blindspot Gallery, Wong Chuk Hang, Hong Kong Art Basel Hong Kong, Hong Kong Convention & Exhibition Centre, Wan Chai, Hong Kong 2016 Shanghai Art Fair, Shanghai World Expo Exhibition and Convention Center, Shanghai, China «Sullivan's Attic,» MOUart Art Space, Beijing, China «The Suggestive Wheel: An Era of Metaphors,» Boxes Art Space, Shenzhen, China «New voices: a dslcollection story,» Klein Sun Gallery, New York, NY «We - A Community of Chinese Contemporary Artists,» chi K11 Art Museum, Shanghai, China

Xiang has had solo exhibitions at Museum of Contemporary Art Taipei (2013); Museum of Contemporary Art Shanghai (2012); Today Art Museum, Beijing (2012); Tang Contemporary Art, Beijing (2008); and the Shanghai Art Museum, Shanghai (2006).

Vitturi also participated in group exhibitions at Maxxi in Rome, Centre Georges Pompidou in Paris, La Triennale in Milan, the Shanghai Art Museum.

For one, the buzz still hasn't died down from its stellar debut last September; for another, its run coincides with the Shanghai Biennale, a quiet but respected team - curated affair with strong ties to the local artistic community, opening September 8 at the Shanghai Art Museum.

«This should be an interesting and thought - provoking show,» says Li Xuingyang curator at the Shanghai Art Museum.

A publication with contributions by Li Xu, Enrique Juncosa, Director, IMMA, Li Xiang - Yang, Director, Shanghai Art Museum and Richard Wakely, Commissioner of the China Ireland Cultural Exchange Programme, accompanies the exhibition (price $ 20.00).

Many of the cars by the likes of Warhol, Lichtenstein, Stella, Rauschenberg, Hockney and Holzer have been exhibited in renowned museums throughout the world including the Louvre, the Guggenheim Museums, and the Shanghai Art Museum.

His work has been extensively shown worldwide, recent exhibitions include in 2009 — Shanghai Art Museum; The National Museum of Modern Art, Tokyo, and Centro Galego de Arte Contemporánea, Santiago de Compostela; in 2008 — KW Institute for Contemporary Art, Berlin; San Francisco Museum of Modern Art; Kiasma Museum of Contemporary Art, Helsinki, and Istanbul Museum of Modern Art.

Since its inaugural showing in 2003, at the University Art Gallery, the San Diego State University (U.S.A.), the exhibition has traveled to the Shanghai Art Museum (China), the Centro Cultural Tijuana (Mexico), the Institute of Contemporary Arts (Singapore) and, now, the National Gallery in Beijing (China).

The show, which opened on Thursday at the Shanghai Art Museum features nearly 50 photos, 10 videos, and several installations created by 15 contemporary Chinese artits, all collected by Haudenschild since 2002.

Meanwhile, he served as the judge of Credit Suisse 2010 Arts Award and participated in the curatorial work of «Recommended Young Artist Exhibition of Shanghai Art Fair».

The exhibition is drawn primarily from the collection of the Shanghai Art Museum, one of the most vibrant centres in the increasingly dynamic Chinese contemporary art scene; the exhibition will also include a number of works borrowed directly from the participating artists.

«Right now in China there is a very large demand for museums,» confirms Li Lei, director of the Shanghai Art Museum, which hosts the Shanghai Biennale... «For a long time, there was no access to art education for ordinary people, but with the rapid development of the economy, the people's attention has turned to art and culture,» he explains.

Among his many solo exhibitions and projects are Light Cycle: Explosion Project for Central Park, New York; Ye Gong Hao Long: Explosion Project for Tate Modern, London; Transient Rainbow, the Museum of Modern Art, New York; Cai Guo - Qiang, Shanghai Art Museum; and APEC Cityscape Fireworks Show, Asia Pacific Economic Cooperation, Shanghai.

Born in 1929 in Wuxi, China, Walasse briefly attended the Shanghai Art Academy, but always...

