Sentences with phrase «show loan exhibition»

Legacy for the Future: Wadsworth Atheneum Museum of Art Winter Antiques Show Loan Exhibition Park Avenue Armory, New York, NY January 22, 2016 — January 31, 2016

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Not exact matches

The touring «ARTIST ROOMS» exhibition devoted to Hirst, shown in the city in which he grew up, comprised fourteen important works, taken predominantly from the d'Offay collection, with loans from the Arts Council and the artist.

From May 1 to the 18th, ALVR will hold their inaugural exhibition in the new digs: an array of rarities recently on loan for the Royal Fabergé show that closed in February at the Sainsbury Centre for Visual Arts in Norwich, England.

To realize the show, the curators secured dozens of loans from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

The touring «ARTIST ROOMS» exhibition devoted to Hirst, previously shown at the National Galleries of Scotland, included five important Hirst pieces from the d'Offay collection, as well as loans from the artist.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

The centerpiece of the exhibition is a portion of the original manuscript of Jane Eyre, on loan from the British Library and being shown in the U.S. for the first time, open to the page on which Jane asserts her «independent will.»

The DMA show includes work on loan from the collection of Bowling's contemporary and fellow artist Melvin Edwards, whose work will be on concurrent exhibition at the Nasher.

That piece, loaned to Michael Werner Gallery for this exhibition, is, in its droopy representationalism, quite different from the remaining paintings and drawings that were in the show, most of which dated to the late «50s and the turn of the «60s.

Programming will also aim to reflect a more nimble MoMA, with galleries turning over more often, museum officials said, trying to elevate collection shows to the level of loan exhibitions.

At the same time, part of the Lafrenz Collection is on permanent loan to the Kunsthalle in Hamburg, and has also been shown in various national and international exhibition contexts.

Following the exhibition it will be displayed in rotation with other collection works at the National Portrait Gallery and the Royal Academy, and will be available for loan to exhibitions elsewhere, including the Cartwright Hall Art Gallery in Hockney's home town of Bradford where it is hoped it will be shown later this year.

Gavin Delahunty, the DMA's senior curator for contemporary art, found the missing and talked the reticent into loans to create an exhibition with more than 70 pieces that show Pollock's buildup to all black and then his return to color.

With major loans from the Uffizzi, the British Museum, the Ashmolean, the Getty, the National Gallery in Washington, and other major institutions, this exhibition is a smaller version of a major monographic show that was at the Getty this summer.

As the Winter Antiques Show's selection for the 2016 loan exhibition, the Wadsworth Atheneum has brought together an array of intriguing objects that illuminate the unique story of America's oldest continually operating public art museum.

An exhibition that opened in Madrid at the Fundación Banco Santander showing works by contemporary artists from across North Africa and the Middle East includes Arab - inspired paintings by Goya and Magritte alongside works by Mona Hatoum, Shirin Neshat, Wael Shawky and Manal Al Dowayan among others.The Arab art show is the foundation's first collaboration with Qatar Museums and the first major loan exhibition in Europe of works from Mathaf, the Arab Museum of Contemporary Art in Doha.

Widely recognized as one of Japan's most beloved painters and artistic innovators, this exhibition marks a rare showing of his remarkable painted screens and scrolls in the U.S., including four Important Cultural Properties on loan from Japanese collections.

Between Pop Art and Trans - Avantgarde Mori Art Museum, Tokyo, Happiness; A Survival Guide for Art and Life Lentos Kunstmuseum Linz, Linz, Stiftung Maria und Gerald Fischer - Colbrie Auden Galerie, Bad Homburg, Pop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation Collection

With over 190 works dating from the Renaissance to the present — nearly forty percent of which are drawn from the Museum's collection, supplemented with major national and international loans — the exhibition demonstrates the type of groundbreaking show that can result when the Museum mines its vast collection and curatorial resources to present modern and contemporary art within a deep historical context.

Over 70 masterpieces will be assembled in the main exhibition room, works on loan from New York's Museum of Modern Art and Metropolitan Museum, London's Tate Modern, and the Museo Thyssen - Bornemisza in Madrid, among other places, while private collectors in Europe and elsewhere are to lend rarely shown works of their own.

The drawings by young artists in that exhibition are on loan for the show; they are not for sale.

In New York the loan issue affected the Solomon R. Guggenheim Museum's major Futurism exhibition, but the museum's Zero Group show, as well as the founding of the Center for Italian Modern Art by art historian and collector Laura Mattioli, ensured increased attention for modern Italian art.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

Shows for the Karl and Helen Burger Gallery are placed on the exhibition schedule only after all research is complete, loans are secured, essays written and the show has been approved by the Dean.

More recently Ordovas has shown Painting from Life: Carracci Freud, which was curated in collaboration with the Dulwich Picture Gallery, and featured an important Carracci loan from their collection, as well as Movement and Gravity: Bacon and Rodin in Dialogue, which explored the importance of Rodin in Bacon's work and was the first exhibition dedicated to these two artists.

Greenwald writes that «the artworks in this exhibition contain wildly different compositional arrangements and display varied paint handling, showing Cézanne to be a thoughtful artist engaged in a lifetime of learning... Beyond studio experiments, a few magnificent loans add heft to this show.

This exhibition offering, folding out across two shows, sets forth a broad selection of works comprising the temporary loan made by the gallerist Soledad Lorenzo to the Museo Reina Sofía in 2014.

