Sentences with phrase «sir norman»

Sir Norman Foster and his partners are not new at TreeHugger: we have extensively covered projects like Masdar City, McLaren Technology Center and the Green Tower in Moscow for their approaches to sustainable building.

Then we have Sir Norman Foster's London City Hall — supposed to be the greatest greenie public building ever.

The artist spoke with curator and longtime friend Sir Norman Rosenthal, creator of such seminal exhibitions as Sensation and A New Spirit of Painting.What follows is a series of choice quotes from Kiefer's conversation, plus some needed context to the artist's super classy German accent.

And visitors to Sperone Westwater's spectacular new headquarters on Bowery have tsk - tsked that not even Sir Norman Foster, or a total price tag, estimated by a Bloomberg reporter to be «north of $ 20 million» can squeeze comfortable visitor flow from a footprint 25 feet w

When on a visit to Gabo's studio in the United States in 1968 the Director of the Tate Gallery, Sir Norman Reid, was told by Gabo of his hopes of seeing his maquette «Torsion (Project for a Fountain)» carried out as a full - scale working fountain.

However, at Frieze Masters next week, a selection of his porcelain and sculpture will go on show at the Sophia Contemporary Gallery in Collections, the section of the fair curated by Sir Norman Rosenthal.

Sophia Contemporary announces their partecipation in this year's Frieze Masters Collections, a section of the fair featuring galleries selected by Sir Norman Rosenthal.

Malcolm Morley at the Ashmolean: Paintings and Drawings from the Hall Collection, Curated by Sir Norman Rosenthal, Ashmolean Museum of Art and Archaeology, University of Oxford, Oxford, UK Recent Paintings, Xavier Hufkens, Brussels, Belgium

Four additional works from the artist's Nocturne series (1999) will also feature at Sophia Contemporary's booth at Frieze Masters Collections, a section of the fair featuring galleries selected by Sir Norman Rosenthal, from 6 — 9 October.

Sir Norman Rosenthal said: «It is so exciting and appropriate to commence a programme of contemporary art exhibitions at the Ashmolean Museum with a show of paintings by Malcolm Morley, who celebrates his eighty - second birthday this year.»

A retrospective of fifty years of the artist's work on loan from the Hall Foundation, curated by Sir Norman Rosenthal, and tracing the career of the first artist to win the Turner Prize.

Sir Norman Rosenthal has stated that Morley «wants to have his cake and eat it too -LSB-...] and he does.»

Sir Norman Rosenthal curating Collections - a collection of 7 specialist galleries plus a new Reading Room and art advisory service for VIPs.

Anish Kapoor «s first major exhibition in Turkey, curated by Sir Norman Rosenthal, is the first to focus on the artist's stone sculptures in marble, alabaster and other materials, many of which have not been seen in public before.

And visitors to Sperone Westwater's spectacular new headquarters on Bowery have tsk - tsked that not even Sir Norman Foster, or a total price tag, estimated by a Bloomberg reporter to be «north of $ 20 million» can squeeze comfortable visitor flow from a footprint 25 feet wide.

These and other questions were discussed at the Fondation Beyeler by the artist Tracey Emin, the literary expert and feminist Elisabeth Bronfen, the British curator Sir Norman Rosenthal and the art historian Andreas Beyer.

Proposal for a Floor arose out of a dialogue with Sir Norman Rosenthal and includes a number of artists whose works are held in the Zabludowicz Collection.

The artist made For Beginners in 2010, which was first exhibited at the Sir Norman Foster - designed Sperone Westwater gallery in New York in the fall of 2010.

Sir Norman Rosenthal is an independent curator and art historian.

This year sees the introduction of a new section, Collections, curated by Sir Norman Rosenthal, who said: «Each of these eight presentations by individual dealers, spanning millennia, contain within them germs of ideas for exhibitions that could easily take place at any of the great public institutions in the world.

I am excited to see both Clara M Kim's first Spotlight section and the inaugural Collections section curated by Sir Norman Rosenthal.

• Sir Norman Foster (b. 1935) High - tech modernist architect.

Upcoming exhibitions include Empire State at the Palazzo delle Esposizioni in Rome this April, curated by Sir Norman Rosenthal and Alex Gartenfeld; and a solo exhibition at Kunsthalle Bern, Switzerland in August 2013.

Sir Norman Rosenthal discusses Andy Warhol's series of screen prints of German conceptual artist Joseph Beuys, currently on show at the Ashmolean in Oxford

At the Well features an illuminating essay by art historian and curator Sir Norman Rosenthal, who presents a careful reading of Rauch's new work, including its relationship to fairy tales; the influence of the German Democratic Republic on his development as an artist in the 1980s; and the overarching sense of alienation that is present within his narratives.

Publications include Nihilistic Optimistic, published by Blain Southern London on the occasion of the inaugural exhibition at Hanover Square of the same title October 2012 with an interview by Hans Ulrich Obrist, an essay by Jon Savage and foreword by Gustav Metzger; Turning the Seventh Corner, published by Blain Southern, London, 2011, with texts by David Adjaye and James Putnam which comprehensively documents the conception and realisation of the artists» exhibition at Blain Southern, Berlin, 2011; British Rubbish, an updated survey of the artists» work from 1996 to 2010 with an essay by Jeffrey Deitch, and new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 2006.

