Sentences with phrase «sobel drip painting»

For one project, a crew member dripped paint all over someone's roof, and some other problems emerged.

A slight variation of the splatter is some drip painted Easter Eggs which are perfect for Toddlers from Toddler Approved

The Handmaiden, an erotic thriller with twists and turns and thrusts aplenty, is Park Chan - wook's drip painting.

The experimental techniques are: white paint printing, collage, wax and scratch, distressing surfaces, dripping paint, scraping paint, using sgrafitto, cardboard collaging and layering and digital manipulations with collage to using fabric and sewing into surfaces.

He also penned the seminal ArtNews article, «Pollock Paints a Picture,» a first hand account of Jackson Pollock's novel drip painting technique (also included in this new volume - along with an interesting new revelation about that text).

Jackson Pollock's «Drip Painting Number 19, 1948» was the top sale, fetching $ 54.8 million.

For example, in the Jackson Pollock show at MoMA you saw him abandon the drip paintings toward the end of his life and almost revert back to what he was searching for as a young painter.

Secondly, I would like to propose what I think is a fresh, if not in fact entirely new, way of looking at the lines, forms and spaces of the classic drip paintings.»

Andy Baird bairdstudios.com «My paintings are unique in that they are finely rendered subjects done by dripping paint instead of the traditional methods of «medium and brush.»

Rodney Graham, Inverted Drip Painting # 12, liquid acrylic on linen, 2007, with detail below, at Lisson Gallery, London

Philippe Starck handled the interiors, and Markus Linnenbrink was commissioned for the exterior, emblazoning 40,000 square feet of the concrete facade with his signature drip painting.

Following in the tradition of Jackson Pollock, whose drip paintings finally broke the bond between painter and canvas, and Frank Stella's Black Paintings which discarded the need for spatial illusion, Judd makes the next, unassailable step of taking art into a new dimension — a dimension in which it could finally achieve the full potential of creativity.

His technique of pouring and dripping paint is thought to be one of the origins of the term action painting.

If she needs a one - liner, she may have made the first drip painting.

Pollock's technique of pouring and dripping paint is thought to be one of the origins of the term action painting.

During the early 1950s, the couple was spending thousands on Sèvres and Spode dinner services at a time when a Jackson Pollock drip painting could be bought for $ 800.

Paul Jackson Pollock born 1912 in Cody, Wyoming was an influential American painter and a major figure in the abstract expressionist movement well known for his unique style of drip painting.

When you look at works such as Sobel's untitled 1944 painting shown, the temptation is not to see the vegetation like drip pattern blending with the figure as much as to see the dripped paint obscuring the figure — just as circumstances conspired to obscure the figure of Janet Sobel for more than half a century.

It is generally recognized that Jackson Pollock's abstract drip paintings, executed from 1947, opened the way to the bolder, gestural techniques that characterize Action Painting.

With no training, she developed her unique style, often labeled as «outsider» or «folk» art, of painting simple figures and covering them with a rhythmic pattern of dripping paint.

Pollock's home, which he shared with the painter Lee Krasner (1908 - 1984), and his art studio has been preserved as the Pollock - Krasner House and Research Center so visitors can see where the drip paintings were made and the couple lived.

Pollock, who exhibited his drip paintings in 1951, freeing the line from figuration, was for Greenberg the pinnacle of American Modernism, the most important artist since Picasso.

Gary Snyder Fine Art in New York City presents the work of Janet Sobel, whose early 1940s drip paintings inspired Pollock to explore the possibilities of that style and essentially found the Abstract Expressionist school.

[Many thanks to Gary Snyder Fine Art for providing me with the image above and press materials for Janet Sobel at Gary Snyder Project Space: Drip Paintings and Selected Works on Paper, running now through February 27, 2010.]

De Kooning never abandoned the human form, Pollock sought (and failed) to reappropriate it after his signature drip paintings, and Gorky's abstractions, those lyrical elisions of biomorphic shape and washy veils of pigment, are nothing if not figure painting by other means.

While the people have a definite appeal, most gallery - goers come for the drip paintings.

Someday, for instance, I'd like to see Janet Sobel's 1944 drip paintings — admired by Pollock and which Greenberg would later cite as the first instance of» all - over» painting — placed within an Abstract Expressionist context.

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

Unlike the kind of action that is so identifiable in Abstract Expressionist painting, which entails the different layers in the case of Pollock's drip paintings, scraping and repainting in the case of de Kooning, you sort of invented your own kind of action painting, in a way.

Tyler applies both oil and acrylic paint with a brush, his fingertips, or throws and drips the paint on the upright canvas.

Next time you look at the dripped paintings of Jackson Pollock, understand it as a result of the all - over technique of Lee Krasner.

Tucked away in the back galleries are some of the exhibition's greatest showstoppers, including a mesmerizing painting by Ukraine - born Shimon Okshteyn; two red - drip paintings by Israeli - born, East Hampton - based poet, musician and painter Haim Mizrahi; and an abstract painting by another East End musician and artist, David Demers.

Pollock had enjoyed great success with his drip paintings of 1947 - 50, some of which are included in a major show of his late work at Tate Liverpool (Summertime: Number 9A, 1948).

For example, in her «Rubaiyat» series (1995 - 96) the 12th letter of the Arabic alphabet, sin, is distributed across a sheet of paper in such systematic fashion that its effect recalls the poured or dripped paint in a canvas by Jackson Pollock.

It also fills a real need at the Met (despite, just for starters, one of the best drip paintings by Jackson Pollock).

As with Jackson Pollock's enamel tracery and Janet Sobel's drip paintings of roughly the same time, Gorky blows up the intimacy of drawing to the epic scale of painting.

As with Wool's early drip paintings, the influence of Jackson Pollock is observed here.

He could have added Janet Sobel, who dealt on equal terms with drip painting and outsider art.

The She - Wolf is already explosive, and Sounds in the Grass (Shimmering Substance) gets drip paintings off to a fast start.

Rodney Graham» show at 303 Gallery (loathed by bloggers for their «no photography allowed» policy) consists of drip paintings styled in the manner of Morris Louis, and a huge studio photograph in which Graham recreates the fictional livingroom where the paintings were created.

Hans Hoffman, that stern teacher of modern rigor, is practically making a drip painting.

This video - taped performance recreates a well - known photograph of Jackson Pollock drip painting on the ground.

Her woven tracery pops off the canvas, less like Pollock than Janet Sobel, who has claims both to inventing drip painting and to outsider art.

Jackson Pollock had the benefit of Cubism's fragments of perception, Dada's trust in chance, Surrealism's in dreams, a fashion for Jung, the passage from American folk art to drip painting in work by Janet Sobel, and Lee Krasner to keep him sober.

In turn, with a drip painting, the body becomes a kind of writing.

Another factor that influenced the creation of Jackson Pollock's drip paintings was Jazz.

Sadly, Janet Sobel never appears at all, when her drip painting — perhaps the first drip painting — was so arresting in the old MoMA.

«I had been following the example of Pollock and Gorky, I'd dripped paint.»

Dripping paint onto an unstretched canvas required Pollock to use his entire body, which created this very unique connection between him and his work.

The notion of traditional mark making in painting takes on an entirely new perspective in Drip Painting # 7.