Sentences with phrase «society portrait artist»

John Singer Sargent (1856 - 1925) Outstanding society portrait artist in the grand manner.

John Singer Sargent Biography of American Impressionist Society Portrait Artist.

Not exact matches

Starting from $ 1,500, artist Julia Breckenreid, recipient of a gold medal from the Society of Illustrators Museum in New York, will paint a custom conceptual portrait just for you.

This summer, Art for Barks joined forces with San Diego Humane Society to launch Art to the Rescue, an initiative that collaborates with local artists, like Stephen Fishwick, to paint portraits of adoptable animals.

Britt has exhibited across America, has been featured in Southwest Art, American Art Collector, The Artist's Magazine and High Fructose, and is the 2016 Grand Prize awardee of The Artist's Magazine all media competition plus awardee of the Portrait Society of America annual conference full tuition scholarship.

Images from Nigerian fashion and society magazines and commemorative fabric printed with portraits give the artist's paintings a global context that connects viewers to the people with whom we share the world.

Phillips, an artist best known for his evocative large - format portraits of people at society's fringe, found himself necessarily responsive to those queries warranted by Schutz's painting earlier this year.

In 2016, she exhibited work at the IAPS Twenty - Eight Juried Exhibition in New York City, The Connecticut Society of Portrait Artists, and the Butler Institute of American Art in Youngstown, Ohio.

Dorothea Tanning, Self - Portrait, 1944; collection SFMOMA, purchase, by exchange, through a fractional gift of Shirley Ross Davis; © Artists Rights Society (ARS), New York / VG Bild - Kunst, Bonn; photo: Katherine Du Tiel

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Henry has won numerous awards, including First Prize in the American Society of Portrait Artists 2000 competition, the Gold Medal of Honor at the 2003 Hudson Valley Art Association annual exhibition, and the Best Painting from Life Award of the National Oil & Acrylic Painters» Society in 2003.

Dora Maar, Double Portrait, 1930s; collection SFMOMA, gift of Carla Emil and Rich Silverstein; © Artists Rights Society (ARS), New York / ADAGP, Paris

Tonight's exhibition brings back several artists who participated in 2014, including Ted Brusubardis — whose piece Pacel Galvu became one of the best short videos I've experienced in many moons when it was shown in an appropriately darkened room at Portrait Society Gallery earlier this year — Adam Carr, Sara Condo, Cathy Cook, Paul Druecke, Kim Miller, Andrew Swant, Wes Tank, Xav Leplae, and co-organizer Marla Sanvick.

In 1962, Sandler wrote of her: «Marisol's pieces are hilarious and caustic parodies of politics («The Kennedys»), on society («Mayflower,» which caricatures the Pilgrims and their descendants as well as a favorite artists» hangout), on herself («Self Portrait»), and above all, on art.

Sargent was already recognized and acclaimed for his stylized portraits of high society, the most successful artist of this genre of the era.

Among Awards: Gold, Silver and Bronze Medals for Oil Painting Jane Paterson Award for a Portrait; Allied Artists of America Bruce Stevenson Award for a Portrait, (3 times) The National Arts Club Blanche Farr Award, George Haight Award, Thora M. Jensen Award for Portraits in Oil; Hudson Valley Art Association Charles Noel Flagg Award for a Portrait; Connecticut Academy of Fine Arts Lever Award; Pastel Society of America Award of Merit: Salmagundi Club Medal of Merit, George Laurence Nelson Award; Gordon C. Aymar Award Frances B. Townley Award for Portraits in Oil; Award for Best in Show Awards for Best Oil Painting; Kent Art Association Merit Award, New Haven Paint and Clay Club

She has exhibited in various competitions including the Butler Institute of American Art Midyear Exhibitions, and as a finalist in the American Society of Portrait Artists.

The Renaissance Society is pleased to present a career survey of Bey's work, including a new chapter of Strangers / Community featuring portraits of individuals from Hyde Park, Chicago, home to both the University of Chicago and the artist.

Hand - coloured studio portrait with handwritten inscription © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London)

Her work has been seen in group exhibitions in the UK and the annual exhibitions of the Society of Women Artists and the Royal Society of Portrait Painters.

His works can be viewed as portraits of African American society in general, and of himself, the artist, merging hip - hop, found objects, and sophisticated art - making tactics.