A catalogue with a text by Sir Norman Rosenthal will be published on the occasion of this exhibition.

When recently we interviewed Philippe de Montebello, it happened that Sir Norman Rosenthal was in town, and so he participated in that discussion.

Collections with Sir Norman Rosenthal Curated by Sir Norman Rosenthal, the celebrated Collections section continues to bring new types of work to the fair and showcase extraordinary artworks and objects spanning thousands of years.

(Edición del sábado 30 de junio y domingo 1 de julio de 2012)..................................................................................................................... > Art expert, Sir Norman Rosenthal, quits Madrid's Thyssen - Bornemisza museum in fury at # 25m Constable sale... but Baroness responsible insists she needs the money despite her three homes, 125ft yacht and # 700m art collection dailymail

Gartenfeld is currently working with curator Sir Norman Rosenthal on the exhibition «Empire State,» which opens at the Palazzo delle Esposizioni, in Rome, in April, and will include artists such as Dan Graham, Adrian Piper, Wade Guyton and Joyce Pensato.

Previously shown at the Sainsbury Centre for Visual Arts in Norwich, REALITY was recently hosted by the Walker Art Gallery * — a gallery long famed for its support of contemporary painting through the John Moores Painting Prize, first held in 1957; the competition has even been named by Sir Norman Rosenthal as «the Oscar of the British painting world.»

During his 31 years as the exhibitions secretary at London's Royal Academy, Sir Norman Rosenthal staged groundbreaking exhibitions of art including the legendary show, «A New Spirit in Painting» (1981), which brought artists such as Joseph Beuys, Gerhard Richter and Georg Baselitz to broader recognition.

Foster + Partners, led by acclaimed British architect Sir Norman Foster, is the designer.

The fair, which represents galleries showing ancient to late 20th - century art, is strengthened by collaborative displays with guest curators, who this year include Tim Marlow of the Royal Academy and Sir Norman Rosenthal.

Collections The new section Collections, curated by Sir Norman Rosenthal, will include Japanese netsuke (Sydney Moss, London); a 40 - piece display of Italian maiolica (Bazaart, London); and a collection of rare wooden Egyptian sculpture, including an exceptional large statue from the Fifth Dynasty (2500 — 2400 BC)(Sycomore Ancient Art, London).

The artist has been cited by the FT as the great hope of British sculpture and is featured on permanent display at «ROD», curated by Sir Norman Rosenthal, Embassy Gardens in 2015, last year he was in «It's Me to the World», with Marina Abramovic, Dorothy Cross, Richard Long, Hannah Rickards and Corin Sworn at Modern Art Oxford, UK.

In the late 1970s the then Tate director, Sir Norman Reid, had a run - in with the artist after turning down the opportunity to buy, at a reduced price, a double - sized portrait of Gregory Evans diving into a swimming pool.

A major catalogue, Calder After the War, with an introduction by Sir Norman Foster and an important new essay by American art historian Barbara Rose, will accompany the exhibition.

Staff alumni include Sir Norman Rosenthal, the retired exhibitions secretary of the Royal Academy of Arts; Sandy Nairne, the director of the National Portrait Gallery; and Iwona Blazwick, the director of the Whitechapel Gallery.

The exceptional quality and discovery at the fair was supported through collaborations with eminent international curators, including Toby Kamps (Blaffer Art Museum, University of Houston), Clare Lilley (Yorkshire Sculpture Park), and Sir Norman Rosenthal (independent curator), who created sections dedicated to artistic discovery and connoisseurship.

It is called The Collector, curated by the Helly Nahmad Gallery (London), produced by Anna Pank, and accompanied by an essay from venerated architect Sir Norman Rosenthal.

Following its acclaimed debut in 2015, the Collections section returns with eight specialist galleries chosen by Sir Norman Rosenthal, who said: «These dealers represent an enormous repository of art - each of the selected presentations is a kernel of an idea that could easily develop into significant exhibitions at any of the worlds» great museums.»

The contributions of curators Toby Kamps, Tim Marlow and Sir Norman Rosenthal bring unique perspectives and insights into art history and how it continues to influence artists working today.»

Until recently there has been an unfortunate lack of good scholarship on Bradley, which will be rectified with this important collection of texts, as well as by Gagosian's just - published catalogue of the 2016 Krasdale show, which features essays by Sir Norman Rosenthal and Anne Pontégnie.

Curated by Sir Norman Rosenthal, the celebrated Collections section continues to bring new types of work to the fair and showcase extraordinary artworks and objects spanning thousands of years.

Every exhibitor has endeavoured to make an artwork of their own displays, some employing notable curators (such as Sir Norman Rosenthal) or architects (such as David Adjaye), and many choosing to juxtapose the old with the relatively new.

Sir Norman Rosenthal, curator of the Collections section, has also made valuable introductions to museums.»

His hyperstylized robotic woman — as — idol remains a constant iconographic feature of his work, as this fifty - year survey, organized by Sir Norman Rosenthal, former longtime exhibitions secretary at the Royal Academy of Arts in London, amply documents.

And the Sunderland Echo reports how children across the north east can enter their own version of the prize, by designing a poster for the event — drawing on the railway posters of Sir Norman Wilkinson, who carried out dazzle camouflage experiments on warships in the Tyne shipyards.