If you have an adoption or foster animal story to share with us, please fill out
our Social Story Form.
Not exact matches
Upon such criteria as literary
form, the nature of the tradition, the
social and theological concepts underlying and the apparent motivation of the
story, Gunkel classified the myths and legends of Genesis.
In fact,
story - telling (or what we
social psychologists call personal - disclosure mutual - sharing) is a commonly used team - building exercise precisely because team identities easily
form around the common experiences that we discover when we share our
stories.
Though widely regarded as merely a
form of entertainment or illustration,
stories are an essential account of
social experience.
In telling us the
story of Trinity Church, the persons who had left the course were primarily recounting their
social character, knitting into narrative
form its significant elements.
If games are ever going to be taken seriously by the world at large as an art
form capable of intelligent
social commentary, major studios need to show some resolve when constructing their
stories and characters.
In addition to certain NPCs and
social links for relationship building, the main characters each get a their own
story arcs to ground their motivations and make them more fully
formed.
Our plan is grounded in the following two premises: 1) When purposefully synchronized with one another across multiple
forms of media («cross-media»), children's and adolescents» exposure to high quality youth - oriented
social and ethical
story content, i.e.
stories of substance specifically about character development, compassion, and courage (CCC), is a powerful way to promote youth academic achievement and ethical values; 2) Especially if these
stories, told and «read» across media, in their various genres (human interest, biography, history and historical fiction, civic engagement, coming of age,
social change, spiritual awakening, moral issues, etc.), are «taught» by «educators» (broadly defined) using an «evidence - based» pedagogy that A) makes use of peer to peer, and adult facilitated group discussion and debate as a primary
form of instruction, and B) takes advantage of access to the texts of the
story that are made available cross-media (narratives, scripts, videos, etc.) to foster students» critical thinking and ethical reflection skills.
Creators Ben Katchor describes his work, which includes a regular strip for Metropolis magazine and his recent book Hand - Drying in America and Other
Stories, as «a
form of
social activism» and adds, «You could blow things up too, but I don't really relish the thought of being in prison.
Aboriginal culture did not have a written language, instead their laws,
stories and
social behaviour is passed on in the
form of song, dance and art.
The foreword states that the
story told in these pages «is about the synthesis of two different art
forms, photography and writing, in the service of
social change.»
Main Gallery: Neil MacInnis Montreal artist Neil MacInnis seeks to reactivate the
form of textiles as a means to provide a
social context in which communities may express their identities and tell their
stories.
The
story is told between characters through
social media platforms like Vine and Skype, conveying how global communication via digital interfaces have generated new
forms of imagery.
AAI, Adult Attachment Interview; AFFEX, System for Identifying Affect Expression by Holistic Judgement; AIM, Affect Intensity Measure; AMBIANCE, Atypical Maternal Behaviour Instrument for Assessment and Classification; ASCT, Attachment
Story Completion Task; BAI, Beck Anxiety Inventory; BDI, Beck Depression Inventory; BEST, Borderline Evaluation of Severity over Time; BPD, borderline personality disorder; BPVS - II, British Picture Vocabulary Scale II; CASQ, Children's Attributional Style Questionnaire; CBCL, Child Behaviour Checklist; CDAS - R, Children's Dysfunctional Attitudes Scale - Revised; CDEQ, Children's Depressive Experiences Questionnaire; CDIB, Child Diagnostic Interview for Borderlines; CGAS, Child Global Assessment Schedule; CRSQ, Children's Response Style Questionnaire; CTQ, Childhood Trauma Questionnaire; CTQ, Childhood Trauma Questionnaire; DASS, Depression, Anxiety, Stress Scales; DERS, Difficulties in Emotion Regulation Scale; DIB - R, Revised Diagnostic Interview for Borderlines; DSM, Diagnostic and Statistical Manual of Mental Disorders; EA, Emotional Availability Scales; ECRS, Experiences in Close Relationships Scale; EMBU, Swedish acronym for Own Memories Concerning Upbringing; EPDS, Edinburgh Postnatal Depression Scale; FES, Family Environment Scale; FSS, Family Satisfaction Scale; FTRI, Family Trauma and Resilience Interview; IBQ - R, Infant Behaviour Questionnaire, Revised; IPPA, Inventory of Parent and Peer Attachment; K - SADS, Kiddie Schedule for Affective Disorders and Schizophrenia for School - Age Children; KSADS - E, Kiddie Schedule for Affective Disorders and Schizophrenia - Episodic Version; MMD, major depressive disorder; PACOTIS, Parental Cognitions and Conduct Toward the Infant Scale; PPQ, Perceived Parenting Quality Questionnaire; PD, personality disorder; PPVT - III, Peabody Picture Vocabulary Test, Third Edition; PSI - SF, Parenting Stress Index Short
Form; RSSC, Reassurance - Seeking Scale for Children; SCID - II, Structured Clinical Interview for DSM - IV; SCL -90-R, Symptom Checklist 90 Revised; SCQ,
Social Communication Questionnaire; SEQ, Children's Self - Esteem Questionnaire; SIDP - IV, Structured Interview for DSM - IV Personality; SPPA, Self - Perception Profile for Adolescents; SSAGA, Semi-Structured Assessment for the Genetics of Alcoholism; TCI, Temperament and Character Inventory; YCS, Youth Chronic Stress Interview; YSR, Youth Self - Report.