She has also received awards from the Salmagundi Club, Allied Artists of America, and The Portrait Society of America.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Hamburg 2017 «Performance lecture», Lothringer13, Munich 2017 «Artist's Books», Hamburger Kunsthalle, Hamburg 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», São Paulo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbon 2016 «Par Tibi, Roma, nihil», Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Hamburg 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Brussels 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8th Göteborg International Biennial for Contemporary Art (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Genève 2014 «T293 - in - residence», Sadie Coles HQ, London 2014 «Un Nouveau Festival», Centre Pompidou, Paris 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcelona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

John Singer Sargent (1856 - 1925) One of the best portrait artists, noted for society portraits.

Featured image: Lee Krasner - Self - Portrait, 1930, oil on linen, 76.5 × 63.8 cm, © The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Jean Dubuffet, «Portrait de Jean Paulhan (Portrait of Jean Paulhan),» July 1955 Butterfly wings and ink on paper laid on paper Photography by Thomas R. DuBrock © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris

Featuring more than two dozen works spanning 30 years, Cindy Sherman: Once Upon a Time, 1981 — 2011 at Mnuchin Gallery, New York, takes as its focus three of the artist's most acclaimed series: the Centerfolds, the History Portraits, and the Society Portraits.

Top Image: Man Ray, Solarized Portrait of Lee Miller, Paris, France, 1930, vintage gelatin silver print, © Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris / Telimage — 2015

Five steps in, you're hit with the big names: Nan Goldin, an iconic American photographer whose images of urban nightlife in the 1970s and»80s offer a window onto society's darker margins (Goldin is a friend of Berger and one piece bears a personal inscription); Rashid Johnson, a fast - rising conceptual artist whose prismatic work mines the meaning of the black American identity; and, notably, Robert Mapplethorpe, in a rare self - portrait emblematic of the artist's confrontational beauty.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea

The artist makes portraits of undocumented Latin American immigrants, and of other distinct communities, using the focused attention of observational painting to mark those who are socially unmarked in society, along with the apparently anonymous goods that constitute a transnational trade in quotidian objects such as flowers, garments, handcrafts and letters.

The artist creates works that fuse society portraits with lowbrow popular culture and critiques of laissez - faire capitalism.

Featured Images: Andy Warhol — Dame Elizabeth Taylor, 1967 — From the National Portrait Gallery collection © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); Andy Warhol — Joan Collins, 1985 — © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); William Morris — Self portrait, 1856 — Pencil drawing, Courtesy of V & A and Dr R Campbell Thompson (Portrait Gallery collection © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); Andy Warhol — Joan Collins, 1985 — © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London (detail); William Morris — Self portrait, 1856 — Pencil drawing, Courtesy of V & A and Dr R Campbell Thompson (portrait, 1856 — Pencil drawing, Courtesy of V & A and Dr R Campbell Thompson (detail).

Royal Hibernian Academy (RHA), Dublin Royal Academy (RA), London Irish Art, Concept Gallery, Pittsburgh, USA Royal Society of Portrait Painters (RSPP), London United Society of Artists, London Represented Ireland, Expo «92, Seville Hendricks Gallery, New York, USA An Oireachteas Ulster Arts Club Cork Arts Society Tulfarris Gallery, Wicklow Munster Fine Art Exhibition Figurative Image Kenny Gallery, Galway IMMA, Glebe and Butler Galleries United Arts Club Group Taylor Galleries, Dublin Dolan Moore Gallery Trinity Gallery, London Austin Desmond Fine Art, London Fosse Gallery, London Swift Gallery, N. Ireland James Gallery, Dalkey Aer Rianta Arts Festival Jorgensen Fine Art, Dublin Solomon Gallery, Dublin

Oprah Winfrey / By Mickalene Thomas / Screen print with hand applied rhinestones on 4 - ply board, 2007 - 2008 / National Portrait Gallery, Smithsonian Institution; © 2014 Michalene Thomas / Artist Rights Society (ARS), New York

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

The local Alma Thomas Society will hold its inaugural event Sept. 19 with a lecture and book signing by Columbus native Amy Sherald, a well - known artist and winner of the National Portrait Gallery's 2016 Outwin - Boochever Portrait Competition, which had more than 2,500 entries.

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Amburgo 2017 «Performance lecture», Lothringer13, Monaco 2017 «Artist's Books», Hamburger Kunsthalle, Amburgo 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», San Paolo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbona 2016 «Par Tibi, Roma, nihil,» Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Amburgo 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Bruxelles 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8a Biennale Internazionale di Arte Contemporanea di Göteborg (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Ginevra 2014 «T293 - in - residence», Sadie Coles HQ, Londra 2014 «Un Nouveau Festival», Centre Pompidou, Parigi 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcellona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

All the major American artists and works from the seventeenth century to today are included, such as epic history paintings by Benjamin West and John Singleton Copley; sublime landscapes by Thomas Cole, Albert Bierstadt, and Frederick Church; society portraits by John Singer Sargent; groundbreaking abstract expressionist and pop art by Jackson Pollock, Barnett Newman, and Andy Warhol; and challenging sculptural, installation, and video works from more recent years by Robert Gober, Fred Wilson, and Matthew Barney In architecture, dozens of different building types are illustrated and discussed, from the earliest colonial houses and churches to the most spectacular modernist and postmodernist houses, stations, museums, and iconic skyscrapers.

