Sentences with phrase «side galleries even»

Just two years ago, a slew of Lower East Side galleries even cooperated on shows of abstract art.

Not exact matches

-LCB- Actually ~ side note, last time I was in France you were allowed to take photos in the museums and galleries -LCB- yes, even in the Louvre! -RCB-

Even when Thierry becomes «Mr. Brain Wash», Banksy provides a telling quote for his show, which Thierry splashes across the side of his soon - to - be gallery, a badge of honor.

As the last embers of daylight burn away on a warm April evening, a crowd bubbles around a large glass case commanding a prime spot on the National Mall — the Air and Space Museum on one side, the National Gallery of Art on the other, in the background the Capitol's dome gleaming marble - white under a wash of flood lamps.

The train moves slowly and sweetly across the Sacred Valley of the Incas, offering the chance to take in some of the most scenic views one can imagine: mountains all around, some lovely villages, the Rio Urubamba on one side, galleries and the railways even follows the path of the Inca Trail for some parts (I remember seeing the train when I actually hiked the Inca Trail).

51K though a window seat with an exit door in front there's plenty of legroom even for a 6» person and the fact that there's no toilet on this side even the «stretch - leg» crowd tends to confine themselves to the front of the exit door and into the «gallery».

Missions are selected from a map of our Solar System, Mass Effect - style, and even feature side quests in addition to your main missions, which can either be space dogfighting or more traditional COD campaign fare, with the usual corridor shooting gallery.

One could even argue that the Whitney is not endorsing Sotheby's, that the auction house might as well do some good on the side while starving its staff, that museums can hardly compete with the 2012 New York art fairs for crass commercialism, and that gallery workers hardly make out any better than the auction staff.

On a Wednesday evening in July, several galleries on the Lower East Side joined together with much the same aim, as a way to get people back to the city.

The response suggested others in the art world were anxious about the answer — anxious that Rosen's closing was bad on its own but also represented something much bigger that's been gathering on the New York art world horizon for a while, as a handful of galleries (mostly on the Lower East Side) have closed or moved citing difficult market conditions while collectors complain about not being able to afford even entry - level prices anymore.

Diverse as ever, McLean's select exhibition contains two mixed media works; presented on the ground floor of the gallery, the Untitled paintings are comprised of dense, black organic shapes that veer to the abstraction on neutral backgrounds, adorned with daubs of coloured paper that on some sides have been hastily cut and others impatiently ripped, a nod to the rebellious humour of McLean who's body of oeuvre comprises witty sculptures made of rubbish and even his own body.

At least one Lower East Side gallery canceled a Sunday opening the evening before the storm, fearing few would come.

Contributed by Jonathan Stevenson / For all the fine work to be found in New York galleries, even in Chelsea it's rare to encounter three distinct and extraordinarily fine painting exhibitions within a half - block span on a single side of a street.

Join Rosenberg & Co. on the Upper East Side the evening of Wednesday, September 14 during special extended hours for the opening reception of «Cubist Perspectives» and to view new and current exhibitions at neighboring galleries.

You've seen her work, even if you've never been to one of her shows — photography overlaid with coloured boxes filled with bold white Futura Oblique, or caps locked sans serif text that bears down at you from gallery walls and the sides and roofs of buildings.

Though they are few and far between, they're becoming destinations in and of themselves, featuring programming just as conceptually rigorous as their more established, centre - of - the - artworld counterparts in Chelsea, and they're even appearing in the pages of established art magazines — no mean feat, considering we critics are lazy by nature and so gravitate to areas dense with galleries, such as the Lower East Side.

Jonathan Lasker was showing at Cheim & Read, Eddie Martinez at Mitchell - Innes & Nash, Richard Aldrich and Lari Pittman at Barbara Gladstone, Judith Bernstein at Mary Boone, Marcel Dzama and Raymond Pettibon at David Zwirner Gallery — and this list does not even include the surrounding exhibitions of photography, sculpture, and film, nor the nearby gallery neighborhoods of the Lower East Side, Upper East Side and all of BrGallery — and this list does not even include the surrounding exhibitions of photography, sculpture, and film, nor the nearby gallery neighborhoods of the Lower East Side, Upper East Side and all of Brgallery neighborhoods of the Lower East Side, Upper East Side and all of Brooklyn.

Richard Prince's secretive Upper East Side bookstore Fulton Ryder will close on December 25, the store wrote in an email to its mailing list today.Fulton Ryder, a pseudonym of Prince's, was run by Fabiola Alondra and staged gallery - like shows — even participating... Read More

A show at the gallery's new Lower East Side space riffs on the pie, the toppings, and even the box Read More

Curators confirm that even when they are working through a gallery, the artist often approaches them directly, offering works on the side.

Paintings by Dan Walsh at Paula Cooper Gallery summon several monumental streams of late twentieth century painting — color field, geometric abstraction, and even the less monumental Op — to the side of an artist who somehow eludes categorization.

Virtually every major international gallery followed: Gladstone Gallery; Hauser & Wirth, for which she designed offices in New York, London, and Zurich; and even the stately Acquavella Gallery, which hired Selldorf in 2008 to renovate the Upper East Side mansion it's occupied sincgallery followed: Gladstone Gallery; Hauser & Wirth, for which she designed offices in New York, London, and Zurich; and even the stately Acquavella Gallery, which hired Selldorf in 2008 to renovate the Upper East Side mansion it's occupied sincGallery; Hauser & Wirth, for which she designed offices in New York, London, and Zurich; and even the stately Acquavella Gallery, which hired Selldorf in 2008 to renovate the Upper East Side mansion it's occupied sincGallery, which hired Selldorf in 2008 to renovate the Upper East Side mansion it's occupied since 1967.

Even the best galleries in Bushwick have trouble getting collectors to venture beyond the Lower East Side.

Even on the other side of the all - powerful profit margin, in the depths of the sales halls, the real discovery, in the booth of London's Grosvenor Gallery and coinciding with a stunning retrospective that just opened in neighboring Sharjah, was the rigorous and playful work of minimalist sculptor Rasheed Araeen, best known until now as the founder of Third Text.

Fake brownstones in facsimiles of NYC's Upper East and West Sides, Greenwich Village, and even Downtown neighborhoods held photographic work from galleries on four continents.

With the two primary gallery districts flung to either far side of Los Angeles (LACMA acting as the primary center point), and the increasing obstacles of freeway congestion and mileage between them, there seemed yet again an opportunity for a centralized gallery community; perhaps even a gallery community that appealed to the «middle class» of art collectors in terms of programming content, making a compromise between the rigorous conceptualism of alternative spaces and the decorative reputation of the «gallery malls.»

Even as she works in a range of media, Mickalene Thomas's signature is clear and evident in her recent show at Lehmann Maupin Gallery on New York City's Lower East Side.

«On Wednesday evening, Abstract Expressionist painter Charles Seliger was standing next to me at the Michael Rosenfeld Gallery, talking about how much he loved old books and the used bookstores that had once lined Fourth Avenue on the Lower East Side.