Not exact matches
As an industry content leader, Participant annually produces up to six narrative feature films, five
documentary films, three episodic television series, and more than 40 hours of digital short form programming, through its digital subsidiary SoulPancake — all aimed
at entertainment that inspires
social awareness and engaging audiences to participate in positive
social change.
Social worker Jennifer Wortham of Washington Heights won first prize for her
documentary «A Workshop in the Delta»
at...
By measuring an uptick in online searches as well as
social media chatter and mass media coverage, Ion Bogdan Vasi, an associate professor of sociology
at the UI and corresponding author of a new study, demonstrated how local screenings of Gasland — a 2010 American
documentary that focused on communities affected by natural gas drilling — affected the public debate on hydraulic fracking.
The fruits of their labor, a
documentary film titled «Mysore Yoga Traditions» presents us with a unique, behind - the - scenes look
at Ashtanga yoga, while
at the same time shedding light on the worldview and
social background of the yoga community in Mysore.
His 1999
documentary «The Buena Vista
Social Club» offered an invaluable glimpse
at Cuba during the embargo, but only through the lens of individual musicians.
A
documentary / fiction hybrid that's more effective as the former than the latter, Woodpeckers deserves to follow up its appearance in Sundance's World Dramatic competition section by serving time
at festivals with a
social conscience.
Filmmaker Joseph Lovett, himself a gay activist who produced one of the first major investigative stories on AIDS to be broadcast on American television, interviewed a number of men who survived the»70s for his
documentary Gay Sex in the»70s, which offers a sometimes witty and sometimes rueful look back
at the discos, bathhouses, underground clubs, and gay - friendly resorts which dominated the
social and sexual scene of the day, as well as the stories of the men who sought to declare their new identities through sex.
Language: English Genre:
Documentary / Biography MPAA rating: R Director: Steve James Actors: Roger Ebert, Werner Herzog, Martin Scorsese Plot: A look
at the life and cultural impact of Roger Ebert, one of the world's renowned film critics and
social commentators - from his Pulitzer Prize film reviews, to his long career with Gene Siskel to his late - life battle with cancer - it a both a poignant and insightful look into Ebert's world.
Previously, she was the Director of Production
at Big Mouth Films, a
social issue
documentary production company.
At Kartemquin, Gordon has created a legacy of making high - quality,
social - issue
documentaries such as Hoop Dreams (1994), The New Americans (2003), and The Interrupters (2011).
More worthwhile is «
At the Waterfront After the
Social: The Legacy of Sleepaway Camp», an engaging new 46 - minute HD
documentary comprising fresh on - camera interviews with Rose, Rose's mother -LRB-!)
As an industry content leader, Participant annually produces up to six narrative feature films, five
documentary films, three episodic television series, and more than 40 hours of digital short form programming, through its digital subsidiary SoulPancake — all aimed
at entertainment that inspires
social awareness and engaging audiences to participate in positive
social change.
Four Catalyst projects premiered
at the 2015 Sundance Film Festival, including The Hunting Ground, Cartel Land (U.S.
Documentary Directing and Cinematography Awards), 3 1/2 Minutes and Ten Bullets (Special Jury Award for
Social Impact) and The Witch (U.S. Dramatic Directing Award).
At one point on the lineup at this January's Sundance Film Festival before being pulled, documentary Buena Vista Social Club: Adios will finally head to theaters Frida
At one point on the lineup
at this January's Sundance Film Festival before being pulled, documentary Buena Vista Social Club: Adios will finally head to theaters Frida
at this January's Sundance Film Festival before being pulled,
documentary Buena Vista
Social Club: Adios will finally head to theaters Friday.
Warren's most recent nominated song «Til It Happens to You,» which came from The Hunting Ground, a
documentary about rape and sexual violence on college campuses, also made a huge
social impact on the Oscars and beyond, even to the point of having then - Vice President Joe Biden introduce Lady Gaga's performance
at the 2016 Oscar show.
At once hugely influential — there is no Paul Greengrass without Clarke — and still relatively obscure, Clarke is singular among the British
social realists, owing to his adaptability to a variety of sub-genres (within this sampling you will find women's pictures, war movies, prison dramas,
documentaries, and even an hour - long about a dystopian roller rink) and a blazing empathy for the downtrodden that seem to go hand - on - hand.
Not to be confused with the
documentary also titled
Social Animals, which just premiered
at SXSW, this is a quirky rom - com about a young woman who is trying to get her life in order.
Especially
at this moment of
social crisis, it seems a moot point to dismiss relevancy as an insignificant part of any film's power, something that goes double for a
documentary about a subject of this sort.
We honored the
documentary, which has the power to ignite a vital discussion
at a crucial moment, with a prize for
social impact.
