Sheetrock walls show every sign of planned real - estate development — and not by the artists themselves.
Not exact matches
Made directly on the
wall at another gallery, the work has been cut out from the
sheetrock, like smash - and - grab stolen art, and fastened to the
wall of Marlborough Chelsea, forcefully appropriated and recontextualized for this
show.
There are two interrelated problems with the
show: the first is that it is overhung, with too many largish works jammed across each
wall; the other is The Hole's zigzagging, cut - up space and its jarring mismatch between a centrally located exposed - brick
wall and the conventional white
sheetrock walls surrounding it.