Sentences with phrase «shanghai biennial»
Selected exhibitions and performances include solo shows at White Space Beijing, London's Carroll / Fletcher gallery, and De Appel, Amsterdam, alongside group shows at NyMusikk in Oslo, Sound Live Tokyo, the Berlin and Shanghai biennials, and the San Francisco Museum of Modern Art, alongside the Rubin Museum of Art, the Museum of Modern Art and MoMa PS1 in New York.
https://www.nytartleadersnetwork.com/ Not exact matches
More than 1,000 companies showed off their wares at the biennial Shanghai Auto Show — testament to the power of mainland consumers and the industry's cut - throat nature.
Last week The Australian Financial Review revealed an angry China was going slow on issuing visas to ministers and had cancelled the biennial Australia Week in Shanghai exposition.
Hasegawa has curated and co-curated several major exhibitions, including the Istanbul, Shanghai and Sao Paulo biennials, and has been a member of the Asian Art Council at the Solomon R. Guggenheim Museum since 2008.
Milhazes has participated in numerous biennials worldwide, including Prospect.1, New Orleans Biennial, Louisiana State Museum, Louisiana (2008); Shanghai Biennial, Shanghai Art Museum, Shanghai (2006); XXIV Bienal Internacional de São Paulo, São Paulo (1998); Biennale of Sydney, Sydney (1998) and Carnegie International, The Carnegie Museum of Art, Pittsburgh (1995).
Ayas has worked on a number of biennial projects such as: curator of the Pavilion of Turkey in the 56th International Art Exhibition, Venice Biennale; co-curator the 6th Moscow Biennale ACTING IN A CENTER IN A CITY IN THE HEART OF THE ISLAND OF EURASIA; co-curator of the 11th Baltic Triennale; co-curator of the Istanbul and Bandung city pavilions as part of the Intercity Project of the 9th Shanghai Biennale.
Novitskova has earned a lot of international acclaim: she has had personal exhibitions in New York (2016) and Shanghai (2017), her works have been included in group exhibitions at the MoMA in New York (2015) and at the Lyon and Berlin Biennials (2015 and 2016).
In 2002, he began making films, which he has exhibited both at film festivals and international biennials such as the Sao Paulo Biennial (1998), the Biennale de Lyon (2000), the Taipei Biennial (1998, 2002, 2004), the Shanghai Biennial (2004), the Fukuoka Triennial (2005), the Liverpool Biennial (2006), the Sydney Biennial (2006), the Istanbul Biennial (2007), and the Venice Biennale (1999, 2005).
In just over one weeks time eight different cities in China and Asia hosted at least five contemporary art fairs, 4 biennials, and 3 triennials; Beijing, Guangzhou, Shanghai, Nanjing, Gwangzhu, Yokohama, Taipei, and Singapore.
It has also been featured around the world in major group exhibitions such as Documenta (1982, 1992) and biennials in Sydney (1984, 2000), São Paulo (1985), Johannesburg (1995), Venice (1995, 2003, 2005) and Shanghai (2000).
In early September Shanghai hosted two art fairs and a biennial concurrently.
She is one of Sweden's most acclaimed artists internationally, and her works have been shown around the world, for example at the Hayward Gallery in London, Mori Art Museum in Tokyo, SALT in Istanbul, Hamburger Bahnhof and Neue Nationalgalerie in Berlin, Wattis Institute for Contemporary Art in San Francisco, as well as the biennials in Istanbul, Shanghai, São Paulo, Dakar, Vienna and Venice.
His work has also been exhibited in over three - dozen countries around the world, including Biennials in Venice, Liverpool, Sydney, Shanghai, Havana, Seville, Seoul, and Istanbul.
Hoffmann has organized more than 50 shows internationally including major biennials like the 12th Istanbul Biennial (2011) and the 9th Shanghai Biennial (2012).
Curator Jens Hoffmann has helped oversee biennials in Indianapolis, Istanbul, San Juan, Shanghai, and the tiny West Indies island of Saint Kitts.
While the global art world has arrived on China's shores - including biennials in Shanghai, Beijing, Guangzhou, and the annual Pingyoa Photography Festival - contemporary artists in China are still relatively isolated, by language and geography, from Western influences.
About the artists: Oswaldo Maciá (London) utilizes smells, sounds and synaesthetic experiences in his installations, which have been shown at institutions worldwide, including the Whitechapel Gallery, the Museum of Modern Art in Dublin, and biennials in Havana, Liverpool, Moscow, Shanghai, Tirana and Venice.
Superflex has participated in international arts biennials such as the Gwangju biennial in Korea, Istanbul Biennial, São Paulo Biennial, Shanghai Biennial and in the «Utopia Station» exhibition at the Venice Biennale.
Fusco's performances and videos have been included in the 8th Mercosul Biennial, Porto Alegre, Brazil (2010); two Whitney Biennials, New York (2008 and 1993); VideoBrasil, São Paulo (2005); Performa 05, New York (2005); Shanghai Biennale, China (2004); Johannesburg Biennial, South Africa (1997); London International Theatre Festival, United Kingdom (1995); and Sydney Biennale, Australia (1992); among others.
