Sentences with phrase «slade as developmental editors»

As the developmental editor, I didn't think writing another 200 pages to resolve all the loose ends was the best solution, so I suggested flashing forward to a short epilogue about the baby's first birthday.
Does he act as a developmental editor, line editor, or copyeditor?
If they edit a sample of my work, that doesn't help me to judge their work as a developmental editor.
Authors in classes I've taught recently and others who have consulted me as a developmental editor have been seriously concerned about crossing forbidden boundaries that might offend the gatekeepers who stand in their way.
Besides contributing to magazines, newsletters and anthologies, I write books, teach writing workshops and work as a developmental editor.
As a developmental editor, I work closely with authors to identify and fix problem areas in a manuscript.
Many writers like to go to the next step, working with me as their developmental editor.
I'm often asked about my role as a developmental editor — what I do, why it matters, and if this service includes other forms of editing such as proofreading and line editing, or even substantive editing.
As a developmental editor, I've been really surprised at how many clients struggle with POV on macro and micro levels.
As a developmental editor, ghost - writer, and publishing consultant, Hal has helped over 100 authors develop successful books, including several national bestsellers.
I've used both Marcy Kennedy and Jessa Slade as developmental editors, Erynn Newman of A Little Red Ink as line editor, and both Misti Wolanski and Julie Glover as copyeditors.
As a developmental editor, I often struggle with sample edits.
Things I will NOT do as your developmental editor: Copy editing, line editing, grammar fixes, proofreading, etc..
I've had several friends read my work in progress, as well as a developmental editor... I've been lucky that they are fans — of both the genere and of my voice.
These 9 tips come directly from my 50 + years of working with authors as a developmental editor in major publishing houses and with private clients.
If you seek to hire me as a developmental editor, and I accept the job, it means that in my professional opinion, your manuscript has potential and can be honed to publishable quality.
I will not work as a developmental editor on anything that I do not feel can be improved to this level.
The issue of how to best integrate backstory details emerges frequently in my own work as a developmental editor.
And I'm like, «Well, let's pretend that you're my editor and I've hired you as my developmental editor, and you just give me feedback.
As a developmental editor working with authors on early drafts, I frequently go back to find and help fill in the spaces, so the reader can understand a character's private process that leads to new behavior.
As a developmental editor, I focus a lot on the storytelling aspect of writing craft in my posts here: character arcs, plots and subplots, stakes and motivations, etc..
With my background in writing and publishing, I have exactly what it takes to serve as the developmental editor on your next project.
Living in New York City, I work as a developmental editor, a designer, and a fine arts photographer.
What's wrong is what I see frequently as a developmental editor.
In 2003, I began my work as a developmental editor.
In my work as a developmental editor, authors ask me frequently «How long should my book be?»
As a developmental editor, therefore, I approach the work with the perspective of an entire series.
After creating a rough outline that fleshes out my story with all the basic elements and characters (as detailed in my blog on outlining), and satisfying myself that the arcs work, I look at each chapter as a developmental editor might, and ask myself how I can make it the best in the book.
As a developmental editor, I encounter authors and their manuscripts in these various stages, and over the years, I've learned to perform author hospice.
The opportunity to work on the team associated with such unbelievably talented authors is really an editor's dream,» said De Vita of joining the Waterhouse Press family as the Developmental Editor.
If I have a clear sense of what you need as a developmental editor from me regarding things such as pacing I would be way happier.
She has helped hundreds of authors as a developmental editor, writing coach, and through her «plot sessions» — one - on - one calls that get authors from concept to plot points in one hour.
Now that he has completed his job as the developmental editor, he thinks he is a co-writer and has the idea that he will be involved with me when I begin a book signing tour.
Many writers I've worked with as a developmental editor have taken my suggestions for rewriting passages in a reprint edition, holding themselves to a high standard, seeing stylistic or structural changes that could improve the book.
Numerous authors have benefitted from her critical eye as a developmental editor.
As a developmental editor for both established and new writers, I know that revision, pruning, reorganizing and polishing is the heart blood of the creative process.
Full disclosure: I'm an Executive Editor at Jossey - Bass / John Wiley & Sons and I also work privately as a developmental editor with selected authors.
He trained as a developmental editor with the Author Editor - Clinic, and as a coach with NAWE / Arvon and Animas Coaching.
Since publishing her first book, she has also found success working as a developmental editor for up and coming authors hoping to polish their work.
Here are some of the valuable nuggets of advice she offers writers, each followed by a few notes from my own perspective as a developmental editor.
As a developmental editor, I often work with authors to reconstruct, revise, and create completely new openings.
Unless this person is trained as a developmental editor or is an agent, they more than likely won't know what needs improvement, and more significantly, they won't want to hurt your feelings, so they won't tell you if the writing is bad.
Served as the Developmental Editor for three creative non-fiction manuscripts on behalf of [company name], analyzing texts for content, structure, and grammatical accuracy, as well as discussing any potential changes with authors

Not exact matches

In my new role as acquisitions editor, I scrambled to find good authors, developmental editors, copy editors, and reviewers who could help me produce excellent resources in a short time.
In addition to good writing skills, developmental editors require diplomatic skills, respect for authors as they work to «get it right,» and the ability to visualize a framework to help authors shape their writing.
Now as a freelance developmental editor and consultant, Jim has helped many writers of both fiction and non-fiction bring a work in progress through to publication.
He is editor of Developing Minds: A Resource Book for Teaching Thinking and coeditor of the Process as Content trilogy; Costa is the co-author (with Bena Kallick) of the four - book developmental series, Habits of Mind, along with Learning and Leading with Habits of Mind, and Habits of Mind Across the Curriculum.
She has served as senior editor of the online Journal of the Behavioral and Social Sciences and is the editor of the CLEP test preparation manual in Developmental Psychology.
As you noted, you'd need to hire your own developmental editor to be sure the book is as good as it can bAs you noted, you'd need to hire your own developmental editor to be sure the book is as good as it can bas good as it can bas it can be.
A developmental editor, who looks at your manuscript as a whole for big problems like plot holes or poor narrative flow, may suggest massive changes.
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