Jonas» work, which has been exhibited extensively across the globe
since the early 1970s, is dedicated to the exploration of non-linear narratives,
oral history, as well as past and current politics; it translates popular culture, anthropological influences, and literary sources into a reduced and minimalist
language of gestures, objects, and signs as an expanded notion of sculpture.
The same reasoning would hold of electronic communication,
since there is no «expectation of privacy»
language in the definition of either wire or electronic communication — unlike
oral communication.