Not exact matches
Gary Hume's Elusive
Paintings — Carol Vogel, who has been increasingly stretching her news - breaking repertoire into profiles recently, adapts her latest
slow - news - season «Inside Art» column to lead with a mini-spotlight on the YBA painter to mark his new Tate Modern
survey.
His
slow unspooling of color and the ambling specificity of his touch are easily lost in reproductions but will be abundantly evident in this
survey of more than fifty
paintings and related drawings from the past two decades.
American Art in 1979; New Works on Paper in 1981 at the Museum of Modern Art, New York; An International
Survey of Recent
Painting and Sculpture, at the Museum of Modern Art, New York in 1984; New York / Beijing, Beijing Art Institute, Beijing, China in 1987;
Slow Art:
Painting in New York Now, P.S. 1, Long Island City, New York in 1992; and Square
Painting / Plane
Painting at the Center on Contemporary Art, Seattle, Washington, 1997.
Berthot was included the Whitney Museum of American Art's Annual in 1969 and again in 1973; The Corcoran Biennial in 1975; the Venice Biennale, 1976; New
Painting — New York at the Hayward Gallery in London in 1979; American Art: 1950 to the Present at the Whitney Museum of American Art in 1979; New Works on Paper in 1981 at the Museum of Modern Art, New York; An International
Survey of Recent
Painting and Sculpture, at the Museum of Modern Art, New York in 1984; New York / Beijing, Beijing Art Institute, Beijing, China in 1987;
Slow Art:
Painting in New York Now, P.S. 1, Long Island City, New York in 1992; and Square
Painting / Plane
Painting at the Center on Contemporary Art, Seattle, Washington, 1997.
«The latest
survey results, combined with data that indicates the real estate market is improving in many regions,
paint a positive picture for a sector of the economy that has been
slow to join the recovery,» says Dr. Andrew Jennings, chief analytics officer at FICO and head of FICO Labs.