The Stimson Bullitt Collection, a gift of Dorothy Stimson Bullitt is a collection of prints that was first shown at the Seattle Public Library's Black and White Loan Exhibition in 1909, which was organized by The Seattle Fine Arts Association.

The Museo Jumex will supplement its own holdings with foreign loans to host the first Cy Twombly show in Latin America, and it will also originate a big exhibition of the work of James Lee Byars, which will later travel to the MoMA PS1, in New York — a major validation.

The exhibition will include several paintings on loan from private collections that have never been shown in New York as well as five paintings from the artist's studio that have never been exhibited publicly.

The extra 1,500 square meters of exhibition space will be used mostly to show works in the permanent collection or works on long - term loan, whose number is growing.

The Wadsworth Atheneum Museum of Art is honored to have been featured as the loan exhibition at the 2016 Winter Antiques Show.

Loans for the exhibition have been secured from public and private collections, including several paintings that will be shown for the first time in New York.

[But] then two or three years later, the Baltimore Museum got in touch with us to say they were having a sports show, a sports exhibition, and can they have the loan of the Babe Ruth.

Museum - quality historical shows have also always played a major role in the gallery, with rigorously curated exhibitions focusing on specific moments in art or thematically arranged groups of work, and featuring pieces on loan from a variety of institutions and private collections (which are very often not for sale).

Group exhibitions include: Languages and Experimentations, Mart, Rovereto (2010), Richard Prince and the Revolution (curated by Jonathan Monk), ProjecteSD, Barcelona, The Associates, Dundee Contemporary Arts, Dundee (both 2009), Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh, On Interchange / Interludes of a Collection, Museum Kurhaus Kleve, Kleve (both 2008), Tate Triennial: New British Art, Tate Britain, London (2006), The Last Generation, Apex Art, New York, Solo Show Solo Soul, FRAC Haute - Normandie, Rouen, Herald Street & The Modern Institute present, GBE, New York, Theorema, Collection Lambert: Musèe d'art d'Avignon, Avignon (all 2005), Genesis Sculpture, Domaine Pommery, Reims (2004), Context, Form, Troy (Young Scene 03), Secession, Vienna (2003).

The exhibition will also include rare archival material loaned by public and private collections in Mexico and abroad, documenting Barragán's architectural practice, as well as personal documents and ephemera not previously shown in the United States.

An exhibition of early portraits by the artist Frank Auerbach will go on display in a special loan show at Offer Waterman Gallery in London from 2 November — 1 December 2012 (Press View Thursday 31 October 2012).

THE WINTER ANTIQUES SHOW ANNOUNCES 2018 HIGHLIGHTS Fair Features Loan Exhibition from the Virginia Museum of Fine Arts January 19 — 28, 2018 at the Park Avenue Armory, New York City Opening Night Party: Thursday, January 18 Young Collectors Night: Thursday, January 25 (New York, NY — January 17, 2018)-LSB-...]

MoMA does own one black painting: Echo (Number 25, 1951), but at the moment it's out on loan to the Dallas Museum of Art, where another major Pollock show has just gone up: «Jackson Pollock: Blind Spots,» the most comprehensive exhibition of the artist's late - career black paintings to date.

Pertaining to the development, planning, and maintenance of exhibitions, the exhibition records include correspondence, loan agreements, installation layouts and photographs, and publicity for exhibitions at the main museum, travel - only shows, and exhibitions at the Whitney's past branches: Downtown, Equitable Center, Fairfield County, and Philip Morris (Altria).

In October, 30 Berkeley Square's new exhibition gallery, which is bigger than the equivalent space at either Sotheby's or Christie's in London, will be hosting «A Very Short History of Contemporary Sculpture,» a show conceived by the curator Francesco Bonami that will mix loaned works with pieces that Phillips is offering either privately or for public sale.

The exhibition, co-curated by MIA Director Dr. Julia Gonnella and Rania Abdellatif, draws on MIA's own spectacular collection, shown alongside loans from other world - renowned international museums, including the Louvre in Paris, the Museum of Ancient Near Eastern Art in Berlin, the Berlin State Library, other significant Qatar Museums (QM) collections such as the Orientalist Collection, as well as the Qatar National Library and Sheikh Faisal Bin Qassim Museum.

The exhibition opens with Extracurricular Activity Projective Reconstruction # 1 (Domestic Scene)(2000)(on loan from François Pinault Foundation) and Runway for Interactive DJ Event (on loan from Collezione La Gaia), two significant installations that were shown together at Mike Kelley's first solo exhibition in Italy at the Galleria Emi Fontana in Milan in 2000.

The National Museum shows permanent exhibitions of works from its own collections and temporary exhibitions that incorporate works loaned from elsewhere.

The Crystal Bridges Museum of American Art presents exhibition Picturing Women at the Turn of the Twentieth Century, on view through June 2, 2013 showing three early twentieth - century portraits on loan from the National Gallery of Art.

Expect statues of pharaoh Thutmose and goddess Sekhmet, on loan from the city's Egyptian Museum, medieval illuminated bibles and ceramics from Palazzo Madama, as well as video installations, paintings, and photographs from Galleria d'Arte Moderna, the Castle of Rivoli and Fondazione Sandretto Re Rebaudengo (where a chapter of the exhibition is also on show), which co-organized the exhibition to celebrate its 25th anniversary.

Featuring loans from both public and private collections, the exhibition also includes works that have never been shown publicly before.