And aside from the dream sequences — all of which enhance and are justified by the story — the authenticity, realism, and
social relevance established by writer / director Geremy Jasper is such that,
at times, you could almost think you were watching a
documentary.
These
documentaries look
at the important part that
social and emotional learning plays in reducing negative behaviors and improving academic achievement.
Opie was originally inspired by
social documentary photographers like Lewis Hine, but outside of photojournalism, there aren't a lot of contemporary artists looking
at the world the way Hine did.
His use of color film in the early 1980s,
at a time when British photography was dominated by traditional black - and - white
social documentary, had a revolutionizing effect on the genre.
«A
documentary photographer with a
social conscience,
at the Whitney.»
Located in SoHo, NY's historic photo building
at 100 Crosby Street, the gallery represents a wide range of emerging and established photographers whose practices include landscape and architectural installation, abstract and concrete photography, experimental mixed media works, and
social documentary.
FRIDAY, FEBRUARY 27 Screening: Cao Fei's Haze and Fog and i.Mirror by China Tracy (aka: Cao Fei) Second Life
Documentary Film
at the Museum of Modern Art As part of its «
Documentary Fortnight» series, MoMA is screening two films by Cao Fei, the Beijing - based artist and filmmaker who tackles Chinese economic and
social issues.
«Recreation» includes portraits, self - portraits and
social documentary images that explore how we reveal ourselves when playing in pools or
at the beach.
Katherine Green is a
social documentary photographer, who has recently exhibited
at Kettle's Yard, National Portrait Gallery and The Lowry.
His use of color film in the late 1970s and early 1980s,
at a time when British photography was dominated by traditional black - and - white
social documentary, had a revolutionizing effect on the genre.
Additionally she studied Radio
Documentary at the Salt Institute for
Documentary Studies, Physical Theater
at the Dah International School in Belgrade, and Art and
Social Engagement
at The Kitchen's Sidney Kahn Summer Institute.
They are the recipients of numerous awards, including Creative Time's Leonore Annenberg Prize for Art and
Social Change, the United Nations Association Film Festival Grand Jury Award, and Best
Documentary Award
at HBO Comedy Arts Festival.
Occupying uncertain territory between
documentary and fiction, he lays bare hedonic reversal, a pleasure in pain that is foreign to him, a pleasure in
social and cultural ruins: «I have been looking
at how to construct ruins that don't carry this pain.
Ezra Winton holds a PhD in Communication Studies from Carleton University, and is currently a Postdoctoral Fellow
at Nova Scotia College of Art and Design University where his research and teaching interests include radical and alternative media,
social movements,
documentary cinema, institutions and culture as well as global cinema and new media platforms.
«Songbook,» Alec Soth's current exhibition of
documentary - style black - and - white environmental and ensemble portraiture
at Sean Kelly Gallery is compellingly complicated in the aggregate, ultimately pointing to a deeply American dilemma of how physical and
social space is negotiated.
The artist studied photography
at Manchester Polytechnic, from 1970 to 1973, and has developed an international reputation for his innovative imagery, his oblique approach to
social documentary, and his input to photographic culture within the UK and abroad.
Italian architect Ippolito Pestellini Laparelli, partner
at OMA working on preservation, scenography and curation, is both leading OMA Urban Studies, as well as the team of creative mediators, which includes the Swiss contemporary art curator Mirjam Varadinis, who works in Kunsthaus Zurich and was co-curator of TRACK, a large scale city - wide international exhibition in the tradition of «Chambres d'amis» in Ghent, Belgium; Spanish architect, artist and scholar based in New York and Madrid, Andrés Jaque, the founder of the Office of Political Innovation, working on the intersection of research, politics and design; and Dutch filmmaker and journalist Bregtje van der Haak, who has been directing international
documentaries and transmedia projects on long - term
social change with a special focus on urbanisation and technological culture.
At Pace University, I launched a course in 2010 called Blogging a Better Planet and I co-teach a
documentary production course in which each student film since 2010 has told the story of people trying to forge environmental and
social progress — from a shrimp farmer cutting pollution in Belize to an organization trying to improve the lives of slum dwellers in Rio de Janeiro.
Even noted film and media scholar Patricia Aufderheide, professor of Film and Media Arts in the School of Communication
at American University and director of the Center for
Social Media, noticed, tweeting: Dueling
documentaries; looks like the big - biz folks aren't as good filmmakers... http://wapo.st/qwM4N7 @hotcoffeemovie
Fourth, Pat Aufderheide, director of
social media
at American University's School of Communication and person behind the many best practices guides on fair use for online video (remixes), education and
documentary filmmaking, proudly shared her work.