Huan has had solo exhibitions at the Shanghai Art Museum, the Museum of Contemporary Art Taipei, and a mid-career retrospective organized by the Asia Society in 2007 which then traveled to the Vancouver Museum of Art.

His work can be found in numerous public collections worldwide, including Dongyu Museum of Fine Arts, Shenyang, China; Fukuoka Museum of Art, Japan; National Gallery of Australia; Pacific Asia Museum, Pasadena, California; Musée de Picardie, Amiens, France; Queensland Art Gallery, Australia; San Francisco Museum of Modern Art; Shanghai Art Museum, China; and Solomon R. Guggenheim Museum, New York.

He has participated in group shows in China at the China Millennium Art Museum (2005) and at the Shanghai Art Museum (2001).

His work appears in major collections including the Brooklyn Museum, New York; Guangdong Museum of Art, China; Shanghai Art Museum, China; Yuz Museum, Shanghai, China; Zhang is a professor at New York University, Shanghai and lives and works in both Shanghai and New York City.

She has also participated in several international art fairs, including ARCOmadrid, Shanghai Art Fair, ArtExpo Barcelona, and ART COLOGNE.

His work is included in the collections of the University Museum and Art Gallery, Hong Kong University; Shanghai Art Museum; and the Shenzhen Art Museum, among others.

His sculpture and drawings have been the subject of many museum exhibitions and retrospectives, including Tate Gallery, London (1951, 1968); Whitechapel Gallery, London (1960); Forte di Belvedere, Florence (1972); Tate Gallery and Serpentine Gallery, London, on the occasion of Moore's eightieth birthday (1978); Metropolitan Museum of Art, New York (1983); Yorkshire Sculpture Park, Wakefield (1987); Royal Academy of Arts (1988); Shanghai Art Museum (2001); National Gallery of Art, Washington, D.C. (2001); Caixa Forum, Barcelona (2006); Kunsthal, Rotterdam (2006); Royal Botanical Gardens, Kew (2007 — 08); Didrichsen Museum, Helsinki (2008); Tate Britain, London (2010); and Kremlin Museums, Moscow (2012).

They have had many other extensive solo exhibitions, including, Whitechapel Art Gallery, London (1971 - 1972), National Gallery, Beijing (1993), Shanghai Art Museum (1993), Stedelijk Museum, Amsterdam (1995 - 1996), Musée d'Art Moderne de la Ville de Paris (1998), Serpentine Gallery, London (2002), Kunsthaus Bregenz (2002) and Kestnergesellschaft, Hannover (2004 - 2005).

The National Art Museum of China, Beijing, included the artist's work in Chinese Oil Painting in the 20th Century (2000) and Towards a New Image: 20 Years of Contemporary Chinese Painting (2001), both of which traveled to the Shanghai Art Museum.

In 2009 Mao Yan was the subject of the solo exhibition Longing for More at the Shanghai Art Museum.

Selected collections: Uli Sigg Collection, Switzerland; Genentech, CA; JP Morgan, Hong Kong; Shanghai Art Museum, Shanghai; Guangdong Museum of Art, Guangzhou, China; and Frederick R. Weisman Foundation of Art, CA.

Kelly Alison is an interdisciplinary artist whose work has been exhibited in National and International Museums, most notably at the Shanghai Art Museum, the National Museum of Art in Lima, Peru and The Fine Arts Museum in Houston Texas.

Recent exhibitions include: History in the Making: Shanghai 1979 - 2009, Shanghai, China (2009); Butterfly Dream, Shanghai Museum of Contemporary Art, Shanghai (2008); Towards Abstraction, Zendai Museum of Modern Art, Shanghai (2008); The 5th Gwangju Biennale, Gwangju, Korea (2004); Jian - Jun Zhang: Mountain and Water, Art Projects International, New York (2003); Zhang Huan, Weihong and Jian - Jun Zhang, Diverseworks, Houston (2003); and Fourth Shanghai Biennale, Shanghai Art Museum, Shanghai (2002).