SEO received numerous awards and participated in the biennials in Beijing, Liverpool, Shanghai, Fusing, Prague, and Gwangju.
He then participated in the Biennials of Istanbul (2001), Shanghai (2002) and São Paulo (2004).
Past group exhibitions and international biennials for TPG include: Islands, Constellations, and Galapagos, Yokohama Trienniale, Japan (2017); After Darkness: Southeast Asian Art in the Wake of History, Asia Society, New York, NY (2017); Prospect.3: Notes for Now, New Orleans, LA (2014); Residual: Disrupted Choreographies, Carre d'Art, France (2014); No Country: Contemporary Art for South and Southeast Asia, Solomon R. Guggenheim Museum, NY (2013); 7th Asia Pacific Triennial of Contemporary Art, Queensland Gallery of Modern Art, Brisbane, Australia; The Unseen, Guangzhou Triennial, Guangdong Museum of Art, China; Six Lines Of Flight, San Francisco Museum of Modern Art, CA; Made In LA, Los Angeles Biennial, Hammer Museum, CA; The Ungovernables, New Museum, NY (2012); Project 35, Independent Curators International, Pratt Manhattan Gallery, NY; (2011); Projects 93, Museum of Modern Art, NY; 8th Shanghai Biennale, in collaboration with Superflex, China (2010); What's the Big Idea?
He has participated in numerous international biennials and triennials, including the 13th Biennale de Lyon (2015); 11th Sharjah Biennial (2013); 4th Gwangju Triennial (2012); Shanghai Biennial (2010); Busan Biennial (2008); Guangzhou Triennial, (2008); and 51st Venice Biennial (2005).
Biemann's work has been included in recent group exhibitions at the following institutions, Centre d'art Contemporain, Geneva, Arnolfini, Bristol, A Foundation, Liverpool, LACE, Los Angeles, Artist Space, New York, Kunstverein Hamburg and the Istanbul, Gwangju, Shanghai and Seville Biennials.
He has also curated many seminal exhibitions in Europe, the U.S., and Asia, including international biennials in Shanghai (2000), Istanbul (2007), the Chinese Pavilion at the Venice Biennale (2007), and Lyon (2009).
He has also shown at art biennials in Sydney, Liverpool, Shanghai, Istanbul, Seville, Seoul, Havana, and New Orleans.
Fujiwara has participated in several recent biennials including the Venice Biennale (2009), the São Paulo Biennial (2010) and the 9th Shanghai Biennale (2012), as well as the Singapore Biennial, Manchester International Festival, and Performa in New York (all 2011).
His work has also a part of the following biennials: 21st Biennale of Sydney, Australia (2018); X Bienal de Nicaragua - Fundación Ortíz Gurdián, Managua (2016); Sharjah Biennial 12, United Arab Emirates (2015); 12 Bienal de la Habana, Cuba (2015); 9th Shanghai Biennale, China (2012); dOCUMENTA (13), Kassel, Germany (2012); 12.
He has also shown at Biennials in Havana, Istanbul, Liverpool, Montreal, Moscow, New Orleans, Seoul, Seville, Shanghai, Singapore and Sydney.
It is modeled after art events held in the same city every two years, known as biennials, that occur in such far - flung world - class cities as Venice and Sydney, Shanghai and Sao Paulo.
Born 1982 in New Orleans, LA, her work has been exhibited in the United States at Altman Siegel Gallery, San Francisco MOMA, Berkeley Art Museum and the CCA Wattis Institute of Contemporary Art; and internationally at the Berlin, Shanghai and Istanbul Biennials.
In recent years, the Whitney Biennial has become an international biennial — in a league with Venice, Sao Paolo, Shanghai, Johannesburg, or Sidney.
She has participated in major art events such as the biennials in Venice, Sydney, Istanbul, Moscow, Shanghai, Berlin, Lyon and Sao Paulo.
She also participated in São Paulo's International Biennials (1998, 2004) and Shanghai, China's Biennial (2006).
Biemann's work has been featured in major exhibitions at the Arnolfini Bristol, England; Tapies Foundation, Barcelona; the Museum of Fine Arts Bern, Switzerland; LACE, Los Angeles; KIASMA, Helsinki; the San Francisco Art Institute; Jeu de Paume, Paris; Kunstverein Hamburg; the biennials in Gwangju, Shanghai, Liverpool, Bamako, Istanbul, Montreal, Thessaloniki, and Seville; Kunstmuseum Graz, Austria; and the Flaherty Film Seminars, New York.
They have participated in the biennials in Sharjah (2009 — 14), Gwangju (2012), Liverpool (2010), and Shanghai (2014), and in numerous film festivals, including the BFI London Film Festival (2013), Festival Internationale de Cinema, Marseille (2013), and the Flaherty Film Seminar, New York (2014).
Hoffman previously served as the director of the CCA Wattis Institute of Contemporary Arts, San Francisco, and as curator or cocurator of numerous biennials, including in Shanghai (2012), Istanbul (2011), and Berlin (1998).
He curated many seminal exhibitions in Europe, the U.S., and Asia, including international biennials in Shanghai (2000), Istanbul (2007), the Chinese Pavilion at the Venice Biennale (2007), and Lyon (2009).