National Portrait Gallery, Smithsonian Institution; Gift of the artist © 2010 Calder Foundation, New York / Artists Rights Society (ARS), New York NPG.71.35

© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York; and Stanley Whitney, By the Love of Those Unloved, 2004); excerpt from The Atlantic's «How Pink «Pussyhats» Took Over the Women's March»; Women's March footage courtesy of Patrick Gavin; portrait of Jochen Zeitz in his Richmond, London home by Greg Funnel for Artsy; portrait of Yusaku Maezawa in his Tokyo home by Steven Herman for Artsy (artwork by Willem de Kooning, Cross-Legged Figure, 1972.

The original building (6 — 8 John Adam Street) includes the Great Room, which features a magnificent sequence of paintings by Irish artist James Barry titled The Progress of Human Knowledge and Culture and portraits of the Society's first and second presidents, painted by Thomas Gainsborough and Joshua Reynolds respectively.

A glib and simplistic portrait of London as a riven society The Herald; April 26, 1999; Laura Cumming; 700 + words... Douglas Gordon, the young Glaswegian artist who won the Turner Prize a couple of years ago, is currently showing his latest... described the Brick Lane bomb as «the backlash against the Stephen Lawrence inquiry... First Brixton, now this.»

An established portrait artist, his work has been seen in solo exhibitions in London and Madrid and included in the Royal Academy of Arts Summer Exhibition, the Royal Society of Portrait Painters Exhibitions and previously in BP Portrait Award exhibitions in 1995, 1998, 2005, 2007, 2010, 2014 aportrait artist, his work has been seen in solo exhibitions in London and Madrid and included in the Royal Academy of Arts Summer Exhibition, the Royal Society of Portrait Painters Exhibitions and previously in BP Portrait Award exhibitions in 1995, 1998, 2005, 2007, 2010, 2014 aPortrait Painters Exhibitions and previously in BP Portrait Award exhibitions in 1995, 1998, 2005, 2007, 2010, 2014 aPortrait Award exhibitions in 1995, 1998, 2005, 2007, 2010, 2014 and 2015.

curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept) Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicartists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, ChicArtists, Old Techniques, Schneider Gallery, Chicago, IL

Dorothea Tanning, Self - Portrait (1944) San Francisco Museum of Modern Art Purchase © Artists Rights Society (ARS), New York / VG Bild - Kunst, Bonn.

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

She has won numerous grants and awards for her portrait, figurative, and abstract works, including four consecutive Nessa Cohen Grants for Sculpture from the Art Students League; the Excalibur Bronze Award for Portraiture, Catherine Lorillard Wolfe Art Club; Katherine Thayer Hobson Award for Portrait Sculpture, Pen & Brush Club; Gold Medal of Honor for Sculpture, National Arts Club; Youth Awards Commendation, National Sculpture Society; In Memorium Award for Sculpture, 73rd Annual Allied Artists of America Exhibition; and the Dessie Greer Prize for Portrait Sculpture at the National Academy of Design 161st Annual Exhportrait, figurative, and abstract works, including four consecutive Nessa Cohen Grants for Sculpture from the Art Students League; the Excalibur Bronze Award for Portraiture, Catherine Lorillard Wolfe Art Club; Katherine Thayer Hobson Award for Portrait Sculpture, Pen & Brush Club; Gold Medal of Honor for Sculpture, National Arts Club; Youth Awards Commendation, National Sculpture Society; In Memorium Award for Sculpture, 73rd Annual Allied Artists of America Exhibition; and the Dessie Greer Prize for Portrait Sculpture at the National Academy of Design 161st Annual ExhPortrait Sculpture, Pen & Brush Club; Gold Medal of Honor for Sculpture, National Arts Club; Youth Awards Commendation, National Sculpture Society; In Memorium Award for Sculpture, 73rd Annual Allied Artists of America Exhibition; and the Dessie Greer Prize for Portrait Sculpture at the National Academy of Design 161st Annual ExhPortrait Sculpture at the National Academy of Design 161st Annual Exhibition.